Modernism Week in Palm Springs

It’s Modernism Week in Palm Springs, so what architectural gem did I visit? A Wexler steel house? Maybe a Neutra?
Nope, but I did visit a cactarium, the world’s first.

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The cactarium belongs to the Moorten Botanical Garden, a small, idiosyncratic, family-run botanical garden right off the main drag in Palm Springs. If you veer left and take East Palm Canyon Drive, you run into a strip of hipster hotels like Ace Hotel. But if you keep right on South Palm Canyon Drive, you’ll find Moorten’s and sights like these.

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The legendary Hollywood-Palm Springs connection insinuates itself even into a small botanical garden. Its founder, Chester “Cactus Slim” Moorten, was one of the original Keystone Cops.

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Leaving the small, quonset hut-like cactarium for the main garden, San Jacinto Mountains in the background.

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The enthusiastic, mad love for desert plants permeates every inch of this little garden.

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Palm Springs in February is a glorious place to be. Temps reached just 87 degrees. The air was fresh and sweet, a marked change from our “hard” port air. If we go back before summer, we’ll take in Sunnylands too. Modernism Week extends to February 23, 2014, and there are still tickets available to some events. We lucked into last-minute tickets to a lecture by landscape designer Maureen Gilmer, entitled “The Neglected Palette.” (Some of what she discussed included her take on old-school, hand-drawn designs versus auto-CAD, which can be read in an article she wrote here.) Ms. Gilmer is the author of “Palm Springs-Style Gardening,” and you can see what inspires her from her Pinterest board here.

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Bloom Day February 2014

I wonder if I’d get tired of a garden with nothing but chartreuse flowers for months on end. I suppose it’s possible.

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Helleborus argutifolius. Tough and beautiful, doesn’t complain, doesn’t expect any special treatment. All stellar attributes. Incredibly promiscuous in the seeding-around department, but nobody’s perfect.

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Euphorbia rigida is also full of similarly positive attributes but only lightly reseeds.

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This euphorbia is an absolute terror as far as reseeding, but again it’s hard to say no to chartreuse. (Hard to say no to euphorbias in general.) It’s either E. niciciana (Euphorbia seguieriana ssp.niciciana) or E. nicaeensis. I remember buying it years ago as E. niciciana, but I could be mistaken. I know I’ll regret not weeding out these few plants, but they make even February seem lush.

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Echeveria agavoides is possibly even more charming in bloom, if that’s possible

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Poppy time. The first blooms of Papaver rupifragum

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A gazania just starting to close up shop as the sun was setting.

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Gaillardia ‘Oranges & Lemons’ in need of a cutback for spring.

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In the front garden, new blooms on the enormous patch of dyckia. The lack of rain has impacted the snail population to the garden’s advantage this winter. Snails love dyckia spears like I love asparagus spears.

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I’m including the Brachysema praemorsum ‘Bronze Butterfly’ because technically it is blooming, but the red claw-like blooms are both virtually invisible as well as insignificant.

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This salvia looks very promising, a cross of Salvia pulchella with Salvia involucrata. My source, Annie’s Annuals, thanks Strybing Arboretum for this purportedly compact salvia.

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The Phlomis lanata I planted in fall are beginning to bloom. Very excited to see how this fairly compact phlomis with the common name of Pygmy Jerusalem Sage fits into the scheme of things.

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Lavandula multifida has been in steady, nonstop bloom since its fall planting.

Snow, mud, or otherwise, we all want to know how February is treating you. As always, Carol at May Dreams Gardens collects our stories.

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mon petit chou



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Members of the cabbage family were especially alluring at my community garden yesterday. No wonder “my little cabbage” is a French expression of affection.

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This dry, sunny winter seems to agree with them.

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Such a good-looking family. Exquisite chartreuse florets of the Romanesco broccoli.

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All photos taken of neighboring gardens. My little patch this winter is sans petit chou.
I’m still traumatized by a run-in with the cabbage moth years ago, but seeing all these so beautifully (and organically) grown gives me courage.

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echeverias in a vase

Valentine’s Day quiz:

A small vase holds the short stem of a ruffly rosette that’s not a flower. What can it be?
a) some kind of kale
b) I don’t know, but whatever it is it’s monstrous and obscene
c) an overgrown, long-necked echeveria


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Not much of a quiz, because of course it’s an echeveria with about half of its stem trimmed off. They do grow leggy in these parts. I’ll probably root these in sand in a few days, but for now am enjoying how these little vases are managing to support such top-heavy bouquets. The vase itself is what’s really quiz-worthy. In fact, they’re not vases at all, but actually something brought out in the ’70s called the “Uncandle.” The Pyrex name on the glass was the tipoff that this barbell-shaped glassware had some mysterious, heat-tolerant purpose in a past life. I was given a couple as a holiday present (thank you, Dustin!) and was told they were for forcing small bulbs. I later found a few more at a local thrift shop.

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It could have used a wash, but I was out the door. So smudgy fingerprints and all, this Valentine’s Day’s bouquet comes in a retro blast from the ’70s…the Uncandle.

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Patrick Blanc in “Contemporary Designers’ Own Gardens”

I’ve been scanning this book by Barbara Baker since December and haven’t come near to finishing it. There are two reasons to stop reading a book; either because you find it uninteresting or because you find it too interesting. Too stimulating. Special in the sense that it must be saved up for just the right moment to absorb in unmolested and concentrated appreciation. Since those are rare moments, it’s no surprise that I’m surrounded by piles of half-read books saved up as a future treat, like this one. Ms. Baker’s book opens with a portrait of Patrick Blanc, who I knew next to nothing about other than he is French, has green hair, and pretty much pioneered vertical gardens, those soil-less, engineering marvels that conceal their artificial, life-sustaining infrastructure behind a seductive tapestry of plants. With my laissez-faire approach to gardens, it’s not something I’ve been tempted to try at home, and if it wasn’t for Ms. Baker’s excellent book I would have missed out on knowing more about this botanist provacateur’s goal to take plants out of the “garden” proper and grow them where we really live, work, and play. This quote from his partner Pascal goes a long way toward filling in a portrait of this enigmatic artist:

Yet Patrick likes jungles and cities, but not gardens! His argument is this: ‘If you live in a city, you have to decide to take time, or lose time, in order to go into a garden. When you have a vertical garden, you make no decision; it is on your way, on the pavement or by the subway. It is more similar to walking in mountains or jungle and being presented with plants clinging to a cliff by a waterfall, and it is spectacular. In a horizontal garden, the guy who makes it decides where you go. He decides the paths, and where you have to sit. A vertical garden is more like a picture where it is your own eye which decides whether you are more interested in a triangular leaf or a frond.”


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Blanc’s three abiding passions have been water, fish, and plants. For a man who clearly tolerates as little separation as possible from the natural world, an aquarium must be the “floor” to his office. Photo found here.

http://www.dwell.com/outdoor/slideshow/7-great-green-walls#http://www.dwell.com/outdoor/slideshow/7-great-green-walls photo indoor-gardens-paris-france-blanc-patrick-dimanche-house-wall-aerial.jpg

Work by Blanc for friends in Paris.
The 20-by-23-foot interior wall is a canvas of the living with some 150 tropical, low-light species assembled in harmony. It begins as a field of texture 
near the ground, then runs through violet and amber arcs of flowers and other ruddy blooms, broadening out near the ceiling into trees that overhang the room like a sheltering forest.” – from Dwell

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I’d never thought of vertical gardens before as an impulse to deconstruct gardens as separate and discrete places we visit, enter, leave behind, then long to enter again. That’s so 20th century. Blanc craves an immediate, immersive experience beyond such spacial constraints and temporal boundaries. More than the vertical gardens themselves, which are tricky to build and maintain, it is Blanc’s insistence that plants become integrated into the dailiness of our lives that I find so inspiring. In such ecologically challenging times, why not deploy them everywhere we can, even on buildings and walls, like urgent messages in foliar graffiti? Why not aid and abet their escape from gardens and let them loose to curtain the streets and alleys of our cities, where they’re needed most?

Other artists profiled in the book include familiar names like Fernando Caruncho, Isabelle Greene, Dan Pearson, Tom Stuart-Smith, but it’s also been a source of introduction to many previously unknown to me. And for a garden book, it has a refreshing reliance on in-depth interviews and text as well as excellent photos.

Posted in artists, books, design | Tagged , , | 2 Comments

aloe, unidentified

I foolishly took down a listing on the blog of “Recently Purchased Plants,” because its length was getting embarrassing. Now I find I’ve simply traded one annoying sensation for another, and that is chagrin at not knowing the name of this beautiful, color-changing aloe.


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a very early morning on January 25, still greeny-yellow

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on February 7, in full peachy regalia

All along I thought this is where I planted Aloe capitata var. gneissicola, which blooms in distinctive hanging clusters, not spires.
If rummaging through the stash of old plant tags this weekend brings up a likely name, I’ll be sure to update.

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riad means garden

It’s February, so thoughts naturally turn to travel, escape, adventure. But I’m not going anywhere at the moment, so I look harder, stare longer, at local scenes, hoping to squeeze something new and startling out of familiar sights. But walking or biking around town, craving some inspiration from a jewel-box of a front garden, is more often an exercise in frustration than inspiration. In low-rainfall climates like mine, where gardens are in use year-round, they are frequently concealed behind walls, hedges, fences. This is an ancient impulse, in thrall to instincts dating back to the first riad. (See The New York Times images of some of the riads of Taroudant.) Here at home we’ve gotten into the habit of referring to our house and garden as “the compound.” Not in a crazy sect sense, but in the sense of sanctuary. Like the ancient riads of Morocco. The word itself is Arabian for garden. So to everyone whose high walls prevent my enjoyment of your luscious gardens as I pass by, I get it. I really do. And I should, because I’m working on my own riad too.


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Dar al Hossoun, Taroudant, Morocco

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Simon Watson for The New York Times

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shelves again

It’s true, I’m fixated on shelves. I love how they can lend a veneer of intention to one’s magpie tendencies.
With the spring plant sales not far off, I’m getting ready to make some new shelving to hang on the east fence.

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possible raw materials for future shelves

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past shelf experiments

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More past experiments, these with the wire racks under consideration for the current project. But I don’t want to take up much ground space this time.

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A recent experiment. Any plants on these hanging shelves will always need drainage trays to protect the wood.
And I’ve always been unreliable where drainage trays are concerned, so back again to the wire racks.
The plumbing pipe rack that we used to display stuff at the flea market is what put this useful hardware on my radar in the first place.
So I’m leaning toward plumbing hardware as the framework for wire racks.

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photo found at awelltraveledwoman

And I’m finding inspiring examples of it everywhere.

http://www.designsponge.com/2014/01/before-after-a-stunning-transformation-for-an-upstate-new-york-inn.html#more-191745 photo tophat-8.jpg

photo found at designsponge

http://www.desiretoinspire.net/blog/2013/8/7/double-dipping.html photo 4-flstudiopepe.jpg

desiretoinspire

I’m very drawn to these free-standing screens/shelves in that precise shade of green.

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And I could be easily talked into anything with wheels (lost the tumblr link).

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Not DIY but very clean, with a small footprint. weekday carnival via sfgirlbybay

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A rebar grid for pots has lots of potential. Photo found at desire to inspire

Yes, indeed, spring is going to need more shelves.

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Hardenbergia violaceae, the Happy Wanderer


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This smallish evergreen vine, also known as the Happy Wanderer, is in bloom around town, always a surprising sight for February. It’s a tough little number in the pea family from eastern Australia that lays low all year, unnoticed, in hard-scrabble conditions in chain-link-fenced yards, then bursts into improbably purple bloom late winter. I feel sadistically compelled to share a musical association that comes to mind when this cheerful vine is in bloom, a tune I sang with earnest enthusiasm in grade school called, what else, the Happy Wanderer. I’d always assumed that one of the teachers at my school wrote it herself, jotting it down about five minutes before music class on the desk blotter, but I see now that it’s been a favorite of Boy Scouts everywhere, not to mention a beloved folk song of Germany.

Sample lyrics:

Oh, may I go a-wandering
Until the day I die!
Oh, may I always laugh and sing,
Beneath God’s clear blue sky!

I think there may have been some yodeling involved too. For the melody styled by the accordion, have a listen here.

(You’re welcome.)


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A nice little vine that, in my mind, will forever be intertwined with yodeling.

The Muppets covered it here.


Australian Native Plants Nursery, long at the top of my list for a day trip, provides pertinent stats on this vine here.

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the new courthouse

Governor George Deukmejian Courthouse, Long Beach, California

The old, crumbling, brutalist-era courthouse where I did a lot of jury duty time was finally, mercifully shuttered, its broken escalators never to confound us again, and the new courthouse went up a couple blocks from the old one, officially opening last September 2013. It’s a massive building, meant to absorb the judicial business of many other tributary courthouses in the Los Angeles Superior Court system that have been closed due to budgetary cutbacks. (All these closures have reminded many again of the truism that “justice delayed is justice denied.”)

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The only public entrance, with its jutting promontory, the ipe-lined overhang, facing east on Magnolia, photo via here

For months I admired the new courthouse from a distance, as I whizzed by in the car to and from the nearby freeway onramp. Compared to the dreary old courthouse, this gleaming glass facade seemed to have more in common with an opera house. Driving on the south side of the new courthouse on Broadway a few weeks ago, I noticed the parkway in bloom with hesperaloe and made a mental note to walk the perimeter that weekend. When I finally did a few laps around the courthouse late in the day on a Saturday, I was so impressed with the landscape architecture that I spent the next week researching the LA responsible, a straightforward-enough question that proved surprisingly frustrating to find an answer to. It turns out the answer was buried in the question. I couldn’t find a name for the landscape architect because the multidisciplinary engineering firm that designed the courthouse, AECOM, is headed by a landscape architect and urban planner, Joseph E. Brown, FASLA. That the building seemed to me so thoroughly integrated with the landscape architecture was because it was conceived that way, literally from the ground up. AECOM’s chief executive, Mr. Brown described his vision for AECOM in a 2009 interview published by ASLA’s The Dirt, Uniting the Built and Natural Environments; “Peering into the Future: An Interview with Joseph E. Brown, FASLA.”*

As a landscape architect and urban designer, I’ll be in charge of the entire set of capabilities including architecture, building engineering, design, planning, economics, and program management. I’ll be leveling the playing field among disciplines as opposed to the current cafeteria-style model of practice, which is inflexible and hierarchical. In our future, engineering and architecture will be calibrated with science, counterbalanced with the fields of ecology and landscape.”

As the comments to the interview show, not everyone agrees with Mr. Brown’s opinion that it will take mega, multidisciplinary firms like his to handle the complex design challenges of 21st century projects. It’s an intriguing proposition guaranteed to piss off principals of boutique firms. And there will be built-in suspicion for any corporate entity that proclaims their enormous size will be both to their benefit and ours (society’s). All matters for future reading and investigation. All I know is what I’ve linked here. And that the courthouse was delivered ahead of schedule.

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