I love massing one kind of echeveria in pots and letting them multiply like crazy. Echeveria lilacina has completely filled in at the base of the shaving brush tree, Pseudobombax ellipticum. One E. liliacina in bloom is a novelty; over a dozen in bloom is an event.
I instagrammed the blooming echeveria and was asked about the tree. Which got me wondering about the age of the shaving brush tree, which led me to this post “Back on the Home Front” in July 2014. (The tree bloomed this year, an event also noted on Instagram.) I’m still unsure about the exact age of the tree, now with an over 8-foot trunk, but the earliest entry I could find was 2014. Looking at the rest of the post, July 2014 struck me as a fairly ambitious month in the garden, a time when I was working on more color for summer, whereas the 2019 garden has grown shrubbier, with more aloes and agaves grown among sesleria and horned poppies/glaucium. And since I often feel that followup on all the plants I talk about over the years can be somewhat inconsistent, it seemed like a good opportunity to revisit some of the plants grown in July 2014. Where are they now?
I toured this garden designed by Judy Horton back in May as part of the Garden Conservancy’s Open Days for Los Angeles and recently uncovered just a few photos, not really enough for a proper blog post as far as overall layout and flow. But looking at the photos in late July, I’m struck by how the garden makes the barest nod to spring, choosing instead to enfold its owners in vines, hedges and lacy tree canopies, the OG counterpart to living walls and green roofs inspired by the owner’s childhood in New Orleans. This garden takes the long view, practicing in spring the cool look it will need for a hot summer, a balmy fall, a barely there winter (15 inches of rain in a “normal” year), and so back to spring. Formal gardens, after all, are an ancient design strategy for hot, dry places, dating back to the Egyptians, when it’s thought the genesis of the geometric grid layout began with following the axis of irrigation canals.
It’s a disciplined garden far removed from my own small plant collector’s jumble — but then the portraits that gardens provide of their owners are one of the key pleasures of visiting them. The rigorously clear design intentions hinted to me of a fastidious sensibility that looked outside California for inspiration, and I wanted to know more. (Links provided at end of post). What really fascinates me is that this design, purposely drained of most colors but green, was pondered over a dozen years by the owner, the interior designer Suzanne Rheinstein, and is an aesthetic choice as much as a response to a mediterranean climate: “Part of my garden was inspired by Nicole de Vesian, the head of design at Hermes for many years, who had an extraordinary garden in Provence that I was so fortunate to visit. She used a lot of gravel in her gardens, which was also a perfect solution to gardening in our Southern California climate.” (Nicole de Vesian began her influential garden at the age of 70: “She had a feeling for space just as a musician has a good ear.” Modern Design in Provence by Louisa Jones)
The function of hedges is often viewed as the mute, utilitarian backdrop to floral exuberance, in conciliatory climates like those of England and Holland. As the Sissinghurstian trope goes, formal layout, informal planting. In this summer-dry garden, the importance of hedges is moved from background to foreground, their clipped geometry providing volume, scale, enclosure, and soothing studies of shadows and green. And the cooling abilities, bird cover, and pollutant-trapping powers of all those small leaves are not to be underestimated either. (“Plant hedges to combat near-road pollution exposure.”)
Cooler with some moisture: I haven’t done an ODWR in quite a while, but today inspired me to file a report. The pavement was wet this morning. Wet I tell you! Enough drops were falling to drum some spare syncopation on the pergola’s corrugated roof. The fleeting tap-tap-ping! concert was enjoyed while sitting on the bench under the pergola with the first cup of coffee. And with the moisture-saturated air, it’s noticeably cooler. Supposedly we’re going to drop out of the 90s today. Yes, Long Beach is technically a beach city, but we’re always the hottest beach city in Los Angeles County. And the overall climate? Heat records breaking all over Europe. Political climate? Cowardice/avarice at the highest levels of U.S. government prevail regarding mitigating the effects of heat-trapping emissions. Facing an epic failure of leadership at the national level, I just have to bring up trees again, and this piece deserves a spot on your reading list: How Trees Can Save Us: “A tree is a piece of equitable green infrastructure…For some people, having access to trees can be a matter of life and death.”
Just something I’ve observed about Yucca rostrata. Whether it’s MCM, Spanish Revival, Craftsman bungalow, Streamline Moderne, you can’t go wrong with this yucca, native to Texas and Mexico. Seen here standing tall amid a privacy buffer of crassula and foxtail agaves between two properties in the Hancock Park neighborhood of Los Angeles.
Wisely, the architecture is left to shine and not obscured by heavy foundation planting. There’s a tracery of vine, cycads, and that limbed-up shrub I couldn’t ID from the sidewalk.
Most of the houses on this street are Spanish/Mission Revival with the occasional chateauesque property as seen looming in the background.
I took these photos back in April. Along with the yucca in bloom, you can see star jasmine in bloom just about mid-photo. So this is one example of what a “spring garden” looks like in Los Angeles, with succulents, cycads, yuccas, agaves, dymondia, decomposed granite mulch.
In truth, this is a dry garden that mostly ignores the seasons and will change very little throughout the year. It will effortlessly shrug off this week’s temperatures in the high 90s. In this neighborhood back in April, there were also front gardens in profuse spring bloom from California natives and dry garden exotics, and I’m a fan of those as well — especially if they sneak in a Yucca rostrata or two or three…because they really do go with everything.
“The road of excess leads to the palace of wisdom…You never know what is enough until you know what is more than enough.” — William Blake
What I really enjoyed about one of the gardens I visited recently in Colorado was that it was a small garden that wanted it all and refused to say no to any of it. After a long winter, spring in this garden emerges unbowed, with a pronounced strut and swagger. Saturated colors, silky petals swooning against rusted metal, gnarled driftwood sinuously threading itself alongside narrow footpaths pressed on all sides by a profusion of flowers and emphatic spikes, with no opportunity to plant treasures among the rocks and stones left unturned. The owners are clearly having a blast and their enthusiasm is entirely infectious. Exuberant, maximalist, raucous, it was difficult to point a camera without interrupting a sight line or industrial salvage vignette.
This garden flamboyantly courts excess like poppies shamelessly court honeybees. And it’s obvious this is not mere cheerful naivete at play. There’s a knowingness to the extravagance, the profligate gestures. For one thing, the command of the planting was first rate — irises, oriental poppies, Shirley poppies, California poppies, alliums, larkspur, columbines, all the sexpots of spring were here, all doing precisely what they had been asked to do. One of the owners, Dan Johnson, has spent his lifetime in gardens, the last 22 years with the Denver Botanic Gardens. Home is clearly where he lets his hair down.
“Curator of Native Plants and Associate Director of Horticulture, [Dan] has been at the Gardens since 1996. Though much of his focus is on xeric and native plants and naturalistic design, his work has included all corners of the Gardens. He has been involved with Plant Select since its debut in 1997. His horticultural exploration has included all four of the world’s Steppe regions and beyond, including the western US, South Africa, Argentina, Spain and Pakistan. Publications include the revised and expanded “Meet the Natives” wildflower guide, “Steppes” and many articles in gardening periodicals.” DBG Horticulturalist’s Bios
Sounds like a sober, all-business, scholarly type of fellow, right? If so, the garden completely blows that cover.
I don’t know about you, but I’m definitely feeling a southwest influence too, in the paint colors, stucco walls, the sotols and agaves…
I found a reference in a Fine Gardening article that there is (or was) a garden in Tucson, Arizona too. A single reference. And now I can’t stop imagining what a Tucson garden by these two must look like…
( garden visit made possible by one of the best garden tours around, the Garden Bloggers Fling)
I asked Josh Rosen if Mitch could pay him a visit with his camera to see what he’s been up to, which turns out to be quite a lot. The landscape architect, aka airplantman, is moving away from full-time landscape architecture and focusing more on product design and custom work for clients as farflung as Singapore, as well as teaching a plant materials course at UCLA Extension. For such restless creativity, one thing has remained constant for the last decade or so with his design process: there will be tillandsias.
Mitch caught up with Josh at his home/design laboratory in Mar Vista, California earlier this month.
I think I first saw his modular air plant frames back in 2012 at Big Red Sun in Venice and was immediately struck by the serious design chops that honored these little epiphytes’ growth needs as well as cleverly exploited their potential for a soil-less life in a stylishly modern framework. Already in 2012, the public’s infatuation with tillandsias was in full swing, and air plants were routinely being asked to live out their increasingly dessicated days under glass in twee dioramas — no wonder they developed an undeserved reputation for being difficult to grow. Good air circulation and easy access for drenching or frequent spraying are paramount needs that can’t be ignored. And if twee isn’t your jam, grids made on sleek, powder-coated frames provide a) great design b) optimal air circulation c) crucial ease of watering.
Tillandsias have had the staying power of succulents in their rootless hold on our imaginations. (Actually, they do have roots, but they’re used only as anchors and not for nutrient or water uptake, which all happens through the leaves.) Indoor care is more exacting than for outdoors. Mine are all outdoors and get sprayed a few times a week. For indoor care, Josh says if you position them not more than 6 feet from north or east-facing windows and soak them, as in submerge them, 6-10 hours once a week, preferably in room-temperature tap water left to sit for 15-20 minutes before use, you should be good to go. His frames and vessels are all designed to facilitate this type of care. Grow lights indoors are fine too, no particular spectrum required.
If spraying is your only option, do this several times a week, and make sure no water pools in their crowns because that will surely cause rot, so dry them upside down to avoid pooling. Again, air circulation is critically important, and rotating indoor tillandsias outdoors when possible is a good idea, or at least keep a window cracked. And don’t manhandle them either — oils in our fingertips can mess with their ability to uptake water, so keep handling to a minimum.
Tillandsias are in the bromeliaceae family and, like cactus, are found only in the New World, more than 600 species hailing from South America and up into Texas. Their tough, epiphytic ways are a recent adaptation, which Josh finds metaphorically inspiring, now that we face a possibly rootless modernity ourselves that will require quick adaptive moves as year after year becomes the hottest on record. And as far as plant obsessions go, it doesn’t get more lightweight and transportable than tillandsias.
Some of his favorite species include T. chiapensis, T. caput-medusae (most tolerant indoors), T. latifolia, T. ionantha, and of course the dramatic T. xerographica. Many will begin to blush just before bloom, and some of the flowers are incredibly scented.
After flowering the mother plant will die off but leave you with some pups, or offsets.
For smaller-scaled, table-top displays Josh has developed air plant vessels in powder-coated steel, ceramic, and wood.
Felted-wool kokedamas on customizable pegboards give lots of options too and look addictingly playable. Josh is exploring working with cacti like rhipsalis and others that, unlike air plants, do require some kind of substrate in which to grow.
One of his latest designs has the working title of “airplantern,” which came about from some recent custom work when a client asked for a lantern planted with tillandsias. Josh envisions the airplantern as more for outdoors than the frames, say for hanging from a tree in temperate climates.
The bigger spheres come with misters and lights, and the flexibility of the design allows it to be pulled into other shapes as well.
Thanks so much, Josh, for sharing your home with us and giving us a peek of your new work!
The blooming backdrop to July in my coastal zone 10 garden, the background fizz abuzz with winged creatures, continues to include grevilleas, horned poppies, flowering tobacco, Salvia chiapensis, Verbena bonariensis, little erodiums, and I’ve been adding a few odds and ends too like that new agapanthus ‘Indigo Frost.’ Summer is such a permissive time in the garden, isn’t it? Go ahead, grab that sexy thing and plant it is my July mantra. Planting in the ground mid-summer can be dicy, though I’ve been doing that too this marine-layered July, but pots can always be shuffled out of a heat wave if needed. There have been a couple surprises too, like Sinningia ‘Invasion Force,’ planted last year, with new blooms just noticed last night at the dryish base of a young Yucca rostrata (no photo). And how did I miss that bud developing on the night-blooming cereus? (last photo below) The grasses are blooming now too, one of my absolutely favorite things about summer. And despite these foliage-heavy photos, let me just affirm I do like summer flowers, especially little incidents of them, but they’re just not in the driver’s seat here. So let me point out some of them, because you’d probably miss them if I didn’t.
Even before I visited Denver’s gardens filled with penstemons I was testing the beardtongue waters again this spring at home with old standby hybrids like ‘Midnight,’ just whatever I could find local. This little species penstemon from Mexico, Penstemon kunthii, looked like a baby phygelius sitting on the sales bench at Xera Plants in Portland, Oregon, during a July 4th trip up the coast. Lots of penstemons flowed through my garden decades ago, sourced outside the U.S. by Lester Hawkins and Marshall Olbrich of Western Hills Nursery in Occidental, CA. The hybrids inevitably grew too large and flopped, and then the budworms found them. Seeing some of the compact species in Colorado rekindled the old penstemon flame. Maybe I need to look at the smaller species and grow them lean among the succulents. I remember ‘Midnight’ in particular getting out of control as far as size fairly quickly.
Wherever your floral ambitions lead you in the garden, May Dreams Gardens collects bloom reports the 15th of every month.
With this July being the 50th anniversary of the moon landing, it’s been nonstop space coverage here at home. I doze off and on, but Marty is absolutely rapt, so I can always quiz him afterwards on what I missed.
I was awake, though, to learn about Poppy Northcutt, the first female engineer in mission control, who was hired as a “computress” — where’s the movie on Poppy? It’s such an enthralling story. And she bears a remarkable resemblance to Kirsten Dunst, so the casting practically takes care of itself.
The shapes that inspire artists, engineers and designers are all around, and I can’t wait to learn more of the back story behind Josh Rosen’s latest creation pictured above and below.
The airplantman has devised a new structure/habitat that maximizes the conditions for tillandsias to flourish — in a celestial shape that the eye just doesn’t want to let go. Hopefully we’ll all know more in the next few weeks.
More mesmerizing shapes. This silo belongs to the Denver Botanic Garden’s Chatfield Farms. We just got back from a road trip up the California coast into Oregon, where silos, barns, and granaries gracefully dot smallish farms with their intensely green geometric grids of summer vegetables. Whether in space or here on Earth, there’s so many inspiring shapes all around, whether purpose-built by natural selection or by us for our various schemes. I’m a city kid, born and raised, which might be why farm buildings exert such a powerful pull on my urban imagination. Buildings crafted to facilitate specific tasks are so incredibly stripped down and pure. Very reminiscent of the adaptations of plants in a way.
Here in Los Angeles, the local gas refineries, with their low tanks and slim minarets lit up and sparkling at night, were exotic, glittering cities before I knew any context for their real purpose. Incredibly, the Saturn 5 rocket that took us to the moon burned more fuel in 1 second than Lindberg’s trip across the Atlantic. Ask Marty, he’ll tell you all about it. My next question to him will be: Can we get the manned mission to Mars off the ground with biofuel?
Okay, I admit I’m chasing the goal of 10,000 steps a day. Chasing it all over my hometown. And it’s amazing how familiar streets by car can turn up all sorts of unfamiliar scenes by foot. So this is technically a walkby, not a driveby, or possibly a hybrid of the two — I might have initially caught that searing blur of kangaroo paws when doing errands by car then went back to investigate on foot. My old standby, a form of pale yellow Anigozanthos flavidus, is blooming as strong as ever in my garden, but the rusty oranges and egg-yolk yellow forms have died out as the back garden grows shadier. This is one of the strongest, most vibrant displays I’ve seen locally.
See that snippet of low white picket fence? That’s a clue to how this front garden accomplishes depth and scope beyond its actual footprint — because whether by design or serendipity, it’s borrowing the view from the front garden next-door that belongs to that grey, black-trimmed house with the enviable casement windows.
From this view, the garden is luxuriously deep, building up mounding textures and spikes, backed by tall kangaroo paws and leonotis blooming like solar flares against that cool blue haze of a sprawling eucalyptus — a borrowed but nonetheless spectacular backdrop. In actuality, the gum tree takes up most of that neighbor’s front garden, as seen below.
Two gardens, two houses, but I only took photos of this house because I love how it sits in the landscape, snugged into the view from the neighbor’s garden. (And privacy reasons too — the owner of the house belonging to the foreground garden was puttering outside.)
Mitch’s note to me: These are the images from Kelly’s house call — she’s such a delight — thank you for producing this! I was super early and drove by her place on my way to Market Hall for coffee just to see the angle of the sun and there she was out front in the yard deadheading and prepping and I was hit by a pang of guilt that she had taken time from Sunday with her family to create a photo-friendly fantasy for me, but then I saw her dog and her husband right behind her and remembered that we are visual people and that there’s nothing better than separating delight from chaos in your own space. I hope she wasn’t exhausted! Anyway, she threw me into her contractor truck and we drove across Oakland to see her projects and it was such a blast. She has more and larger scale work in Atherton and Hillsborough on the peninsula that we made plans to see next time I’m shooting in the Bay — so much fun — best, M
I’ve met Kelly a couple times on garden tours and blogger meetups, including the one she helped organize in San Francisco a few years ago, but to shoot her an email asking if she could give Mitch a tour of some gardens to photograph with just three days’ notice was a bit presumptuous, to say the least. That she said yes, after a busy workweek, says everything about Kelly’s generosity and steadfast support of garden culture. I don’t want to think about what exploiting that generosity says about me other than being mad about plants and gardens can make one appear just a tad pushy from time to time — which Kelly graciously chose to ignore because she completely understands. She is just the best.
I love that she allowed Mitch access to her work space as well, which is the converted attic of her home in the Broadway Terrace neighborhood of Oakland, California, that she shares with her husband Jay, their son Parker, and a kinetic bundle of black and white patches named Bessie.
But let’s step outside to check out the kind of detailed planting that’s she’s known for, in sun or shade, for spaces large or small.
At her own home, Kelly has cleverly persuaded a neighbor to pool their adjoining narrow side yards, ending up with a multi-interest space that is much more than the sum of its parts. In this particular instance, that maxim about good fences making good neighbors would only result in two rather forlorn narrow strips instead of these warm and welcoming shared walkways filled with ceramics and striking plants.
And about these striking plants. Somehow, despite a busy design practice and an overflowing household, Kelly has managed to steadily inch forward to becoming a landscape architect and is now very near completion. Judging by her immaculate workspace and home garden — remember the minimal to no prep time for this visit? — this is one organized woman. I think it’s fairly well established that landscape architects do not routinely begin their training with an emphasis on plants first. Kelly’s design practice is built on a bedrock of a deep knowledge of plants and a love for ferreting out the most gorgeous yet site-appropriate choices for her projects. Her background includes a stint at the beloved Bay Area nursery for all that’s rare and wonderful in the plant world, Annie’s Annuals in Richmond.
Even though the space available at home to garden is minimal, this is not a case of the cobbler’s children having no shoes. Kelly has exploited and polished every inch of available space. If you happen to be garden poor as far as physical space, it helps that your designer has dealt with these same issues as well and transcended them beautifully.
These narrow strips surrounding homes often get short shrift, design-wise, or are at best neatly hardscaped. Here Kelly methodically builds up layers with plants — ground covers, perennials, shrubs and even small trees. The cooling effects of plants and their ability to capture carbon make prioritizing their inclusion essential in even the smallest of urban gardens. And this kind of layered planting is incredibly bird friendly, as I often observe in my own garden, offering gradations of cover and shelter. That rocky pool of water at the base of the tree is a wonderful touch as a round, reflective surface in the design as well as a source of water for small creatures.
Great style paired with an encyclopedic knowledge of plants makes for very sexy gardens, and that is a hallmark of Kelly’s designs.
Even on such short notice, Kelly was able to arrange to show Mitch a client’s garden in her neighborhood and tour if not photograph some of her other work. The nearby garden designed by Kelly was a crisp, cleanly organized space to relax and dine outdoors filled with beautiful plants — for screening, shading, for forgetting everything else while being utterly absorbed in their shadows, movement, patterns and forms.
And, again, the cooling effects of plant-centric gardens are often a secondary consideration to aesthetics for the general public, but such effects are very real and becoming increasingly more important as cities grow warmer. Kelly has skillfully layered in here dry garden-appropriate succulents and shrubs that will also be low care for the client.
Kelly, thank you so much for letting us drop in on you! We had a wonderful visit and can’t wait to see more of your stunning garden designs.