discovering The Potting Shed on a Lark at Sourced Collective

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There’s retail that does vintage and architectural finds well, and there’s retail that does plants well. Haven’t you wished somebody with a passion for both would combine them under one roof? I know I have. Consider it handled by The Potting Shed in Orange, California.

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Lark photos by MB Maher.

Let me unwind that title for you. A chance encounter at a pop-up dinner at Sourced Collective in Laguna Beach, hosted by Lark Artisan Market, is how I first heard of this almost 4-year-old endeavor in Old Towne Orange, The Potting Shed, that makes plant shopping that much more interesting by mixing it up with really cool stuff.

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It all started at this friendly beach house in Laguna.

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Sourced Collective, a mixed-used work and event space blocks from the ocean in Laguna Beach, waits poised and serene and ready for a Lark, a kind of roving communal salon.

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And then the larkers arrive, the wine flows, and serene doesn’t begin to describe the festivities.

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Michelle Merccado is the dynamo behind Sourced Collective. Like a human Tesla coil, the air around her vibrates with possibilities.

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The Lark dinners are a nonstop gabfest, with amazingly tasty food by Chef Kyle from Fork in the Road Catering.

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(Twig & Willow will be hosting a Lark with a vegan chef July 14th at their Bixby Knolls store in Long Beach, 4130 Atlantic Ave., so go see for yourself.)

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In the center are Lark founder Lisa Gutierrez-Martinez and Chef Kyle Powers. (I’ve forgotten the names of the charming sommelier on the left and pretty lady on the right!)

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The incredible flowers are by Yoshi of Floral Fete.

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Gardenesque mash-ups of scabiosa, geum, protea, aloe, pomegranate, oregano, undergirded by solid florist chops.

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My seat mates included Luis Sardinas (on my right) and Jack Carlisle (on Luis’ right, almost out of frame). The Potting Shed is Jack’s baby. Partner Luis pitches in on weekends and rides shotgun on their frequent cross-country shopping trips/scavenger hunts. They’re on one now, “Picking East to West,” and should be bringing their treasures home sometime this week, if I’ve got the timeline right.

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Chef Kyle prepares us through word and gesture for the feast to come.

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A couple weeks after the dinner, I paid the shop a visit.

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And felt like I’d plunged into the stalls of the Cligancourt flea markets of Paris.

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Not bound by arbitrary categories, it’s a big tent; vintage, hand crafts, local artists, all are welcome here.

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The infectious enthusiasm runs in countless directions, and the large space effortlessly soaks up every eminently browsable bit of it.

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What a dream setup. I asked Jack what it’s like to curate a shop by casting such a large net. As an example, he replied that the vintage picnic baskets didn’t go over as he had hoped, but then he’s always surprised by what does sell, and it becomes an ongoing, enriching dialogue with his customers that never gets old and always balances out. Business has been very good.

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You might think you’re only shopping for potting soil, but could very well end up leaving with a “Honey I’m Home” doormat tucked in the trunk. And that kind of irresistible persuasion is still something only brick-and-mortar shops can do.

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Jack Carlisle, proprietor, holds a degree in Horticulture from the University of North Carolina. His career in the landscaping and retail garden business spans several decades. At the Potting Shed, he has merged his love of plants with his passion for all things vintage.”

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In addition to selling lots of pots and intriguingly repurposed containers for plants, the Potting Shed encourages us to bring our own pots for planting up at the nursery (BYOP).

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There’s my little box of pitcher plants I picked up at the full-service nursery. The shop and nursery cover a huge space, 5,000 sq. feet. At the nursery in the back, a succulent workshop was just finishing up, and since I hadn’t called ahead about my visit, I didn’t want to be too intrusive with the camera. Jack has worked for years as a nursery manager, and it shows through the strong selection of natives and dry garden plants, with an eye for the unusual to tempt jaded plant shoppers like myself. I was thrilled to unexpectedly find some sarracenia/pitcher plants for a little bog garden I’ve had in mind.

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And that is the circuitous tale of how I went on a lark and found a great nursery and vintage browse in Orange, California.

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ingredients:
The Potting Shed
Sourced Collective
Floral Fete
Lark Artisan Market
Fork in the Road Catering
MB Maher photography for Lark

Posted in artists, commerce, cut flowers, design, edibles, garden ornament, MB Maher, photography, plant nurseries, shop talk | Tagged , , , , , , , | 9 Comments

growing up with palms

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After checking out the CSSA sale at the Huntington recently, per usual, I roamed around the botanical gardens for a while, clutching my little box with the newly acquired Euphorbia clavigera. I must have juggled that euphorbia and my camera for a good, sweaty couple hours at least. And this time I forced myself to head into a section I rarely visit.

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Right up there with oleanders and bougainvillea, palms are a group of mostly non-native plants I’ve managed to take for granted all my life. I’ve been constantly surrounded by all three since birth, so they are about as exotic to me as mown grass. If only I’d explored it sooner, because the Huntington’s collection is a surefire remedy to lifelong palm fatigue.

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As a kid I walked to school among the shadeless trunks of palm trees like an ant threading through the legs of a herd of elephants, never grasping the totality of the soaring creatures overhead. All these years later, and now that they’re aging out of their lives as street trees, I’m starting to look at them with new eyes. I suppose the timing might have something to do with how I’m less conflicted about living in Los Angeles, shedding my youthful “It’s Chinatown, Jake,” noirish pessimism. I get it now, that these are living post cards from the land on permanent holiday, swaying ambassadors to a life less ordinary. Los Angeles would seemingly be unthinkable without them, but maybe Los Angeles is finally aging out of the old myths and railroad company-driven propaganda too.

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Divesting palms of all that la-la-land business, I’ve come to appreciate how remarkable these Los Angeles landmarks truly are. File this turnabout on my part under “you don’t know what you’ve got til it’s gone“: the Los Angeles Department of Water and Power announced in 2006 that they will not be replanting the palms as they come to the end of their approximately 80-year lives (source), or are taken earlier by the dreaded red palm weevil. So now I can look forward to being one of the old geezers who bores kids with stories of when palms lined the streets of Los Angeles.

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There’s over 2500 species of palms, and the Huntington seemingly has the ambition to have one of each. With the possible exception of the one palm I grow, Dypsis decaryi, the Triangle Palm from Madagascar, you really can’t overwater most palms, though they can and do endure periods of drought. But the one native species’ (Washingtonia filifera) true habitat is riparian, not desert.

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Native Washingtonia filifera palms growing in an oasis near Palm Springs, circa 1900. Courtesy of the USC Libraries – California Historical Society Collection.

Southern California’s native palms grow far away from Los Angeles, in spring-fed Colorado Desert oases tucked deep inside steep mountain ravines. Centuries before palms were cultivated for their horticultural value, the Cahuilla Indians used these Washingtonia filifera as a natural resource, eating the fruit and weaving the fronds into baskets and roofing.” — KCET “Lost LA”

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Palms on my street are fruiting now. Every summer I need to become re-accustomed to the loud thonk as the fruit slams onto parked cars. (Did you hear that? Oh, yeah, right, the palms.) And the flies. My god, the flies swarming over the fallen fruit. With the coming of the swarms of flies, neighbors ponder again the unjust allotment of tree trimmers to fancier neighborhoods to cut down the fruiting trusses before they fall. Living underneath palms is not an exercise in nostalgia but pure exasperation. And raking. Lots of raking. Because of the mess and lack of shade, palms offer little else of utility than that iconic profile. But we could argue selection of the perfect street tree all day, right?

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When our neighborhood received a grant to plant street trees some years back, the tree gifted to us was the Australian Brisbane Box, Lophostemon confertus. But there are still a handful of palms interspersed among the newcomers. If I were to add another palm to my garden, it would be the steely blue Bismarckia nobilis or Brahea armata. It kills me that a nearby commercial property for sale has a gorgeous stand of Brahea armata within their chain-linked premises that have gone unwatered for months now, maybe as long as a year, and they are showing the neglect. Some guerrilla palm rescue intervention is needed there.

You can read more about “Palms in Twilight,” the effects of fusarium wilt and Las Vegas driving up prices, by the incomparable Emily Green here.

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Of course, even at the Huntington they’re not just confined to the palm garden. Look up and out, and you’ll see a palm somewhere in Los Angeles. For now.

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Cheryl Molnar’s Unnatural Settings

I’ve been thinking about collages lately and have tentatively started to collect bits and pieces to get started, all referring to landscapes of course. And then I find this riveting image that I keep going back to by self-described “collage painter” Cheryl Molnar, found on Browsings, the Harper’s blog, that completely upends my idea of what a collage can be. Its complexity and depth really took me aback:

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Rollercoaster, a collage created using oil-painted paper and vintage magazine clippings by Cheryl Molnar, whose work is on view this week at Wave Hill House, in the Bronx, New York. Courtesy the artist and Wave Hill” — Browsings, the Harper’s blog

And from collage and multimedia artist Cheryl Molnar’s website, more Unnatural Settings:

The collage paintings are created through collaging strips of oil-stained paper onto natural birch panels. Architectural elements are carved directly into the wood and then stained with oil, creating permanent incisions into the wood itself, symbolizing the permanence of the altered landscape.”

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Weeping Willow, oil-painted paper and vintage magazine on wood panel, 2015

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Dining Room, oil-painted paper and vintage magazine on wood panel, 2015

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The Hamlet, oil, paper on wood panel 2011

Since my childhood in suburban Long Island, I have been attuned to the tension between human progress and nature. My work finds similar development patterns in the mixed-use neighborhood of Greenpoint, Brooklyn, where I have lived and worked for the past ten years. During this time, real estate development, along with a fresh wave of gentrification, have significantly altered both the social fabric and the landscape of this formerly working-class enclave.” — from Smack Mellon

The Unnatural Settings exhibit will be held at a public garden I have yet to visit, Wave Hill, Bronx, New York. Ms. Molnar’s residency there inspired this work. (Here’s a partial itinerary for an imaginary summer trip to NYC: Wave Hill, the Brooklyn Botanic Garden, the High Line, etc., etc.)

Brooklyn-based artist Cheryl Molnar’s collage paintings are representations of fantastical, natural spaces in relationship to urban architectural forms. Molnar’s process involves lathering wood panels in oil, then etching and collaging them with manipulated and superimposed images. The technique involves layering painted paper and photographs of natural landscapes and jutting urban monumental fixtures. The scenery is cut-up and altered using long slivers of mixed papers that reference humanity’s inflicted alterations of nature. In a mosaic-like configuration they reveal vibrantly chopped asymmetrical forms simulating a surreal, transcendental world. There is a sense of depth, multi-dimensionality and rigidity in the composition that highlights the human/non-human divisions in nature. Superimposed skyscrapers and steel structures evoke hyperbolic fantasies of reimagined spaces, illuminating the charm of a utopic, idealized, urban wilderness. A 2014 Winter Workspace artist, Molnar drew inspiration from the Hudson River, Wave Hill’s greenhouses, national parks, suburban settings and lush, green spaces throughout the United States. The Headquarters and Rollercoaster images are indicative of the ominous but seductive pull of the looming burden of urban development. Inspired by Wave Hill’s Conservatory, Green House offers an optimistic possibility for greenhouse architecture. Weeping Willow references an overlook above Wave Hill’s Conifer Slope.” Wave Hill

Cheryl Molnar: Unnatural Settings
Tearoom, Wave Hill House | March 7- August 27, 2017

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in memory of a stout-hearted and true friend, December 2002-June 2017

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summer read: The Bold Dry Garden

Yes, this book on the making of The Ruth Bancroft Garden came out and was purchased by me last fall, but I’ve only recently sat down to read it cover to cover.

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The Bold Dry Garden; Lessons from The Ruth Bancroft Garden

I admit to falling into the trap of judging a book by its cover, and what a gorgeous cover this is. With photos by the pre-eminent landscape photographer of our time, Marion Brenner, for months I perused the book for its inspirational photography, skimming (or skipping) the narrative, because I assumed I knew the general outline of Ruth’s storied garden and life. What a mistake. The book seamlessly combines two favorite genres, biography and obsession, which have found the subject of a lifetime in the person of Ruth Bancroft. Building the story of Ruth’s life and the making of her garden with carefully researched detail, through interviews with the centenarian herself as well as children and co-workers, Johanna Silver creates a razor-sharp portrait of Ruth and her spiky garden, a complex portrait that I frankly didn’t expect to find amidst the glorious photography in this book. And what a story it is. Ruth’s garden may be absolutely on-trend now, with the surging popularity of cactus and succulents, the growing awareness of climate change and its attendant focus on resources conservation, but if anyone deserves the moniker “pioneer,” it’s Ruth.

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photo by Marion Brenner

Whatever the precise wording of F. Scott Fitzgerald’s observation that there are no second acts in American lives, the course of Ruth’s life in her sixtieth decade, when she started her now world-famous garden, is a hardy rebuke to such pessimism. Time is an unavoidable leitmotif in any life, a bully in fact, but Ruth bends time to her will as much as she does the climate and geology of her garden. She will, after all, be 109 this fall. Building a dry garden mostly independent of supplemental irrigation, (before even Beth Chatto’s dry garden, which was started in 1991), with untested, hard-to-source plants, whose hardiness was in no way assured in her 3-acre Walnut Creek garden, was a joyous leap into the unknown by a woman with an indomitable sense of adventure and curiosity. It’s a summer read I highly recommend.

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“Night Sky, Palm” by Eric Beltz

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Eric Beltz, “Night Sky, Palm” (Eric Beltz and CB1 Gallery)

I’m guessing it’s an affinity for the intricate, geometric beauty of plants that draws me to the mesmerizing graphite drawings of artist Eric Beltz. You can read more in The Los Angeles Times: “A million points of dark: The thrilling pencil drawings of Eric Beltz.”

Currently showing at CB1 Gallery, 1923 S. Santa Fe Ave., Los Angeles. Through July 15; closed Sundays and Mondays. (213) 806-7889, www.cb1gallery.com.

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mail order summer plant sales

A couple of nurseries in my inbox are having massive summer sales at the moment.

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Agave titanota ‘Banana Peel,’ photo from Plant Delights. I was surprised at how many agaves they’ve included in their sale. It’s a great way to acquire some of these rare beauties from their extensive agave listings.

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And that stellar source for everything for your dry garden, High Country Gardens, has also discounted some beautiful plants. Above is ‘Blue Boa’ hummingbird mint, which I just found local and planted in my garden as a matter of fact, and I can testify that that color is not photoshopped. In Southern California, agastaches planted now will have months of bloom ahead. Water them in well and mulch and they’ll sail through upcoming heat waves. I think today might be the last day for HCG’s sale, so do check out their website posthaste.

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leaning cussonias

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Right up there with rampant vines, another example of one of my current garden anxieties is the sharp northward lean on my Cussonia gamtoosensis. Will it ultimately do a face plant or won’t it? And if it does, will it take tree aloe ‘Hercules'(out of frame) down with it? Now that surrounding summer growth conceals the gravity-yielding trunk, I’ve felt more relaxed; as the old saw goes, out of sight, out of mind. But all winter I fretted over that exposed trunk with its oblique angle and shook it hard whenever I passed, testing the roots’ grip in the soil. Seems solid enough, but who can say? Trees are so inscrutable.

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I love how the tall-growing kangaroo paws and bog sage have begun to just graze the bottom of the canopy in June.

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Here’s the trunk (doubling as a cat-scratching post), planted in the same position as the trellis for Passiflora ‘Flying V.’

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And here’s the gap showing how the tree diverges from an upright orientation, away from the trellis, leaning north.

There’s still not a lot known about this “cabbage tree” from the Eastern Cape Province of South Africa. The lengthiest on-line description comes from this site:

Usually (but not always) a many-stemmed cabbage tree. The natural distribution of this species, discovered in 1975, is limited to the immediate vicinity of the Gamtoos River. Listed as threatened in the Red Data Book. Preferring well-drained soil and lots of sun, it grows to a height of 2-4m. Semi-drought resistant. Makes a good pot plant. Flowers insipid. Fruit 8mm long, conical, fleshy, purplish, with bracts clasping the fruit, closely crowded along the spikes. Foliage grey-olive.”

(Fancy buying some South African property along the Gamtoos River? Have a look here.)

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Looking west, just behind the eryngium, pennisetum, and bocconia, the cussonia now tops the garage roof. The three main branches are visible from this view.

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Eryngium pandanifolium skyrocketed blooms this year. This is the first seedling from the original mother plant to bloom. Note how tall and very straight.

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What excellent posture — that’s the spirit!

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Looking southward, two of the cussonia’s branches appear to be making the shape of a a heart. (Love you back, but just straighten up a bit, will ya?)

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Pressed on either side by bocconia and Grevillea ‘Moonlight.’ I’m told crookedness in cussonias is not uncommon, but it still makes me a little nervous.

I spent a lot of time this 90-degree day in that chair just visible, reading Andrea Wulf’s wonderful biography of Alexander von Humboldt, “The Invention of Nature.” This footnote included from Humboldt’s “Personal Narrative” uncannily describes what I was sensing in the garden this hot, lazy afternoon, an echo and match in mood across centuries:

[A]mid this apparent silence, when we lend an attentive ear to the most feeble sounds transmitted by the air, we hear a dull vibration, a continual murmur, a hum of insects that fill, if we may use the expression, all the lower strata of the air. Nothing is better fitted to make man feel the extent and power of organic life. Myriads of insects creep upon the soil, and flutter around the plants parched by the ardour of the Sun. A confused noise issues from every bush, from the decayed trunks of trees…There are so many voices proclaiming to us, that all nature breathes; and that, under a thousand different forms, life is diffused throughout the cracked and dusty soil…and in the air that circulates around us.”

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Back to my off-kilter cussonia. It was much easier to photograph as a young tree in December 2013.

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Its leaves just might be my favorite of all my cussonias.

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And now that little tree takes its place as a valued, if less than upright, blue-grey backdrop to summer.

With crooked trees on the brain, I enjoyed this recent article in The Los Angeles Times, “The case of the leaning pine tree: A natural history mystery unfolds on the Central Coast.” In this case, it’s a matter of leaning to the south instead of to the north (or, more precisely, toward the equator), and for still mysterious reasons. The tree in question is the Cook pine, named after explorer Capt. James Cook. The article doesn’t mention it, but Joseph Banks was the botanist on Cook’s voyage to New Zealand and Australia, from which Banks brought back to Europe so many plants we love (banksia!) as well as aboriginal words like tattoo. And Joseph Banks happened to be an elder contemporary of my afternoon companion, Alexander von Humboldt.

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Time to leave armchair adventures behind and head inside. Stay cool!

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Solanum valerianum ‘Navidad, Jalisco’

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I just don’t know what to think about this vine. First of all, let me be clear that I love the opulence of this solanum’s pendulous, grape-cluster-like performance. With its ropy swags of purply bloom, it is truly like living drapery against the east wall of lemon cypresses. But this vine obviously doesn’t subscribe to the maxim “good things in moderation.”

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A 2015 introduction from Annie’s Annuals via Suncrest Nurseries, this vine is something of a mystery. There wasn’t much information available at the time of purchase, which of course only increased its allure. Annie’s is still one of the best nurseries for imparting the feeling that you’re not just buying a plant but embarking on a thrilling expedition in plant exploration.

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I’m guessing the vine was planted between 2-3 years ago and slowly built up size, throwing occasional flower clusters. Then this year, bam. The base of the vine is now deeply shaded by the cypresses, which doesn’t seem to inhibit vigor or flower production at all. I run the drip hose at the base of the cypresses and vine about once a week to keep them from fighting for that resource. The fight for light and air circulation up the length of the cypresses, however, will require ongoing investigation.

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And conventional wisdom has gardens as safe havens of dozy repose! Not at all. They’re incredibly vital and exciting places, full of experimentation, battles for resources, thrilling successes and heartbreaking failures. Just like life outside the garden, as a matter of fact (but much more beautiful).

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The cypresses are the perfect scaffold for this vine which lacks tendrils, but if the vine is allowed to smother the cypresses, it will have lost its scaffold, and we will have lost the vine, the cypresses, and our privacy. So you see the dilemma. The stakes are high. Vigilance is needed. Which is why I always keep pruners out where I can see them.

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If you think you have a spot for some vigorous living drapery, and possess a strong sense of botanical adventure, I noted over the weekend that International Garden Center is carrying a few in gallons, in the last rows way in the back of the nursery. And Annie’s is currently offering this vine in 4-inch pots.

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clippings 6/14/17

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Some quick odds and ends. This is an old photo from the Theodore Payne tour a couple months back, of Artemisia ‘David’s Choice’ and clarkia, one of those fleeting moments in spring that indelibly sears the visual cortex.

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Last weekend this silky, cobalt blue iroid at the Sherman Gardens in Newport Beach, California, got the rods and cones firing. A floaty, winged performance entirely new to me.

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I’m guessing *Neomarica caerulea, which I’ve always associated with Roger Raiche, extraordinary plantsman and former horticulturalist at the Berkeley Botanic Garden, who has grown neomarica for many years. I suppose I just assumed that even though neomarica is from Brazil, it must be partial to Northern California/Bay Area’s cloud forest-like conditions, not Los Angeles. Coastal Newport Beach seems to suit it fine, so maybe Long Beach will too. The entire plant had great elegance and body, unlike the stiff spring performance of, say, Dutch iris. Annie’s Annuals occasionally carries it, and I need to keep track of when it’s next on offer. Making first-time, in-person acquaintance of desirable plants never gets old, especially ones as legendary as this.

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Another uncommon plant, this **lobelia looked as at home as any Jerusalem sage. It’s so exciting to see a rare plant that didn’t get the memo on how rare things are supposed to behave, i.e., struggling, weak growth, sunburnt leaves, suffering from mysterious soil ailments. I’m guessing that this is **Lobelia aguana. (Edited 7/1/17: It’s Lobelia excelsa.) Judging from this healthy, happy, floriferous performance, it looks like a sure bet for coastal SoCal. In my own garden at home I’m growing a lush, big-leaved lobelia new to me, L. fistulosa, and although yet to bloom, it’s also seemingly enjoying life and not agonizing over whether to live or die (talking about you, Lobelia tupa).

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Lysimachia atropurpurea ‘Beaujolais’ is undeniably thrilling. I had one good summer with it a few years back, but it didn’t return and didn’t reseed. Finis.

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The Sherman Gardens also has one of the best specimens of Leucadendron ‘Jester” I’ve seen, big and bushy, without the usual awkward or patchy growth.

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No visit to the Sherman Gardens is complete without paying homage to the spiral aloes in the succulent garden designed by Matt Maggio.

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Since visiting Denver Botanic Gardens, I’ve developed a new appreciation for crevice gardens. I confess when I first saw this work by Matt Maggio, I thought it was mostly stylistic, not necessarily intended as a recreation of habitat. The Third International Rock Garden Conference was held this past May in the Czech Republic, the birthplace of crevice gardens. (You can read Kenton J. Seth’s impressions of the conference on his blog, I Need A Cup of Tea.)

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My use of rocks in the garden thus far has been limited to placing them to protect small plants from wayward paws and feet. But there’s no denying the strong affinity of rock and plant.

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Blue stones for blue echeverias. Fun for a public garden, but not something I’d want to do at home.

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I found this pup of Aechmea bromeliifolia var. rubra at the Los Angeles Cactus & Succulent Society show and sale in Encino last weekend, along with a small pot of the long-sought Aloe tomentosa, a summer-blooming aloe with white flowers. The event was really well attended, another indication that succulents are still having their moment, with cactus in particular catching everyone’s fancy. (See “Looking sharp! How the cactus became the world’s most-wanted plant,” The Guardian, May 31, 2017.)

*Edited 6/19/17 Reader Rachel Dunn says she has bought neomarica from a seller on eBay, and I did find a source for a large 3-gallon neomarica at International Garden Center here in Los Angeles. The IGC is also currently carrying Lobelia aguana under Annie’s Annuals & Perennials label, and the leaves appear to be too slim for a match.

**Edited 7/1/17 This lobelia has been identified as L. excelsa.

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