Desk Diversions

The past few days have been misshapen, unwholesome things, misspent in a prolonged bout of desk duty. Sporadic but sweet relief and diversion came in the form of The Paris Apartment. Claudia has been shopping the Paris flea markets(!) The interminable hours at the desk had me rifling through my Reader, where I’ve stashed away all kinds of marvelous blogs such as hers just for these occasions.

The colors in these blankets instantly wiped away hours of desk fatigue.

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Faster than you can say “Concorde,” for a few stolen moments I was lost in Parisian flea markets, wandering among the stalls, gaping at a copy of La Vagabonde, inscribed by Colette. (Photo found here, portrait by Irving Penn.)

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And then there was this tableaux outside a Parisian florist. The subtle staging at varying heights, interplay of pattern and texture, bowls of succulents balancing the vertical, soft sweep of the grasses. With the pièce de résistance, the hydrangea on standard. So very French!

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Bloom Day November 2011

It can’t be November already. But the winter-blooming salvias don’t lie.
Rosebud-like blooms are forming on Salvia wagneriana, and the slender wands of Salvia littae from Oaxaca, Mexico are budding up.
The latter’s tall, lanky growth habit is very reminiscent of Salvia uliginosa, but in pink and without the crinkly, rugose leaves or funky cat-pee smell. I’m checking S. wagneriana’s buds daily, but it seems to take an agonizingly long time for the complex structure of flower, bracts and calyces to elongate and reveal itself. (A watched flower never blooms?)
The third pink salvia is S. chiapensis.

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Many of the so-called late-blooming, tender salvias collide with early frosts outside of zones 9 and 10. Here in zone 10, these salvias are not so much late fall-bloomers as early winter-bloomers, when they will bloom from November to March. Of course, a gardener’s perception of the timeliness or tardiness of a plant’s blooms arises out of a narrow range of aesthetic considerations. From a plant’s point of view, it is always exquisitely on time.

Salvia madrensis started bloom late summer and gets continued support from castor bean plants. It needs it.
These winter-blooming salvias are nothing like the herbaceous salvias’ tidy, vertical forms, but huge, sprawling shrubs that need cutting back after bloom, and then even again mid-summer to keep them to a manageable size. I can fit in only a few kinds, or there’d be no room left for a proper summer garden.

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Euphorbia ‘Diamond Frost’ continues its intricate weaving act, oblivious that most other summer performers have left the stage.

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The Passiflora sanguinolenta is fulfilling its reputation as a dainty (maxing at 10 feet), prolifically blooming passion vine. I didn’t think it was possible, but now I’ve seen ever-blooming proof. Alongside is ‘Bouquet d’Or,’ the lone survivor of a one-time 30-plus collection of old tea roses and noisettes. Spring and fall are the seasons I miss these roses the most.

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The Moroccan toadflax, Linaria maroccana, was added the last couple weeks to bloom fall/winter.
Apart from this Hakonechloa macra ‘Emerald Glow,’ very few grasses bloomed this year.
I’ve never grown Japanese forest grass before, assuming it preferred much moister soil than mine, but it did surprisingly OK.

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With a rack rivaling Bullwinkle, the inflorescence on the tetrapanax must be 4 feet across, reaching for this aerial basket of succulents and bromeliads, including the trailing Crassula sarmentosa, its starry white flowers now in bloom.

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A Thunbergia alata vine planted at the base of the tripod holding the basket of succulents has made its way to the top of the basket. The golden-leaved bromeliad is Aechmea recurvata ‘Aztec Gold,’ the darker green Vriesea gigantea.

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Carol at May Dreams Gardens hosts the monthly Bloom Days, providing a look at what’s in bloom all over the world.

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Lunaria annua

I’ve finally discovered the identity of the little clutch of seedlings under the smoke tree.

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Lunaria annua, which I saw lining the pathways of *Western Hills, the former plant nursery in Occidental, California.

Western Hills photo by MB Maher.
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I’ve been hoping to entice lunaria to naturalize and bloom with spring bulbs and Helleborus argutifolius, which also throws its seed around with wild abandon. A single Geranium maderense that bloomed last spring carpet-bombed the area with seedlings, so initially I mistook the lunaria for more late arrivals from the geranium. The lunaria’s seedlings also came from just a single plant, a variegated selection that bloomed under the smoke tree Grace this past spring. Rather than bring the transparent seedpods indoors for a vase, I tore them apart and shook them over the ground.

Photo found here.

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Lunaria annua is a biennial known, strangely enough, as both Honesty and the Money Plant. Although not a rarity, still the possibility of getting a self-perpetuating colony going of this charming plant has me gleefully counting the little seedlings and moving them around to shady areas of the garden, which are admittedly few. The translucent seedpods or “coins” are an old-timey, dried flower favorite. If I’d taken a moment’s care, peeling back the membrane would have revealed the three flat seeds encased in each pod. Carol Klein discusses history and propagation here.

And in another lunaria triumph, seeds of the perennial Lunaria rediviva have also germinated. Source of these seeds was Derry Watkins.

Annie’s Annuals & Perennials is a mail order source of Lunaria annua, including the dark-leaved selection ‘Rosemary Verey.’

(*NB: In an update on this post on Western Hills, Chris and Tim Szybalski of Berkeley’s Westbrae Nursery have since become its new owners and will be preserving the garden.)

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pieces of Rancho Reubidoux

The inaugural Rancho Reubidoux Bazaar took place this weekend, a truly one-of-a-kind experience amounting to a physical journey through Reuben’s blog posts, a kind of dimension-pushing experience with flash mob overtones. Blogging in 3-D, so to speak. At my last visit to RR in April, it was garden-tour ready, (see this post here from which I’ve borrowed some photos) and now we had Reuben’s beaming permission to dismantle it all and cart it away. And at ridiculously good prices.

Gear Guy found a good home in an art gallery.

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I can barely express what an unusual, layered experience it is to rummage through objects and at the same time have flashes of recognition, already in possession of the object’s most recent, specific story of Reuben’s relationship to them. Like this neoclassical urn on the right, one of a pair, formerly part of RR’s temple. Already purchased by the time I got there.

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I was trying to keep the focus on small, lightweight, and plantable, since all the bulbs chilling in the fridge will need potting up soon. I’m still wishing I’d found a way to bring home this very heavy, planted metal container with the zigzag striations. MB Maher grabbed the vent.

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And then there he was, the little man. I’d completely forgotten about him. Was he already purchased? Carefully lifting him and holding him aloft, I called out to Reuben, who said, Take him. He’s a gift.

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Reuben knew from my comments on his blog that I was smitten with the little homunculus. I’m telling you, anywhere the little man sits, his naked serenity instantly calms and composes his surroundings. I’ve already tested this theory quite a bit. Currently the little man sits on the fireplace mantle.

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I did find some troughs for the bulbs, the top one planted yesterday with Dutch iris, and this indispensable grappling hook/anchor thingy.

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Whether abstract pieces of heavy pig iron formerly built up into towering assemblage or delicate, metal bird’s nest weavings, all the objects hummed at the Rancho’s frequency. And now they would hum elsewhere. Reuben hinted at a new direction he’d be exploring, inspired by a recent visit to Joshua Tree.

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Thank you, Reuben, the ever-charming Paul, and all the friends and vendors who made the bazaar possible.

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Can we say until next time?

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Villa Mundo Nuevo

This fall photographer MB Maher revisited this Northern Californian residential garden designed by landscape architect Jarrod Baumann of Zeterre Landscape Architecture and built by contractor Jim Everett of EvLand LLC that won the 2010 California Landscape Contractors Association Trophy Award. An early rough video preview of this project from last November can be found here. Laura Livengood Schaub first blogged on this project on Interleafing May 2010, found here.

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Continue reading

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Occasional Daily Weather Report 11/2/11

There was a desert wind blowing that night. It was one of those hot dry Santa Anas that come down through the mountain passes and curl your hair and make your nerves jump and your skin itch.” — Raymond Chandler, “Red Wind”


Aunt Annette and Uncle Paul in Chicopee, Massachusetts, still don’t have power on after that freak snowstorm blindsided the East Coast in late October. Here in Los Angeles nothing so devastating has occurred weatherwise, but this morning the Santa Ana winds did arrive, making this the kind of day where ions are so active and static electricity so intense you don’t dare pet a cat. Our house is divided over these seasonal winds, with the breakdown in approval/disapproval generally falling along skin types. Oily skins love it. The sailor in the house loves it. And robust nervous systems usually have no quarrel with these winds blowing out of the cooling high deserts, but the Santa Anas have been notoriously to blame for all manner of calamities and crimes, as Joan Didion explains in this quote from “Los Angeles Notebook.”

Los Angeles weather is the weather of catastrophe, of apocalypse, and, just as the reliably long and bitter winters of New England determine the way life is lived there, so the violence and the unpredictability of the Santa Ana affect the entire quality of life in Los Angeles, accentuate its impermanence, its unreliability. The wind shows us how close to the edge we are.”

Kate Braverman in “Lithium for Medea” also finds the winds menacing:

The Santa Ana winds were blasting through the streets, bristling and smelling of desert, of white sunlight, of sharp, wiry plants and white rock…A hot madness was enclosing the city.”

Doomsday literature aside, really, if you keep the lip balm handy, you’ll be fine.

(Brought to you by that imperturbable weather girl, Evie the cat.)

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this week on AGO

A new garden in Los Gatos, California, by Jarrod Baumann of Zeterre Landscape Architecture, re-explores formalism in the landscape and proposes that modern materials like steel do not necessarily equal chilly results. Not when forged with a plant lover’s sensibility.

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More photos by MB Maher later this week.

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seeing double

At Yamaguchi Bonsai Nursery in West Los Angeles yesterday, I was surprised to find double blooms on a couple of popular summer tropicals, abutilon and mandevilla, something to keep in mind for next summer’s containers. (Abutilon for shade, mandevilla for sun.)

Abutilon ‘Victorian Lady’

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Perfect for those who enjoy grooming containers after a long day, secateurs in one hand, glass of wine or mixological concoction du jour in the other. I didn’t find a label on the mandevilla, but it’s most likely Monrovia’s ‘Tango Twirl.’

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Aging double flowers famously do not go gently into the night, and like Norma Desmond they stubbornly cling to the stems of their youth whether on roses, daylilies, abutilons, hibiscus or mandevillas. So like all divas, they do require some extra maintenance. Personally, I put up with very few diva tantrums in the garden, but I concede there is something undeniably sumptuous about all those petals, especially as the buds swell.

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Yamaguchi Bonsai Nursery, despite the name, is an all-around general purpose nursery, with fine selections in pottery, annuals, perennials, shade plants and succulents. Bonsai allows for close-up appreciation of a ginkgo’s leaves turned buttery yellow in autumn.

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This little block of Sawtelle Boulevard had me seeing double in nurseries too. Right across the street from Yamaguchi’s is The Jungle, which has one of the best succulent selections around town. And just down the street is Hashimoto Nursery, but dwindling lunch break time prevented a visit. Tucked in among multistory office buildings, all three nurseries are enduring examples of neighborhood nurseries, each as useful as a Swiss Army knife and all worthy of a nod at the tail end of Support Your Independent Nursery Month. I’ve blogged about these West LA nurseries before here.

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Occasional Daily Weather Report 10/28/11

Days in the mid to high 70s (Fahrenheit to Celsius conversion), nights in the low to mid 50s.
Finding just the right angle of morning sun and then holding absolutely still for maximum absorption is a morning’s work for Evie.
My furry iguana.

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And another little sun-loving beauty greeted me this morning, a pale pink Nerine bowdenii.

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A brief description of these autumn-flowering, South African bulbs from Hortus III:

Nerines are tender and are grown mostly in pots in the
greenhouse, or outdoors in Zone 9. They should be
given plenty of water until after flowering, and the
bulbs should then be rested for a few months.
Propagated by offsets.

Bulbs are the cheapest jewels a girl can buy.

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the uninvited

we are all on watch, just a little on edge here.

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closer and closer to the gloaming, only the fiercest colors now pierce the gathering dark
while shy creatures creep out of hiding, feeling emboldened to assert their elemental natures

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This Monday we’ll be locking the gates, shutting off the porch lights, and watching The Uninvited (1944). Beautiful old house on a cliff in Cornwall offered for sale at impossibly cheap prices for reasons that none of the town folk care to discuss. A lost dog. Amazing staircase that animals refuse to ascend. A seance with an Ouija board and shattering glass. Ruth Hussey and Ray Milland impeccably dressed for life in a country house. My kind of scary movie.

Oh, and the haunting scent of mimosa reaching into cold rooms, reaching across time…

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(Photo of Acacia pravissima by Forest Farm. The mimosa scent from the perfume worn by Stella’s mother probably derived from Acacia dealbata.)

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