There’s so many reasons for plants to spend some or even all of their lives in containers.
Aside from the practical reasons — fine-tuning sunlight, better drainage, more moisture, less moisture, special soil mixes, protection from chewing and digging creatures, the ability to shuttle plants indoors where a cold winter will be inhospitable and/or deadly — all these good and sensible reasons aside, containers provide strong graphic and framing opportunities that many of us find hard to resist. And it’s not like our infatuation with pots is new — the oldest pottery found in China dates back almost 20,000 years, so I’d argue that we’re just yielding to an age-old, irresistible impulse that impels us to seek out empty vessels brimming with so much potential. The gardens of Portland we toured exploited this graphic potential like nobody’s business.
Euphorbia ammak would not survive the Portland winter were it not for the portability of the freckled chartreuse pots in Craig Quirk & Larry Neill’s Floramagoria garden designed by Laura Crockett.
A perfect example of the gorgeous joining hands with the practical. I love this soft color that blends so well with plants. (A year or so ago I found a pot with this same glaze at Rolling Greens in Culver City.)