Gardenlust at the Huntington

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One of the items on my wish list this holiday is the recently published book Gardenlust by Christopher Woods.  And what better way to vet a book than to hear the author himself describe it, which I was able to do at the Huntington on the 12th of this month, a free lecture at Rothenberg Hall.    From his introduction, I gathered that Christopher Woods and Jim Folsom, Director of the Huntington Botanical Garden, go way back, having met most recently at a botanical garden in Puerta Vallarta that I believe is covered in the book.

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It was nearly dusk when the lecture finished, just enough time to race into the Huntington’s desert garden for some photos, the perfect opportunity to indulge in some gardenlust of my own.  The recent rains have rendered the desert garden even more glorious than usual.

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From the dedication in the book:

For the gardeners of the world.

You with the crazy eyes and rough hands.

You who are so much in love with growing things.

You artists and scientists, poets and painters, protectors and advocates.

You who fall in love again and again.

(Oh, yes, he’s definitely one of us.)

Mr. Woods is a talker, a storyteller, something of an irreverent cutup too, and though I didn’t buy one of the autographed copies at the Huntington (wish list!), I did peruse them.   The book is dense in word and photo and one to curl up with over the winter.  It arouses a travel lust to rival any gardenlust and visits newish gardens on nearly every continent. Mr. Woods continually asked for a show of hands from those of us who had visited whatever country/continent he was discussing, then ribbed us mercilessly for the meager showing.  (“There’s this thing called an airport here in Los Angeles…”) His taste in gardens is fresh and eclectic, and he seems to eye trends like “prairie” planting warily, judging first whether the style is appropriate to place and climate.  One of the special treats in this book is a profile of blogger James Golden’s New Jersey garden at Federal Twist, a garden definitively in the prairie/naturalistic camp.  Part of the naturalistic ethos is embracing the cycles of death and decay in the garden, and Woods dubbed Golden a “joyful melancholic” who loves the “misery of winter.”

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Coincidentally, Mr. Woods does include the Huntington’s Chinese garden in his book, but he’s gone much further afield, basically roaming the world for the last three years to document his dream list of gardens.  (And as far as exotic foods, he only got sick once, at a Thai restaurant in Davis, California.)

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Mr. Woods has been involved in gardens for 45 years, having grown up in a working-class London neighborhood in the “swinging Sixties,” taking a break from his band for a summer job at Kew and  then never looking back.  He’s worked at Bateman’s (home of Rudyard Kipling — and we just recently screened The Man Who Would Be King again so this resonated), worked with Graham Stuart Thomas, but ultimately grew restless with “British stuff” and headed to the U.S.   Chanticleer to be exact.  And there were several botanical garden directorships after Chanticleer, including the Mendocino Botanical Garden.

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The book is the culmination of a career in public horticulture.  In other words, his horticultural “social capital” is vast, his contacts extensive, and he knows who is doing the interesting stuff in garden making — or knows someone who knows.  There are familiar gardens in the book like Sunnylands in Palm Springs, but I had no idea there was a little public garden in Las Vegas as well.  

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After a visit to Australia,  Woods says in another lifetime he could happily grow only banksias.  And later said the same thing about heliconias.  There was a slide of a mass planting of Aechmea ‘Orangeade’ that I’ve mentally filed away for future plant sales.  But I’d never be able to find, or grow, Xeronema callistemon, the Poor Knights Lily from islands off New Zealand, which “needs a bucket of sea water thrown on it twice a year.”

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So I’ve moved Gardenlust to the top of my holiday wish list and will close with Mr. Woods’ own closing words:  “It is a wonderful planet – I hope you think so too.” 

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If you missed this talk, fortunately you can hear Mr. Woods speak at Modernism Week this February.

Posted in books, design, garden travel | 1 Comment

holiday backyard boutique 12/1/18

You’re motivated and ready to tackle this holiday business head on and get an early jump on shopping, but you’re shying away from all that mousey click, click, clicking and maybe more interested in combining shopping with some fresh air, congenial company and some nicely curated hand-made wares?

Here you go. And it’s tomorrow!

December 1, 2018, 11 a.m. to 4 p.m.
4323 Rutgers Avenue
Long Beach 90808

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Someone you know is going to love opening a little box holding Jivita’s “earthy modern jewelry.”

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Clothing, ceramics, watercolors, pottery, plants, skincare, beeswax candles, leather goods, tasty treats, a DJ…and there’s a blue heeler too? I’m all in. And what’s that he’s heeling in front of?

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That would be ceramicist and garden designer Dustin Gimbel’s “Lunar Spires” — tomorrow would be the perfect opportunity to make an appointment with him for your own personal installation of towering spires for the garden. Because you know you want to put it at the top of your holiday wish list.

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photos by MB Maher

Posted in artists, commerce, design, MB Maher, pop-up, pots and containers | 3 Comments

nerines for November

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What is up with the lack of interest in nerines in the U.S.? They have long, cuttable stems, the blooms last much longer than tulips, as in weeks rather than days, and they flower at a time of year when something so fresh and delicate and saturated in color and intricate in shape seems too good to be true. And, unlike tulips, they multiply and return every year. And all that beauty for so little effort. Even a complete newb to nerines like me can get them to flower — they’re that easy. I keep the pots dry all summer, an unfortunately easy task during our rainless months, and then water them when the leaves begin to show in fall. Here in Los Angeles they’re fine outdoors year-round, whether in the ground or in pots, but these bulbs from South Africa are typically grown in greenhouses.

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To get ahold of some of the fabulous varieties like this, I’d have to splurge over $125 on a phytosanitary certificate to bring them in from the UK. (My bulbs were gifts years ago from Matt Mattus of Growing With Plants. I hope he still has his collection, because I know his greenhouse was feeling a bit crowded from all the pots of nerines along with everything else this amazing American plantsman grows.)

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From the flamboyant to the understated, today being the 15th of November aka Bloom Day, the tiny blooms on some potted mammillaria deserve mention.

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Aloe ‘Rooikappie’ leaning hard on Agave ‘Northern Lights.’

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Still in the grips of the fall planting frenzy, to wit, late afternoon yesterday I climbed up in the lookout for some reading. But mostly I just scanned the garden and ate pistachios because the cat was dozing on my reading material. From that lofty vantage point, it became obvious that the garden would be much improved by taking out a couple soft plants and adding in their place the currently pot-grown Yucca linearifolia. The deed was quickly done before sundown, probably a little too quickly (fingers crossed the yucca pulls through), and early this morning my first thought was of that large, tantalizingly vacant container. Something new, big and bold would have to be brought home from the nursery! That was my second thought. But don’t I have something big and bold here at home that might appreciate roomier quarters? Indeed I do, a 6-foot tall Pseudobombax ellipticum, the Shaving Brush Tree. That’s its swollen trunk/caudex surrounded by the Mexican snowball, Echeveria elegans, that I gathered up from elsewhere in the garden. Maybe I’ll see the first flowers from the Shaving Brush Tree this spring.

Posted in Bloom Day, Bulbs, pots and containers, succulents | Tagged , , | 6 Comments

the many and varied forms of Echeveria agavoides

‘Lipstick,’ ‘Red Edge,’ ‘Maria,’ ‘Romeo’ — browsing nurseries and plant sales I’ve come across lots of named forms of this most agave-like of echeverias. This page from the World of Succulents has descriptions and photos of these varieties and many more. I’ve yet to hear anyone use the common names Molded Wax or Molded Wax Agave, but I have to admit the names are fitting.

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‘Ebony’

Some forms are quick multipliers, sometimes annoyingly so, while the most sought after (‘Ebony’) are stubborn singletons and therefore very pricy. In pots I have a ‘Red Edge’ and a cross with colorata named ‘Mexican Giant,’ which is nothing near as robust as its name suggests and has required serious coddling to keep alive.

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An ‘Ebony’ with pups, CSSA Inter-City show August 2015.

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As good in landscapes as in containers, Echeveria agavoides var. prolifera shown here at the Huntington with dyckia and barrel cactus.

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Blooming in my garden March 2016, I’ve had some reseeding too. (The butterfly agave on the right has since bloomed and survives only by a single pup.)

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In my garden April 2011. Native to rocky outcroppings in several states of Mexico, it flourishes in my garden’s amended clay. Those in the ground are unnamed, fast-pupping, passalong plants.

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In a local garden, brushed by a restio, it anchors a column by brimming over in a shallow bowl.

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But also plays well with other succulents.

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The perfect rosette can be a fleeting effect.

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Crowded with pups is more the usual.

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And the unattainable ‘Ebony’ again, coveted and often quickly bought out by foreign collectors. At this point, I’d be happy to find ‘Maria.’

Posted in pots and containers, succulents | 11 Comments

thursday clippings 11/8/18

Some pretty pictures for Thursday.

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The Neptune Pool at Hearst Castle in San Simeon, California, closed since 2014 to address leaks of up to 5,000 gallons of water a day, is open for business again. But if you want to make some waves in this pool, it’ll cost you. You can talk to these folks about arranging a swim.

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When I saw these photos, I had to rewatch Citizen Kane again. And reread Pauline Kael’s Raising Kane — Orson Welle’s film legacy was in dire need of resuscitation after the Olympian lightning bolts and obstacles Hearst threw at the film on its release in 1941, when Hearst was 78 and Welles just 25. When you control the newspapers, it’s fairly easy to limit a film’s reach and a director’s career.

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The Central Coast is a gorgeous destination for an autumn road trip. Viewing the Pacific Ocean from Julia Morgan’s neo-Spanish cathedral is an indelible sight.

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The density of antiquities, mosaics, carpets, statuary overloads the brain like a drug. And for pondering power, dynastic wealth, the futility of attempts to quash criticism and dissent, there’s nothing else like a visit to this California State Park. Despite Hearst’s iron-fisted attempts to control the narrative, ironically, he will now forever be enshrined with Welles at San Simeon.

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And whatever Hearst thought of the film, its themes are as timeless as the caryotids and just as relevant today.

photos by MB Maher

Posted in clippings, garden travel, MB Maher | Tagged , , | 3 Comments

garden journal 11/3/18

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The salvia order from Flowers by the Sea arrived early in the week in exceptional condition and has been potted up. Included in the order were the two above, Salvia discolor ‘Purple Bracts’ in the foreground, Salvia patens ‘Guanajuato’ in the back, as well as the hybrid ‘Raspberry Truffle’ and S. gesneriiflora ‘Tequila.’ Because every one of them is a big bruiser in the ground (aside from S. discolor), they will all be grown in containers, eventually much larger than these, and will be cut back hard in early spring, shuffled to the back wall during summer, root-pruned if necessary, kept watered, fed, and pinched until fall, when they will be brought out again ablaze in blue, purple, and magenta trumpets. That’s the plan anyway. Autumn plans are so much easier than summer implementation. It’s been so long since I’ve grown the big salvias from Mexico that I forget the reasons I stopped growing them — hence the journal entry — apart from their oversize dimensions and keeping them irrigated in the garden all summer until fall bloom. Growing them in containers is the new strategy.

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Salvia gesneriiflora ‘Tequila,’ leaves still wrinkled from transport.

The salvia infatuation ebbs and flows but never entirely goes away. This nostalgic episode was triggered by finding a beautiful 3-foot specimen of Salvia mexicana ‘Limelight’ grown by Native Sons at a local nursery and me realizing it’s time again to take advantage of one of the singular perks of having a garden in Southern California, e.g., winter-blooming salvias. Plus, no doubt it’s a form of garden comfort food for me. Plus, at the moment I can use a good distraction.

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All of these are reputed to bloom fall/winter here in zone 10. Slipping containers in amongst the dry garden shrubs and succulents or on the patio seems for now to be the best use of resources rather than attempting to give the entire garden the water the salvias need. Watching the hummingbirds’ crush on the salvias, the slanting autumn light outlining halos on everything it brushes — I love everything about this spin of the axis.

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But it’s not all sunshine and dreamy light. The damage that the dry, hot Santa Ana winds can do should never be underestimated. Which is what I did when I left the bitter cassava exposed to the Santa Ana’s full blast. I felt like an absolute idiot, but I noted when I next visited the nursery again that their stock looked denuded exactly like mine.

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Another small-garden hack. The same thinking is behind sinking this pot of watsonia in the ground. An unknown peachy-flowered species brought home from a Strybing sale, it makes a big clump of enormous leaves. After spring bloom the pot will be lifted and something else will take its place. Or not. Lots of mulch was made from garden clippings ground up in the shredder, and it’s been applied liberally to open areas and paths. I love freshly laid mulch. And so do the raccoons, who visited this area immediately after mulch was laid down looking for grubs, breaking quite a few branches of that coastal woolybush. I know instantly upon opening the back door in the morning whether the garden received night visitors, because the cat’s water bowl will be muddy and need rinsing.

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None of the budding aloe bloom stalks were broken, thank heavens. These are Aloe scobinifolia.

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Perhaps the aloe blooms are somewhat protected from trampling and breakage by this whirling dervish of an aloe hybrid, possibly a ferox cross. It’s developing a trunk and will eventually rise up over the plantings, no longer crossing swords with other plants and generally getting in everyone’s grille. It will be a lovely, tall, twisting dervish then. That is, if it manages to avoid an attack by the dreaded aloe mite.

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There’s no honest discussion of growing aloes in Southern California without including mention of their arch nemesis, the villain Aceria aloinis aka aloe mite. The tree aloe ‘Goliath’ is still in treatment, recovery uncertain, and today I opted to remove a big Aloe cameronii after noting the distinctive thickening and micro-ruffling of leaf edges near the center, the arrival of which seemed to coincide with the cooler nights. Some growers refer to it as aloe cancer. The disfiguring galls build up to conceal and protect the nefarious activities of the mites. Because of my habitual overplanting, Aloe cameronii’s absence is barely perceptible, but just a few hours earlier it was arising out of that clump of sesleria to the left of Agave ‘Dragon Toes.’ Aloe elgonica behind the agave appears to be uninfected for now. Perhaps it’s resistant.

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Aloe cameronii February 2016

Luckily I have a clean, yellow-flowering Aloe cameronii in the garden elsewhere as consolation. Most heartbreaking of all was the attack on the marlothii x peglerae hybrid, one of the most beautiful plants I’ve grown. I opted to try to save it, taking off most of its disfigured leaves.

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I’ve had a couple aloes respond to this treatment of taking off the affected leaves and dosing the wounds with rubbing alcohol. I’m reading that along with unknowingly bringing in infected plants, ants spread the mites around, and if that’s the case the situation is pretty much hopeless. Unless I want to grow aloes in containers…

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And I really don’t, because there are already so many containers. My one pot of nerines is throwing three bloom stalks. Summer-dry bulbs from South Africa, they’re a good fit for LA.

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They were initially planted in the front gravel garden, but I’ve noted the bulbs fatten up faster for best bloom in container conditions.

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The cooler nights are bringing out some ruddy color again on Agave geminiflora, which is kept in a container so it rises above surrounding plants.

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The stock tank winter vegetable garden was planted this week, the first purposeful use made of this tank I’ve had a few years. All summer it held odds and ends of cuttings along with summer-stressed aeoniums and other bits of succulents. Basically it became the garden’s junk drawer. Two kinds of broccolini were planted, side-shooting broccolis that don’t form a big central head and that can be picked over a longer period of time. And I’ll probably interplant radishes amongst them, French breakfast and watermelon radishes. Getting the tank up on this old wrought iron table base exposes the plants to more sun throughout the day.

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One of the stock tank’s temporary residents moved to make room for vegetables was an Agave ‘Kara’s Stripes’ pup that grew to quite a massive size. More and more agaves are migrating to the area under the fernleaf acacia, since they don’t mind the root competition and dry soil. A couple of ‘Joe Hoaks’ are being protected by those baskets from lounging felines and/or digging raccoons and possums.

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The Miscanthus nepalensis that I mailed home from England’s Great Dixter Plant Fair last fall is proving to be well worth the trouble.

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An odd ivy lookalike I found while running to the nursery for potting soil, Senecio macroglossus.

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Passiflora ‘Flying V’ is waking up after a looong summer snooze.

Time to put the journal down — enjoy your weekend!

Posted in edibles, journal, pots and containers, succulents | Tagged , , , , , , | 8 Comments

spooked!

True! –nervous –very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses –not destroyed –not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily –how calmly I can tell you the whole story.

The Tell-Tale Heart narrated by Christopher Lee

(The master of mystery’s final days were as horrifying as anything he ever wrote: found wandering lost in delirium in Baltimore, when his true destination had been Philadelphia, garbed in another man’s shabby clothes, savagely beaten…incoherent and tormented by hallucinations the last four days of his life. Now there’s a short story begging to be written — and illustrated! — the deathbed hallucinations of Edgar Allan Poe!)

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Happy Halloween!

Posted in artists, books | Tagged , | 3 Comments

wednesday clippings 10/24/18

I’ve been having incompatibility issues lately — with hardware, operating systems, cameras, the relentlessly awful news, you name it.

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But please do carry on! It’s been a lovely autumn so far. I’ll be back when the technical stuff gets sorted out.

Posted in clippings | 4 Comments

WestEdge Design Fair 2018

What: WestEdge Design Fair October 19-21, 2018.
(Sunday is the last day!)

Where: The Barker Hangar
3021 Airport Avenue
Santa Monica, CA 90405

When: For general admission, October 19-21, 2018.
(Sunday hours 10-5 p.m.)
order tickets here

In the spirit of short notice is better than no notice at all, today, Sunday October 21, is the last day of this very lively design show held in the Barker Hangar at Santa Monica Airport. I’d never attended this six-year old design fair, which is geared toward industry professionals, but I noted that Bend furniture would be there this year, and the Air Plant Man (tillandsias), so we stopped in on Friday. It’s definitely worth a look, and today is your last opportunity for 2018. I’ll be marking my calendar for a return visit next year and plan to make time for more of the panel discussions. And visiting the repurposed air hangar is a treat in itself. In between discussing the price of floor models (yes, he bought a couple), Mitch ended up with quite a few photos.

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Have a great Sunday!

photos by MB Maher

Posted in artists, design, MB Maher | Tagged | 1 Comment

Natural Discourse 2019 Preview Conversation 10/19/18

Where: Wind Tunnel Gallery
Art Center College of Design
950 South Raymond Ave, Pasadena

When: Friday, October 19, 2018
5 to 7 p.m.
free but reservations encouraged

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The winter aloe bloom season is coming, always a compelling reason to visit the LA Arboretum in winter. The return of other equally exciting events at the LA Arboretum in 2019 include Natural Discourse’s Digital Nature February 27 through March 3, 2019.

In anticipation of the 2019 return of Natural Discourse to the LA Arboretum, a Preview Conversation will be held this Friday, October 19, 2018, 5-7 p.m. (free but reservations are encouraged, here).

This Preview Conversation will be held at:

Wind Tunnel Gallery
at Art Center College of Design
950 South Raymond Ave, Pasadena

The speakers on Friday, October 19, 2018, at the Wind Tunnel Gallery in Pasadena include:

John Carpenter is an interactive digital artist and designer whose work explores the use of gesture with complex data and spaces. Based in Los Angeles, he works for Oblong Industries as an interaction designer and is a visiting professor at the University of Southern California School of Cinematic Arts, MA+P. John earned his MFA from the department of Design Media Arts at UCLA (thesis: qualitative spaces in interactive art + design, 2009) and has recently exhibited work at INHORGENTA MUNICH, the LA Arboretum, the Murmuration Festival, Young Projects, ACME. Los Angeles, and the Academy Awards.

Richard Schulhof, CEO of the Los Angeles County Arboretum and Botanic Garden and a native of Los Angeles, has a strong commitment to public education and serving urban communities. Schulhof was deputy director of Harvard University’s Arnold Arboretum in Boston, executive director of Descanso Gardens in La Cañada Flintridge. He completed horticultural internships at the Huntington Botanical Gardens in San Marino and the Mildred Mathias Gardens at UCLA. Schulhof has an undergraduate degree in landscape architecture from U.C. Berkeley and masters degrees in public garden administration from the University of Delaware and in forestry from Harvard.

Shirley Alexandra Watts is curator of the ongoing project Natural Discourse, a series of symposia, publications and site-specific art installations that explore the connections between art, science and the humanities within the framework of botanical gardens and natural history museums. Natural Discourse began with an exhibit of site-specific installations on view at the UC Berkeley Botanical Garden in 2012. Shirley has organized six daylong symposia at the Berkeley Botanical Garden, the LA Arboretum, the LA Natural History Museum and the Huntington Library, Art Collections and Botanical Gardens. In fall 2016 she curated the exhibit Digital Nature at the Los Angeles County Arboretum and Botanical Garden. With support from the NEA, Digital Nature 2019 will take place at the LA Arboretum February 27 to March 3, 2019.”

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lagerstroemia by John Carpenter and Justin Shrake, Digital Nature 2016

The Preview Conversation will touch on some of my favorite topics, “art, science, trees and the upcoming exhibit Digital Nature 2019 at the LA Arboretum February 27 through March 3.”

You can read up on past Natural Discourse events at these links here.

images by MB Maher

Posted in artists, clippings, design, MB Maher, science | Tagged , , , , , , , | 1 Comment