Hail To The Thief

Sub rosa footage taken through the kitchen door window late in the evening two nights ago.
We thought a possum might be responsible for what was becoming the nightly theft of cat food, and that was exciting enough to contemplate.

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I’ll have to explain that living solidly in urban Los Angeles as we do, our own neighborhood running a huge deficit of parks, with the surrounding fauna mostly dogs, cats, and birds, this thrills us no end.

Obviously, we’re just not staying up late enough to absorb the entirety of wildlife that visits the garden.

Awed whispers described his girth and beautiful coat. Someone murmured in appreciation, “How dexterous he is!”

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Dexter did manage to knock the container off the porch, open the lid, and eat the contents, which wasn’t much.
But still, we don’t want to turn Dexter into a dependent softie, so we’re bringing the cat food container in at night.
I’d prefer his appetite stay keen, omnivore that he is, for my garden snails.

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Foliage Follow-Up November 2010

Hosted by Pam at Digging, where we’re regularly treated to the best in Austin, Texas gardens.

I have to confess that it’s not just fall that brings leaves into prominence in my garden. Though I give it my best shot, flowers are increasingly incidental, verging on
rarities.

Euphorbia rigida and Sedum nussbaumerianum.

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I’ve photographed this sedum quite a bit, but couldn’t resist including it again today. This pair is the first thing I see entering my back gate. Arriving this morning from a before-dawn, 3-hour freeway commute, they were balm for road-tired eyes. The euphorbia was planted over the summer. The sedum is a large, established clump that acts like a traffic cone on a corner of the path from the back door to the office, guiding corgi paws along the prescribed route around the plantings and eliminating the temptation to cut corners across the garden. I have to say that this euphorbia right off the bat is a much better performer than E. myrsinites for me, which is slightly similar but has a more sprawling habit of growth. This E. rigida is now my go-to spurge, and I plan to grow lots more of it.

A couple feet away from the euphorbia and sedum, deeper into the garden bed, is this purple mizuna, a kale with heavily dissected leaves and red stems, planted just over the weekend. I asked for a volunteer taste-tester to sample it before sprinkling a few well-washed leaves into some chicken soup. “Tastes like caterpillars.” No, I didn’t ask a child’s opinion but a grown, seemingly adult man’s. (Doesn’t taste like caterpillars at all, unless they happen to be mildly peppery.)

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Agave desmettiana under siege from Senecio vitalis. I like my plants grown tight, but this is getting scary. I do think the fact that this is one of my least scarred agaves is due to the physical protection it gets from the Blue Chalk Fingers, which will be trimmed away more and more as the agave gains size.

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Arundo donax ‘Golden Chain,’ planted this fall.

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Linnaeus help me, I’ve misplaced the name of this succulent. I’ll find it and edit it in later. A fabulous one. Must be a grapto-something.

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A very elegant, lemony coprosma, a golden form of C. areolata.

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Echeverias and aloes.

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Graptoveria, Senecio mandraliscae, Oscularia deltoides with the little blue leaves and pink stems.

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A species leptospermum from Strybing Arboretum, unlabeled, showing fresh growth.

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The New Zealand leptospermums used to be such fashionable plants in Southern California, now slightly out of favor. Wonderfully sharp, peppery smell to their myrtle-like leaves. They have a romantic, windswept habit of growth that now is often meatball-pruned into submission. It is fascinating how plants dip in and out of fashion, and how when they’re out of fashion, invariably the secateurs get sharpened.

No time to explore that today, but for some wry observations on the foibles of fashion, it doesn’t get any more cutting than the Kinks’ A Dedicated Follower of Fashion.

(No idea why Harrison Ford is included in the video. “Carnabetian” refers to Carnaby Street, a London shopping district.)

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POTUS Gives State Tour of White House Vegetable Garden

President Barack Obama leads Senate Majority Leader Harry Reid, center, and Vice President Joe Biden on a tour of the White House Kitchen Garden following their meeting in the Oval Office, July 1, 2010. (Official White House Photo by Pete Souza).

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You can sign up for the White House Daily Snapshot here.

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Garden Bloggers Bloom Day

November 2010, hosted by Carol at May Dreams Gardens. I’ve just scanned a few of the entries so far, but it’s clear November is not at all dreary for many all over the world.

What I’m most excited about this November is finally seeing some blooms on the Ruby Grass, Melinus nerviglumis. Not nearly enough, which is an indicator of how much shade has crept into the formerly sunny back garden. This can be laid directly at the feet of Cotinus ‘Grace.’ A showdown is coming, and not a pleasant one for either of us, but necessary all the same.

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The ever-reliable ‘Waverly’ salvia.

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Roses, brugmansia, thunbergia vines, anigozanthos, gomphrena, Salvia ‘Purple Rain,’ all are reblooming in the cool fall temps.

The front gravel garden has a pointillist effect continuing into November of small blooms spangled among the grasses and agaves. Bulbinella, limonium, species pelargoniums, and the prodigious yellow daisies of Coreopsis ‘Full Moon.’

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Thank you, Carol!

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Pump Up the Plant Volume

I took this photo at an office plaza I worked near yesterday. I’m amazed that the rosemary was given this much leeway by the maintenance crew, which has no doubt been instructed to subjugate and six-pack the rest of the plantings into the usual rank uniformity seen here locally in public spaces. Maybe this dripping rosemary encroaching on sitting areas is a small act of defiance by the maintenance crew, who are possibly just as dispirited about the state of public plantings as I am. Rosemary is by no means a rarity in local public plantings, but allowing it to express its full botanical character in this way certainly is.

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In a mediterranean climate where so many coveted plants can thrive, and do so with minimal water, I might add, the lack of excellent public planting displays is really getting on my last nerve. I’m talking about encountering plants outside the many excellent botanical gardens in Los Angeles, which are usually at least a 30-minute car ride away from just about any point you start from. The winter-blooming aloes should be encountered on the way to the grocery store and not just sequestered at the Huntington Cactus Garden, and the aloes should be seen in concert with other plants to display their best features, in season and out of season. You know, garden design. And I’m starting a process to do something about it, tapping into the amazing local design talent (Dustin, can we talk?) and excellent regional plant nurseries. Stay tuned. And if anyone has any stories to tell of their public/private partnerships in furtherance of amping up the volume of local horticulture, I’m all ears.

And be sure to check out MB Maher’s updated website. There’s some familiar images from his work posted here on AGO but lots of new stuff too.

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Do Not Fill Angel Trumpets with Whipped Cream

Amazing how fast plants cycle back into flower. This brugmansia had dropped all flower buds in response to high temperatures in September, and now this show in November, taken early this morning. These blooms on ‘Charles Grimaldi’ are a pallid impersonation of the color of its true self, a rich gold, but still a most welcome sight. Perhaps the cooler temperatures are affecting the depth of color. Seeing them this morning reminded me of a conversation I overheard at a public garden recently, in which a woman was enlightening her companion as to the culinary potential of these angel trumpets, about their being not just beautiful but useful too, for filling with whipped cream and such. Of course, all parts of the plant are poisonous. I was so startled at overhearing this toxic misinformation that I wasn’t able to form words fast enough before the pair had moved on. So I’ll say it here, in case the idea seems worth pursuing to that woman’s companion: Your friend is dead wrong. Do not fill angel trumpets with whipped cream. (And just how long have you known this friend, anyway?)

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Silver&Gold


(I’m describing the slow accretion of the colors selected to surround me, practiced by me, a nonprofessional. An inattentive process of anti-design, if you will.)

It starts out with silver.

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Just silver.

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Silver came home first, in the form of all the Mediterranean shrubs and subshrubs that evolved this unique adaptation for drought tolerance.

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Stir in some gold because…well, it’s gold.

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Yep, silver and gold. Drawn to silver, equally drawn to gold, but initially separate impulses. Quietly, almost stealthily, the garden increases its shimmer quotient as I consistently bring in more silver and gold every time something becomes worn out or overgrown, in need of replacing. Unconsciously, I’ve built up a treasury of it, and now it’s silver&gold, the two together, inseparable, that’s got me hooked.

Add a dash of red in the stems of a kangaroo’s paw, and I’m done. Simply done.

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From The Guardian 4/14/10: “In a letter to his brother Theo in 1882, Van Gogh wrote: ‘There are but three fundamental colours, red, yellow, and blue; composites are orange, green, and purple. By adding black and some white one gets the endless varieties of greys; red grey, yellow-grey, blue-grey, green-grey, orange-grey, violet-grey. It is impossible to say, for instance, how many green-greys there are; there is an endless variety. But the whole chemistry of colours is not more complicated than those few simple rules. And having a clear notion of this is worth more than 70 different colours of paint because with those three principal colours and black and white, one can make more than 70 tones and varieties. The colourist is the person who knows at once how to analyze a colour, when it sees it in nature, and can say, for instance: that green-grey is yellow with black and blue, etc. In other words, someone who knows how to find the greys of nature on their palette.'”

The green-greys of nature exquisitely painted by Solanum marginata.

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And apparently this silver and gold fetish wasn’t just happening in the garden. I’ve had this bolt of fabric in a cedar chest for decades, stowed away for some forgotten rainy day purpose. Again, silver and gold. The mustardy Frankoma jug bought 20 years ago is also the color of the room I’m sitting in. And within a very few shades of difference, also the new color on the house. And the color of the new ceramic pots I bought after staring at the range of colors offered for a good 20 minutes. (Like I could actually come home with any other color.) Do I plan any of this? Absolutely not. Did I notice Colonel Mustard sneaking in to all the rooms, indoors and out? Not at all. It’s design by sleepwalking.

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Not everyone’s favorite colors. My husband calls the new house paint color “meconium.” If you’ve had kids, no further description is necessary. It kind of bugs him.

Am I buggin’ you? I don’t mean to bug ya…just a shout out for silver and gold.

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Longwood Gardens Miscellany

Such an awful moment, when a recent vacation begins to drift off into the mists of long ago and far away. Only a couple weeks ago, but the travel mojo you came home with is already smothered under to-do lists.

Time to get out all the miscellaneous photos and attempt to recapture that feeling of wandering around a great garden as nothing more than a conduit for gorgeous sensations of pattern, shape, color. Isn’t that what gardens, great or small, do? Conduits are incapable of making to-do lists. Plant lists, yes, to-do lists, no. (Begging your pardon, Mr. Isherwood, but if you are a camera, I am a conduit. Or used to be, now on hiatus.)

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Dustin’s Ballsy Totems

These stacked spheres are currently the stony exclamation points embellishing Dustin Gimbel’s Southern California garden/design laboratory/plant nursery.

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Dustin has described his fascination with the geologic anomaly of concretions on his blog non-secateur and how his obsession with them led him to a concretion homage, these spherical eruptions in the front garden, which he is experimenting with in anticipation of a coming project for a client.

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MB Maher visited earlier in the week, and then Dustin gave me a tour this afternoon and generously loaded me up with plants to take home. Don’t ever admire a plant in his garden unless you’re prepared to have it ride shotgun on the way home. Thanks, Dustin!

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Left foreground, Senecio anteuphorbium, with dark aeoniums behind.

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Dustin’s own gorgeous selection of the dwarf fountain grass, Pennisetum ‘Eaton Canyon,’ which he has named ‘White Dwarf,’ is destined to be a classic. Manageable size, great flowering, a beautiful landscape grass. Keep an eye out for this one at nurseries soon.

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Cascade of silvery leaves on the right is Acacia pendula.

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Echeveria gigantea

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And we can’t leave Dustin’s garden without another look at his now iconic variegated St. Augustine turf ottoman, which gives new meaning to “lawn furniture.”

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For those who feel they’re not quite ready to part with a lawn because they still need it under their back for an occasional bout of cloud gazing, perhaps a turf chaise lounge or ottoman would do just as well.

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Fall Salvias at Longwood Gardens

Longwood was full of “firsts” for me: My first Dutch Elm, the last lone sentinel remaining of a row of elm destroyed by Dutch Elm disease. My first Cornus kousa.

My first Copper Beech, Fagus sylvatica.

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But amongst all these firsts were some familiar faces. For instance, the tender salvias that bloom in fall. Tender for Longwood, perennial for me in zone 10.
And here again Longwood surprised: I have never seen these salvias grown so well before.

Salvia elegans ‘Golden Delicious,’ a long double border of them. I wonder what summer offering they replaced and how large they were when planted out for this fall show. Lots of wondering going on at Longwood.

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Salvia van houttei or one of its cultivars, never an easy salvia to grow. For me, at least.

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It’s not just the blemish-free leaves, where no insect has ever clamped teeth. It was the uniformity in the size of the plants, the abundance of bloom, the clearly visible knowledge of when and how to prune, what time to plant out to achieve optimal results. This little courtyard with central fountain was planted entirely in deep reds, using the Salvia van houttei, claret and ruby-colored bedding chrysanthemums, burgundy-leaved coleus, and chased with silvery liriope. Some of my companions found it over the top and garish, but this is the kind of seasonal, bedding-out display that a garden with such horticultural skill and resources simply must do because they alone can do it. Personally, I’d ditch the mums and plant grasses with this spectacular salvia, but I have to admit this almost old-fashioned show of plantsmanship and rich concentration of color was thrilling. By daylight the courtyard did seem flat, but at twilight the deep reds smoldered. I had to be torn away from this little courtyard at closing time.

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Salvia involucrata, the rosebud sage. Never an easy salvia to grow. For me, at least.
There were yards and yards of these rosebud sages.
I always get massive amounts of leaf, sprawling growth, and little bloom that’s not molested by some budworm.

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Salvia ‘Mulberry Jam,’ an involucrata hybrid. Never an easy….etc.

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The familiar Salvia leucantha, familiar yet entirely new when backed by rusty-golden fall foliage.
This salvia is mostly poorly grown in Southern California, because rarely is it pruned back hard in spring but left to grow gangly and bare at the base.
Possibly a case of horticultural familiarity breeding contempt. Here at Longwood it is recognized for the treasure it is.

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Salvia leucantha again, with possibly Salvia guaranitica in the foreground and the plush leaves of tibouchina to the sides.
(The leaf seems too stiff for guaranitica, so I’m not sure at all about this ID. Seemed too short to be S. patens.)

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With tibouchina, agastache, and possibly veronicastrum in the background. Or maybe it’s vitex. I wonder if the tibouchina’s purple flowers failed to show.

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Flowers or not, the tibouchina’s big, felty leaves are safe harbor for the eye adrift in an endless sea of blue.

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