Shocking Pink

Sometime during the night, the buds of Pelargonium echinatum unfolded their cerise petals. The next morning, the intensity of the color was a shock to eyes grown accustomed to the restrained colors of winter.


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Which is about the time I wondered: When did pink leave demure behind to become shocking? And when did those two words first become inseparable?

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What’s amazing to me, number one, is there is an answer to be found to such idle questions of mine, and it can be unearthed in less than 10 minutes:
Pink first became shocking when the eponymous perfume Shocking was launched in 1937, the packaging designed by Leonor Fini for fashion designer Elsa Schiaparelli.

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Surrealist-inspired Schiaparelli — pardon the crude and class-divisive shorthand which was in use at the time — was the ugly aristocrat to Coco Chanel’s pretty commoner, Chanel’s designs as sedate as Schiaparelli’s were outrageously flamboyant, and the two were supposedly intense rivals. (Perhaps flamboyance comes easier to those with trust funds? Just wondering…) Legendary photographer Horst P. Horst, interviewed by Maureen Dowd for the New York Times in 1988, remembers: “Chanel so disliked the overpowering style of the shocking pink, Dali-sketched creations of Elsa Schiaparelli…that she always pretended to forget Schiaparelli’s name, referring to her rival as ‘that Italian designer.'” Horst royally ticked off Chanel by photographing Schiaparelli first, but Chanel apparently became mollified enough to later sit for Horst. (Is life still this exciting?)

Tiny copy of Horst’s portrait of Schiaparelli:

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Horst’s portrait of Coco Chanel:

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The women’s choice of head gear says it all.

Horst might be better known for this corset ad, re-enacted by a famous singer in her ’90s music videoVogue directed by David Fincher:

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In remembering how she came upon the name for her perfume, Schiaparelli recalls in her autobiography Shocking Life: “The colour flashed in front of my eyes. Bright, impossible, impudent, becoming, life-giving, like all the light and the birds and the fish in the world put together, a colour of China and Peru but not of the West’s shocking colour, pure and undiluted.”

Practically speaking, this little South African pelargonium is kept dry in summer, when it goes dormant, then erupts in impudent, shocking pink flowers after winter rains. Elsa would love it, a shocking color, pure and undiluted.

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Los Angeles in January

This was the scene from the 25th floor conference room I worked in today. Temps were in the mid 70′s.

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That might as well be Janus doing the back stroke on this balmy day in the month of January, the month named for him, the two-headed Roman god of beginnings who looks simultaneously backward and into the future.

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Rediscovering Agave guadalajarana

My memory of the name of this agave planted years ago in the front garden went as far as guada-something. Easy enough to plug in a partial search string, right? Yet searches always narrowed down to the most likely suspect, Agave guadalajarana, with the images never quite matching when compared to my agave, so it remained a mystery. This morning’s search brought up the fact that the mature agave looks vastly different from the juvenile, something I’d never read before. The online photos were of the juvenile form, which lacked the slim, blue leaves of mine.

Distinction noted. Now we’re talking. (Thanks for the ID, Cactus Art Nursery.)

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I really need to splurge on a good reference for agaves and the woody lily family in general. I counted the agaves in the front garden this morning. 18 in the ground, a few more in pots. Some of them still remain mysteries to me. Most of the agaves in the ground started out years ago as specimens for pots, became too large, then were planted out in the garden. A. guadalajarana probably looked like a different agave when first planted in the garden years ago. Has never suckered or produced pups either.

Identifying A. guadalajarana this morning had a peculiarly energizing effect on me. He’s been swamped by a ‘Sunburst’ aeonium…

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and an Agave geminiflora planted too close, both leaning in on him, deforming his silhouette. The A. geminiflora’s wonderful sea-urchin symmetry was being ruined as well, and something needed to be done — but remained undone, oh, for about the past year.

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All of these photos were taken after the plants were moved this morning. I was too ashamed to take “before” photos, but this photo I had previously posted on the blog (seventh from the top) shows a happier time, before the throttling and deformation began. Planting close is a terrible, shameful habit of mine, stemming partly from sheer plant greed, of course. But also from a disbelief that anything will thrive and increase to an unmanageable size. Kind of foolish considering I was born and raised in zone 10.

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Also shown in the archive photo is the bank of Senecio vitalis behind A. guadalajarana that was removed this morning, which brings up a handy rule of thumb: Consider yourself warned when any plant carries the word “vital” in its name. A large clump of Senecio vitalis was left at the far end as a buttress to protect less vigorous plants from foot and paw traffic. It’s seen in the foreground in this photo protecting the barely visible Agave desmettiana ‘Variegata.’ I still love this shrubby senecio and wish I had much more room to give it.

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The agave against the fence is A. celsii ‘Multicolor.’

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The A. geminiflora was a bear to move, and for a moment it seemed I’d been bested by its roots and that one agave would have to be sacrificed to save the other. The realization caused a pang — typically, only briefly. There was a large reserve A. geminiflora in a pot in the back garden. A pot I’d rather not water so frequently anyway, which could be tucked into the spot I had in mind, just a few feet from where this one was being violently wrenched out of the ground. I like to place the slim-needled agaves next to chunkier-leaved kinds, so intended to shift the A. geminiflora just a few feet over. In the end, the A. geminiflora was pried out with a good rootball, the final tug requiring an extra pair of hands. The force when it let go threw me into Graptoveria ‘Fred Ives,’ the pink succulent shown below with Senecio mandraliscae. (Not too much damage.)

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The agaves are probably still planted too close by most gardeners’ standards, but at least they are no longer crossing swords, as it were.

And it feels like there’s a brand-new agave in the garden.

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Temperatures to Chill a Damselfly

The damselfly holding on tight, waiting for the morning sun to reinvent stained glass with its wings.

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Seems like every pool of sunshine is spoken for these days. Cats are the undisputed champs at this, swiveling like satellite dishes as they methodically track the winter sun. Not even a true frost, just a couple nights in the high 30’s crisped some leaves on a brugmansia, finally mushed Musa ‘Siam Ruby’s’ leaves for the season, and have made limp most of the leaves on Euphorbia lambii, the tree euphorbia. But chlorophyll is definitely stirring. Tulips are nosing up.

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Fresh growth on Salvia cacaliifolia.

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Pelargonium echinatum is budding.

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Hang on, little damselfly.

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The View From The Kitchen Window

The New York Times has an ongoing series entitled “Windows on the World, a series in which writers from around the world describe the view from their windows.”

They haven’t asked anonymous gardeners to contribute, just famous writers, but I’m playing along anyway.

This photo approximates what I see when I stumble into the kitchen before coffee is made and the cats are fed. A rainy blur of tree trunks, coprosma, solanum, and sotol was my first glimpse of the world most of this past December.

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The framing device of a window is a wondrous thing. The tumultuous world is fixed in manageable planes and angles, with enough variety of incident to keep it interesting. (As when a never-before-seen bird darts into the familiar frame.) Here is where the subjective cozily encounters the objective. Windows, the “eyes” of a home, sculpt, shape, and order the impersonal world outside. But the view onto a garden is different from a view onto open land or the open sea. A garden is its own metaphorical window on the world. Because I suppose, in a sense, gardens too are a selective frame superimposed on the natural world. (Which is possibly why, as an obsessed gardener, I’ve never desired an ocean view.)

For our house is our corner of the world…It is our first universe, a real cosmos in every sense of the word.” – Gaston Bachelard, The Poetics of Space

Although I don’t specifically plant the garden for views from inside the house, the windows over the kitchen sink look out on a good bit of the back garden. No curtains on the windows either; the back garden is completely private. The view through the kitchen window lures me out of bed every morning. (Never the front windows facing the street.) It’s always interesting to see what shapes and colors wash up against the glass depending on the season. The tops of the palms and cypresses rising up from the street behind the garden are old friends. Disappearing old friends. Three palms were visible when we moved in, now just one remains.

Paintings can fix an emotional response in time; the views out windows, like the vanishing palms, like the garden itself, grow old and change with us. Is there a painter who’s painted more views out windows than Matisse? And is it the gardener in me that wholly responds to, and is slightly envious of, such timeless framing devices?

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Interior With a Goldfish Bowl 1914

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The Window 1916

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Bold Succulents at the Seashore

Out for a walk at the beach with the corgi today, these imposingly tall jars of succulents on a porch caught my eye across four lanes of traffic. (There’s always ample opportunity to survey the surrounding area when walking Ein, whose outings we jokingly liken to walking a sack of rocks.) The jars were simply planted with just a few kinds of succulents, mostly aeoniums, echeveria, and the “elephant food” Portulacaria afra “Aurea.’ But all dramatically spilling Senecio radicans, the fish-hook scenecio.

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Sometimes the mesmerizing geometry of succulents inspires fussy, complex arrangements, but with a good eye for the play of shapes and contrasting forms, they handle the bold gesture equally well.

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For A Good Time, Ask For ‘Angelina’

Sedum rupestre ‘Angelina’ is almost unforgivably easy. But when something fast and aggressive is needed for experimenting with planting some concrete columns, there’s no better choice. Besides, three big handfuls could be taken from the mother plant without the garden looking disturbed at all.

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These three 100-year-old concrete columns were pulled out of the gas fireplace flue when making repairs for a new heater and have been lying around the past month. Very intriguing.

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The columns are narrow and hollow, so what to use to hold some soil? The reusable shopping bags have a “woolly pockets” look about them, so I cut some bags apart, made little informal pockets, filled them with soil, then stuffed them tight inside the columns so they don’t slip down.

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This narrow strip against the eastern fence holds the rose ‘Bouqet d’Or,’ some Miscanthus ‘Gold Bar,’ Agave bracteosa, Salvia broussonetii, and other disjointed odds and ends. I’m not quite sure if the columns will stay here permanently, but I’m interested in finding out how the home-grown “woolly pockets” experiment turns out.

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And I’m counting on ‘Angelina’ to do her part and live up to her easy, fun-loving reputation.

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Must I Eat My Vegetables?

Three leeks isn’t many. All will be grilled and consumed in one night.
Realistically, I’ll probably end up watching them flower and set seed.
(The flower color may not be as fine as Allium ‘Globemaster,’ but the leeks are a lot cheaper.)

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I’ve been slow, stubbornly slow to grow a few edibles in the garden. Having a magpie ornamental plant collector at the helm is challenge enough for this garden.
But winter in zone 10 offers that rare opportunity, an almost brainless season in which to grow vegetables. Cool-season vegetables only, of course. Lettuce, spinach, peas, et cetera. This fall, I stingily gave up a few inches of winter’s bare ground to the leeks and mustard, more to reassure myself that I can be flexible.

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I admit, the leeks are seductively beautiful. Not a speck of insect damage. (I have no fight in me against insects. They win, I lose. End of story.)
And the fall-planted mizuna has been a happy pig in all this rain. The pink flower is from a gomphrena, not chives.

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This doesn’t mean there will be zucchinis in the garden this summer. My mom’s little garden has summer vegetables covered. But I do have seed for an amazing climbing Italian summer squash that I can’t wait to swag through the pergola, Trombetta di Albenga from Renee’s Garden. It bears the most bizarrely wonderful, meerschaum pipe-shaped squash. Which, realistically, I probably won’t eat either.

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Storm Damage/The Politics of Eucalyptus

The recent heavy rains in Southern California brought down a half dozen or so eucalyptus at a local park. A spectacular sight but not all that unusual. The gum trees are notorious for dropping branches and sometimes heaving out of the soil entirely during extremely rainy and windy weather. The full complement of evergreen leafage they carry creates a tremendous sail effect. Before the heavy winds, which lasted just a couple days, these trees had already fallen; the sopping, nonstop rain clinging to the leaves must drag on the evergreen canopy like a sea anchor.


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These fast-growing, shallow-rooted trees brought to California from Australia during the Gold Rush propagated their own commodities bubble, a mini-Eucalyptus Rush, when it was hoped their value as timber in Australia could be replicated in the similar climate of California. Unfortunately, unlike the timber from the 100-year-old-growth forests of Australia, the new trees were useless — too soft — as timber for shipbuilding or railroad ties. Trains lurched off the tracks built with ties made of eucalpytus, which curled and split. The combustible oil glands in the trees’ leaves were later implicated as a cause of some California wildfires and led to firefighters nicknaming the eucalypt the “matchstick tree.”

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Despite some inspired 19th-century hucksterism, commercial prospects gradually dimmed, and it was the tree’s ancient medicinal value and natural beauty that became its saving graces in the corrosive public opinion battles that followed its introduction and spread in California. (A recent profile on Elvis Costello in The New Yorker revealed that he straps on his “Blue Velvet” mask before shows to inhale eucalyptus oil to ease a hoarse throat.) Long-standing belief in the tree’s anti-malaria properties is based on the simple mechanics of the root system vacuuming up and the tree transpiring so much moisture that no standing water is left in which mosquitoes can breed. Currently, it is a crop for firewood, biomass fuel, and pulp in paper production in many parts of the world, such as Africa, South America, China, Spain, and Portugal. Everywhere the eucalypt spreads, it seems fated to be accompanied by virulent controversy, whether over its role in wildfires in California or exploitation of peasant lands for cash crops in Spain. In some eucalyptus-angry lands, it has become known as the “capitalist tree,” as Robert Santos writes in his comprehensive treatise “The Eucalyptus of California.”

As to their shallow rootedness in California soil, in the December 2010 issue of Gardens Illustrated, Ursula McHardy (great name!), the former scientific advisor on southern hemisphere plants at the Palmengarten Frankfurt, now testing their northern limits in her garden north of Edinburgh, Scotland, says: “Australian soils are old and leached of nutrients, which means eucalypt roots have to search deep. In the UK, soils are richer, so eucalypts root across the surface, grow huge, and get blown over.”

It seems like everyone in California has a blown-over eucalyptus story. The gentleman at the park who chatted with me as I took these photos had stability problems with the trees at his home in Huntington Beach. Any timeline tracing the eucalypt’s history in California from the failed promise of a quick source of timber for the twin giant industries of 19th century transportation — shipbuilding and rail — through their commercial use now as mostly windbreaks in citrus groves and vineyards must derail from the historical view and zig-zag into the personal parallax view; in my case, to that moment in time when it seemed a good idea to a previous owner to plant two of these giants in what was to be my future garden, the continuing effects of which I wrote about here last year.


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This same scene of destruction was visited on my garden a few years ago, when the last remaining eucalyptus inherited with the house crashed across the garden. A newly built pergola absorbed most of the fall, saving the house and minimizing damage to other plants. In Australia, branches and trees fall with such frequency that the tree is known as the “widow maker.”

What’s truly remarkable about these evergreen trees is the amount of leaf litter and seed capsule they can rain down 365 days a year. I’ll take the once-a-year leaf drop of a deciduous tree over what a mature eucalypt can produce any day. Indeed, the litter is so dense, suppressing any growth under the tree’s canopy, that the additional alleopathic effects seem like overkill. A growth-free zone under its canopy is assured by the sheer weight of all that detritus alone.

Introduced with such lush hopes when first brought to California in the mid 1800’s, the eucalyptus is now considered an invasive “trash” tree by biologists.

Controversy, thy name is garden. Environmentalists now advocate removing all eucalyptus from Golden Gate Park, even the 100-year-old giants. If you must have a eucalypt for your urban garden, research the species carefully; thoughtlessly plant these trees at your peril. (Ursula McHardy recommends smaller, multi-stemmed trees like Eucalyptus pauciflora subsp. debeuzevillei and E. gunnii.) Plant any tree in a size as small as you can find to establish root systems able to withstand wind-rock. Tree-staking see-saws in and out of favor but is currently not advised if a tree is planted small enough. And may I suggest another Australian, the refined knife-leaf acacia instead?

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Happy New Year

The buses run free of charge tonight, there’s street music and food downtown, so we’re going to bundle up, step out, and see what the city has to offer this New Year’s Eve.

Reflecting on my first year in “narcissistic journalism” leaves me uncharacteristically mute.
All I can say is, these are truly interesting times. In spades.

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And looking at beautiful things like grevillea helps. A lot.

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Grevillea ‘Superb’ and I wish you all a warm, safe, superb New Year’s Eve. I’d wish us all happiness in 2011, but I tend to agree with Fran Lebowitz, that happiness is a sensation, not a condition that can be attained and then sustained indefinitely. That sounds plain exhausting.

Oh, for gosh sakes, HAPPY NEW YEAR!

(P.S. MB Maher is looking for winter-luscious gardens in Orange and San Diego Counties to photograph, so drop AGO an email or comment if you have any suggestions.)

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