small taste of summer

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For summer, valerian and nicotiana light up what’s mainly a planting of shrubs and succulents the remaining seasons. As much as I love intoxicating displays of summer abundance, this little garden has to remain sober and on duty all 12 months of the year; otherwise, I’d be impossible to live with. Sadly true.

Summer does not make an overwhelming seasonal presence here in my little back garden but comes in quietly after the early poppies are over. Summer must make do, getting tucked in here and there, dotted throughout among the year-round plantings. And it’s not that I’m indifferent to a big summer display — if I had an acre in maybe a maritime zone 8, oh, about 30 inches of rain a year, I’d have a proper summer garden unto itself. What constitutes a summer garden is such a subjective state of mind anyway, isn’t it, dependent on climate, taste and temperament? For a zone 10 summer there’s lots of ways to go: serenely evergreen and austere; desert sculptural; chaparral shrubby; splashy subtropical, with curtains of vibrant bougainvillea and trumpet vines, or taking bits from each approach in varying combinations. I could happily go with desert sculptural and may get there eventually. And even though I find them loads of fun to plan, the big, complex, meadowy displays reliant on mature perennials, however, are the least likely to succeed. Most perennials give their best performance after three years, an age they never attain in warm winter climates without the requisite period of dormancy. Squeezed into the dry environs among agaves and aloes, my modest summery celebration for this year is going to look something like the following, which is very similar to past summers. Maybe some of the newly planted stuff like native buckwheats/eriogonums will surprise me and kick in later in the season.

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I don’t need masses of blooms, but the shapes of flowers interest me as much as the shapes of leaves and the outline of the entire plant itself, such as how Cenolophium denudatum hoists its sublime floral architecture high above a fluffy, bright green base of parsley-like leaves (aka the Baltic Parsley).

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Commanding attention along the same lines is Angelica stricta ‘Purpurea,’ taking it further with purple stems and leaves. I’ve yet to see any progeny from this biennial and have always had to bring in fresh plants.

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In zone 10 there’s an irresistible variety of evergreen shrubs and succulents to fill a garden, which means summer has to be light on its feet and find unobtrusive ways to make it work. Here the angelica is working it with bocconia, yucca and beschorneria, (with the angelica closest to the drip hose).

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Cenolophium and the first blooms of Berkheya purpurea. If the cenolophium and Salvia ‘Waverly’ weren’t newly planted this year, they might be further along, but there’s a lot of summer ahead. And the salvias of course will outlast them all, blooming into fall.

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Berkheya purpurea has expanded into three or four clumps now.

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Giving the berkheya room to grow necessitates cutting back quite a bit on Leucadendron ‘Wilson’s Wonder’ and Senecio medley-woodii. The senecio is improved, becoming more dense and silvery the harder it is cut back, and who needs those raggedy yellow daisies anyway? The leucadendron cuttings go into vases.

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Another senecio but new to me this year, CA native Senecio palmeri, is fighting for ground, pushing up around aloes. It’d be awesome to see this recently introduced senecio grown unimpeded into a big silvery dome. The yellow daisies are supposedly a positive feature on this one.

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Out of a multitude of self-sown seedlings, the garden can comfortably fit only a couple wide-body castor bean plants, ‘New Zealand Purple.’ Furry, lance-shaped leaves in the foreground belong to CA native Lepechinia fragrans ‘El Tigre,’ also in its first year, with blooms like the South African foxglove ceratotheca but dangling sideways like an oregano. I hope it gets going before summer’s end.

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And some heavily planted areas just have no room for any summer incidents at all. There’s no getting around it. Agaves take precedence! (Agave filifera ssp. schidigera ‘Shira ito no Ohi’)

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Purple Awn Grass and Spanish poppies will sow themselves into the nearby bricks for summer, but I am determined to keep the walkways clear and have weeded out most of them, as well as some fine specimens of Verbena bonariensis which love such tight quarters.

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The single carnations fit in nicely among the succulents. No need to stoop over to catch their scent either, it’s that strong.

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Variegated Aloe arborescens will ultimately grow too large here but seems reassuringly slow growing for now.

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And there’s plenty of heat coming from the ruddy coloring of Agave geminiflora, aloes, Cordyline ‘Red Planet’ and omni-blooming grevilleas. The arching sprays on the left are Puya laxa coming into bloom (which I just noticed coincidentally mimic the winter bloom sprays of the silver Kalanchoe bracteata).

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And if Leucadendron ‘Jester’ continues to thrive, lookout cookout!

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Aloe ‘Cynthia Giddy’ showing a flower bud and some seriously reddened leaves.

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We’ve had near-constant overcast morning skies this spring, yet the succulents have achieved the most intense coloring.

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In contrast, this photo from last July shows Aloe cameronii on the right almost completely green. Can’t wait for the grasses to return — maybe just slightly less exuberantly. Some of the growing agaves need the breathing room.

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Similar view from February, with the grasses cut down, some of them moved further in the back near the acacia.

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Pennisetum ‘Karley Rose’ is always the earliest. Jagged leaves belong to Eryngium pandanifolium.

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Alstromeria ‘Third Harmonic’ is about 4 feet high now, planted at the canopy line of the purple-leaved acacia where some of the bigger grasses have also been moved. The recently planted flannel bush is nearby. Both of these vigorous plants have to contend with a lot of competition for resources, which should keep them in check but hopefully not kill them outright. And that’s the balancing act in a nutshell.

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And since they’ve been photobombing nearly every image, I might as well talk up the irrepressible nicotianas.

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They’re everywhere. Squeezed in between Leucadendron ‘Winter Red’ and Aloe cameronii.

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For years nicotianas were a puzzle, and I assumed they were unsuited, maybe too delicate for zone 10. Once a few plants survived long enough to throw seed around, the hard part was over. After that it’s pure magic. Mine self-sow in white, lime, and brick red, the latter from Nancy Ondra’s seed strain. Now I can’t imagine summer without them. However, I still haven’t been able to crack the code of Nicotiana mutabilis yet.

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The old standby, the bog sage, with Amicia zygomeris.

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Solanum valerianum ‘Navidad Jalisco’ is in bloom again, romping through the Monterey cypresses on the eastern boundary.

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Salvia curviflora is still managing to bloom as the shade under the tetrapanax increases.

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I’ve been cutting back the Plectranthus argentatus to keep it upright but expect it to tumble earthward any day now.

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So for summer, I guess this puts me in the desert sculptural, chaparral shrubby, splashy subtropical camps(?)

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Maybe it’s more accurate to say I’m in the “whatever I can get away with” camp…

Posted in agaves, woody lilies, garden visit, journal, pots and containers, succulents | Tagged , , , , , , , , , , , | 11 Comments

revisiting Nancy Goslee Power’s private garden

The Los Angeles Times ran a profile on Ms. Power this weekend (“She spent decades transforming Southern California landmarks. Go inside Nancy Goslee Power’s private garden,” so I’m grabbing the opportunity to repost a visit I made to her garden in May 2016. There’s some additional photos in my post on details mentioned in the article, such as the “river stones set in a chevron pattern.” Enjoy!

Since the 5/7/16 tour, Gov. Jerry Brown surprised us all by announcing that mandatory water restrictions are now suspended except for agriculture. Water use policies will revert back to the local level. So pat yourself on the back for enduring those spartan showers, ditching the lawn, adding in more permeability to your garden, and overall diligent water use reduction efforts.
(But you still can’t hose down your driveway, so get over that.) Even so, this might be a good moment to emphasize the big picture. From The California Weather Blog:

Nearly all of California is still ‘missing’ at least 1 year’s worth of precipitation over the past 4 years, and in Southern California the numbers suggest closer to 2-3 years’ worth of ‘missing’ rain and snow. These numbers, of course, don’t even begin to account for the effect of consecutive years of record-high temperatures, which have dramatically increased evaporation in our already drought-stressed region.”

And the bigger, possibly more sobering picture is that even in non-drought years, Los Angeles averages only 15 inches of rainfall. So the problem of too little water for too many people is not going away. Ever. And it was a problem long before the governor hit the red alert button. But you know what? Other cultures have already figured this out, this business of crowding ourselves into hot, dry lands. And there’s great examples all around town. Landscape designer Nancy Goslee Power’s garden on the recent GC Open Days tour is a case study of these principles. And while we all obsess over what to do with the lawn, her almost 20-year-old garden suggests we might also think about where outdoors to eat, nap, cook, read, chat with friends, daydream, warm by a fire, take shelter from the sun, catch an ocean breeze, inhale clouds of jasmine — the scope of possibilities extends far beyond the boundaries of that poster child for this drought, the lawn, and what replaces it.

I liked this line from that keen observer of all things Southern Californian, Joan Didion, in the 5/26/16 New York Review of Books. It easily applies to our attitudes about water in Los Angeles:

I have lived most of my life under misapprehensions of one kind or another.” Boy howdy, you said it, Ms. Didion. Don’t we all? (“California Notes” NYRB 5/26/16)

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This little table and chairs is at the front of Ms. Power’s small Santa Monica house, just off the street, entirely screened by plantings. A short staircase zig-zags up from the sidewalk through retaining-wall beds filled with agaves and matilija poppies, depositing visitors in this shady “foyer.” A potted cussonia at the entrance to a garden is always an auspicious sign of good things to come.

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Also in the front courtyard is the first of many small fountains and pools. Implicit is the strong affirmative that, yes, water is precious stuff. Watch it glisten and sparkle in the sun, ripple in the wind, draw in birds. Just don’t ever take it for granted.

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Narrow passage to the back of the house, a jasmine-scented journey this time of year.

The forgotten spaces in most people’s houses — the side yards and setbacks — I look at as opportunities.” (All quoted material from “Power of Gardens” by Nancy Goslee Power.)

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Already you can sense the strong interplay between indoors and outdoors, the feeling of shelter extending beyond the house, eager to envelope and claim the outdoors as well.

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Up those distant steps leads to the banquette in the photo below.

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Ms. Power’s “napatorium.”

Walled gardens offer so many solutions still relevant in the modern world. They give privacy and safety from the outside environment, often perceived as hostile. The living spaces of the house open onto exterior spaces, and outdoor dining is possible in courtyards in good weather most of the year.”

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[T]he more you define a space, the larger it becomes.”

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The view from the kitchen door.

I designed the water to be seen all the way through the house and make a strong central axis that pulls you outside.”

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A small apartment/cottage shares the wall with the rill.

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Dining area off the kitchen, where the colors warm up.

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The kitchen, windows open to the narrow, pebbled side passageway, a nook in the wall for a potted plant just visible through the window.

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More shaded seating just off the kitchen.

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Everywhere were the tell-tale signs that the outdoors were as lived in as the indoors, if not more so.

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From the street, you’d have no idea what lay up that small flight of steps off the sidewalk, so tours like this are much appreciated.
I wanted Casa Nancina to reveal herself slowly…I didn’t want my landscape to stand out. It needed to be discreet and feel as if it belonged to the neighborhood.”

Posted in design, garden visit | Tagged , , | 5 Comments

friday clippings 6/1/18

I’ve been in somewhat of a torpor since cracking a rib earlier in the week. Planting, digging, relocating potted plants, shoving heavy things around, in other words, my favorite pursuits — very little of this is possible at the moment. Trying to ignore the situation and just work through the pain does not seem to be the quickest road to healing. So a drive down to San Diego tomorrow for the San Diego Cactus & Succulent Society sale and show will be positively therapeutic. If the flat tire on my car is fixed in time. It’s been that kind of a week, hasn’t it?

Garden Rant had a piece this week on the limited release of Five Seasons: The Gardens of Piet Oudolf. I’d already had the date of June 29 calendared, which is when the film will be shown at the Royal in Santa Monica, with a Q&A with the filmmaker Tom Piper opening night. Upon reading in Garden Rant that “Oudolf and his evocative garden designs have been drawing international attention since he designed the Royal Horticultural Society’s Glasshouse Borders in Wisley, England,” I went over my photos again taken at Wisley last October. How did I miss these borders?

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Maybe this snippet is from one of the glasshouse borders?

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Judging from my photos, my attention was elsewhere. In the glasshouses, it seems. These were the smaller glasshouses near the rock garden.

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(Sign admonishes: “Nobody wants to look at crushed flowers”)

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My own Aeonium nobile has sent up a bloom stalk the past week. Something this fabulous just has to be monocarpic, of course.

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The ginormous glasshouse which the Oudolfian borders reference was shuttered for renovations but still able to muster a cake to celebrate its 10th birthday.

And speaking of mortality and aging of plants, I loved this quote from National Geographic’s “Oldest European Tree Found—And It’s Having a Growth Spurt“: “aging isn’t programmed into trees, so they are effectively immortal.” What a cheerful thought!
““Old trees usually eventually die because of external disturbances, such as a strong wind…

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A cluster of old or dead Heldreich’s pine trees sits on a ridge in Italy’s Pollino National Park, where researchers discovered the oldest tree in Europe.” – National Geographic

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And checking out the photos again from my trip to England in fall 2017, I found the inspiration for a recent plant order to Annie’s Annuals.

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This is Salvia bullulata on the growing bench at Derry Watkins’ nursery Special Plants last October. Blue is not an unusual color in the protean genus salvia, but the limpid blue of S. bullulata is very unusual for a salvia and reminds me of the turquoise shades possible with corydalis. I pounced when Annie’s offered it this spring. Currently out of stock, you can add it to your wishlist.

Another salvia first seen at Special Plants, ‘Jean’s Jewel,’ was tracked down state-side to Flowers By The Sea, which has an incredible list of salvias. ‘Jean’s Jewel’ is a guaranitica hybrid with atypical violet-pink flowers and somewhat more compact habit of growth.

Even with a sore rib, walking is still an available pleasure, and I can still get lost in thought on city walks. And because I have always loved city walks, this observation from “Why Walking Helps Us Think” was surprising: “A small but growing collection of studies suggests that spending time in green spaces—gardens, parks, forests—can rejuvenate the mental resources that man-made environments deplete. Psychologists have learned that attention is a limited resource that continually drains throughout the day. A crowded intersection—rife with pedestrians, cars, and billboards—bats our attention around. In contrast, walking past a pond in a park allows our mind to drift casually from one sensory experience to another, from wrinkling water to rustling reeds.”

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And one of my latest design blog crushes, This Is Colossal, has a great idea for Father’s Day, “vintage camper birdhouse kits that are the perfect backyard outpost for a family of birds. The design was inspired by a 1974 Serro Scotty Hilander that once belonged to Williams, complete with decorative window shades and accessories such as flowers, a grill, and a few lawn flamingos.”

Have a great weekend!

Posted in Cinema Botanica, clippings, garden travel, pots and containers, succulents | Tagged , , , , , , | 8 Comments

Hawaii on my mind

Because my oldest brother on the Big Island, near Hilo, has been waffling over staying, going, staying, going — what to do with the dogs? — for most of May, that’s why Hawaii is on my mind these days. I just heard from him this morning with some scary news (“The lava took out the cell tower so I don’t have phone reception so tell mom that I can’t phone her. Hope you are okay.”) But then the news via email improved somewhat after some incisive questions on my part:

Me: “What the heck is happening with that lava flow? How are those noxious gases?”
Brother: “The gases were very bad in the beginning. Right now the winds are blowing strong so the air quality is good this morning. The lava has gone into the ocean about three miles from here.”

So we’re all going to take a deep breath and hope the strong winds continue. Even though more fissures of lava have erupted from the Kilauea volcano since yesterday, mandatory evacuation is still not in place for my brother. I’m trying my hardest to imagine Hilo and Pahoa covered not in lava, but bromeliads. (I’ve yet to visit our 50th state, so I’m reposting scenes from a 2015 visit to Lotusland.)

Have a great weekend.

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Posted in journal | Tagged , | 6 Comments

Dustin Gimbel’s garden in May

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I’ve talked about Dustin’s ceramics a lot lately, but how’s his garden growing this very grey-skied May? Last week Shirley Watts was in town for talks on the next installment of Natural Discourse’s installation at the LA Arboretum in spring 2019 — flush with the exciting news of having received an NEA grant this time around! — and she wanted to fit in some ceramic shopping at Dustin’s home/workshop/garden. Shirley brought with her another avid ceramics fan, Dr. Marie Csete (who I first met when she gave an intriguing lecture entitled “Structure and Function in Stem Cell Biology” at the first Natural Discourse way back in 2013.)

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With the two of them absorbed in Dustin’s ceramics, I had a good, long look at his garden, without Dustin chattering away and distracting me as he always does (kidding! That’s just me projecting…) — the three clipped box balls that punctuate the front planting have really grown in thick and lush, as have the essential privacy hedges growing along the front sidewalk, now thoroughly sheltering the front garden from the busy street. (And we’re talking 24/7 Long Beach busy.) It is a world apart here in Dustin’s garden on the other side of those hedges, the atmosphere thick with plant lust and design schemes to show the many botanical wonders off to best advantage. Outside the hedges, the world may as well be in black and white. Like all stunning gardens, it’s all about that fierce concentration of intention, staking a claim on the sheer gorgeousness of the natural world like your life depends on it (and in my case, it pretty much does), curated through a unique, sensorily restless sensibility.

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High noon but overcast, I did my best with the camera. At the foot of the boundary hedge seen in the first photo runs a lush planting of Bilbergia ‘Hallelujah’ alongside a small footpath, looking in the direction of the driveway past a lemon tree and a large water tank feature with bobbing glass fishing floats. The complex, multi-layered front garden planting has many such footpaths and footholds to tend to the plants. Strategic changes in elevations were sculpted into place when ground was first broken on the front garden, with broken concrete used for retaining walls where needed. For example, the leucospermum is planted on a well-draining berm, although the low urbanite walls are barely visible now.

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Looking from the boundary hedge back at the house, infamous concretion totems on the right. Tree in the distance is Acacia podalyrifolia (which I believe is from seed of mine). Orlaya grandiflora, the Minoan Lace, is in bloom — both Shirley and Marie went home with seed of this annual — and the golden-flowered leucospermum on the left is just about finished bloom. Spires of hesperaloe in the mid distance.

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Dustin carrying just one of the many boxes of his ceramics to Shirley’s rental car, boxes also bulging with plants and cuttings. This is the transverse path running the length of his front garden, starting at the driveway. If I remember correctly, the wood was salvaged from work on a local pier.

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There’s my car on the driveway just seen through the curtain of weeping Acacia pendula trained on a large rebar arbor. Dustin thinks this aloe is A. camperi, and it’s a personal favorite of his, bridging the bloom period in spring between winter and summer-flowering aloes. The tips of pale Agave mitis var. albidior in a small meadow of sesleria are just visible beyond the aloes.

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View from the driveway of Acacia pendula, box, verbascum species, orlaya, with the delicate and lovely but seldom-seen Anthericum saundersiae ‘Variegata’ in the foreground. A peachy Russelia equisetiformis adds to the wash of soft orange provided by the pincushion shrub and aloes in bloom.

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The transverse path deposits you at an intersectional walkway that leads to the front porch or, further on, to the back garden, or a side path back out to the sidewalk and street.

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An outsized collection of potted succulents and shrubs flanks the porch.

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Through the side gate into the back garden/workshop area (potted farfugium, blooming honeysuckle on fence, newly planted Salvia ‘Wendy’s Wish just visible in left foreground), leaving the serene front garden and entering what I consider the engine room that keeps Dustin’s ship afloat, including outdoor dining area, ceramics studio, propagation areas, and garden design workshop. It is a mesmerizing place full of experiments, ideas unfolding in leaf and clay, all packed in among the nursery stock he grows for clients’ gardens.

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Along the path to the back garden/ceramics studio, papaya at the end of the frame next to the variegated Italian Buckthorn Rhamnus alaternus (or possibly Pittosporum crassifolium). This side fence is made of water-proof HardieBacker cement board, painted pale mauve-grey.

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That heavily curled Kalanchoe beharensis is some dwarf/compact variant that is intensely sculptural. I covet it. A table with a smoker (?) has been placed smack dab over a big clump of Melianthus ‘Purple Haze.’

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Turning the corner of the screen surrounding the outdoor dining area, which I neglected to photograph. I’m assuming that’s an orchid cactus/epiphyllum clambering up the screen, but with Dustin it’s probably best not to assume. The table was stacked with ceramics and some killer species of stapelia in bloom. The multi-variegated Japanese Star Jasmine, Trachelospermum asiaticum ‘Ogon Nishiki,’ is used as a ground cover along the base of the screen.

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On the garden side of the screen, the concrete-formed trough/water garden pierces through, making it a clever feature of the dining area as well as the garden outside the screen. Hesperaloe ‘Pink Parade’ throwing its first bloom, and apparently having been very slow to do so.

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More flow is created by the viewing “windows” cut into the screen enclosure, literally framing views, as seen in this photo Mitch took last year. I wish I could keep Mitch in my back pocket for all impromptu photo duties.

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Euphorbia cotinifolia is cut back hard to keep it small, multi-trunked and dense with those luscious dark leaves.

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I didn’t get a photo this visit of the fence he built to screen the propagation area so am including one from a visit in December ’16, a much better day for photos than this gloomy day in May. The Eucalyptus ‘Moon Lagoon’ on the far left is maybe 5 feet tall now.

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Looking back from the blue-washed fence with geometric frames at the HardieBacker board fence. The workshop/studio is out of frame to the right.

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That’s the wall of the workshop/studio, festooned with swags of Aristolochia gigantea now coming into bloom. When the garden was photographed last year for Sunset magazine, it was immaculately styled, not a plastic nursery pot in sight, tables carefully vignetted, Fermob furniture brought in. It looked fantastic, but I think I’ll always prefer this, which is how a busy designer’s garden looks on a day-to-day basis as he workshops ideas for designs and uses every available inch for ceramics and to propagate more plants.

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Here’s a photo Mitch took of the garden styled for the Sunset photo shoot last year, same space as the previous photo.

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A small portion of the nursery stock he grows for clients — nice Aloe marlothii!

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And when he’s not designing gardens or throwing clay, he’s painting. I mean…c’mon!

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I think this is the painting that Dustin said he completed just the day before, when he took a “mental health day” off from work.

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I bet I’ll hear from Dustin after sharing this photo! But it gives a sense of how much fun a space this is to explore. The view is toward the end of the property, workshop and ceramic studio on the left, looking over nursery stock, various projects, and a few raised beds for vegetables and flowers, like the apricot-colored helichrysum/strawflowers coming along nicely for summer. The corrugated fencing separates bee hives from the main space, though the hives are not currently active.

If some gardens can be said to soothe like a pleasant cup of herbal tea, Dustin’s is a triple espresso. I always leave feeling fully caffeinated. If I had to sum it all up in one word, it would be fecund.

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You can set up an appointment to shop Dustin’s ceramics by contacting him via his website here. (And of course check out his garden while you do!)

Posted in agaves, woody lilies, artists, design, garden visit, MB Maher, pots and containers | Tagged , , , , , , , , | 9 Comments

the Nino garden gnome

You either embrace kitsch or you don’t (i.e. run away screaming). Or, in the case of Rome-based Plato Designs, you turn kitsch on its red-hooded head and recast it in cubist contours.

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Garden gnomes: love them or hate them, there is no middle ground. And Plato Design just loves garden gnomes. The union of designer Pellegrino Cucciniello’s low-poly imagery and Italian hand-worked monochromatic cement was the key to restoring dignity to the garden gnome. The gnome can finally come inside and make its way to the lounge, the living room, the drawing room. Nino, thanks to his refined materials and detail, earns his rightful place with dignity, next to the great classics: picture frames and ornaments perched on bookcases. His calibrated geometric abstraction and imperceptible optical corrections make each Nino unique and highly desirable. Wishing to own a garden gnome is no longer a taboo.”

Maybe Nino will star in a traveling gnomic caper of his own — possibly crashing a future RHS Chelsea Flower Show, now that their garden gnome ban has been lifted?

(For indoors and outdoors.)

Posted in design, garden ornament | Tagged , , | 2 Comments

Gilmour’s Interactive U.S. Planting Zone Map for 2018

Planting zones are broken down into thirteen areas, also known as USDA zones, which cover the entire United States, including Hawaii, Alaska and Puerto Rico. Each agricultural zone covers a 10-degree range. Zone 1 is the coldest, with an average minimum winter temperature of -60 to -50 degrees F, while the minimum winter average temperature in Zone 13 is 60 to 70 degrees F.” (link here)

I’m a 10b — no, not shoe size! That’s the planting zone for Los Angeles:

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Los Angeles County garden of garden designer and ceramicist Dustin Gimbel growing leucospermum, magnolia, acacia, gerbera, citrus

Los Angeles
Planting Zone: 10b

With an average yearly temperature of 63.68°(F), Los Angeles has a Frost free growing season and is located in a warm temperate thorn steppe.* Common grasses include bermuda grass, buffalo grass, St. Augustine grass and zoysia grass.

Averages
Low Temp: 35 to 40°(F)
Rainfall: 18.67”
Sunny Days: 284
Altitude: 292′

The coast of California usually has dry, warm to hot summers, with rainy winters in the north and mild winters in the south. The high elevations of the Sierra Nevadas, Cascades and Klamath mountains have mild to moderate summer and snowy winters. The low elevation eastern deserts in Southern California see minimal frost in the winter and have hot summers, while higher elevation eastern deserts in the central part of the state are prone to thunderstorms from July through early September.”

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Boyce Thompson Arboretum, Arizona

It’s a fun game. What’s the zone for Phoenix, you ask? Click on the state, and major cities will be highlighted. Phoenix is 9b. (“With an average yearly temperature of 75.05°(F), Phoenix has a February 26-November 20 growing season and is located in a subtropical desert scrub. Common grasses include bermuda grass and St. Augustine grass. Averages; Low Temp: 25 to 30°(F), Rainfall: 8.04” Sunny Days: 299, Altitude: 1093‘)

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Tanglewild Gardens, Austin TX

Okay, I was just in Austin. Let’ check the deets on it: 8b ( “With an average yearly temperature of 69.4°(F), Austin has a February 17-December 6 growing season and is located in a subtropical dry forest. Common grasses include bermuda grass, buffalo grass, rye grass, St. Augustine grass and zoysia grass. Averages; Low Temp: 15 to 20°(F), Rainfall: 34.25” Sunny Days: 228, Altitude: 489′)



Go ahead, give it a try. Honolulu is 12a, Miami 11a...

"Instead of simply assuming you are in a certain zone and thinking you already know what grows best, click on the major metros near you to see detailed information specific to your exact area. Individual zones are no longer simply just bands that go across the country. Detailed sections are now based on multiple factors.

Click on your state to reveal a basic overview, including the state flower, a list of major metro areas, gardening zones and an overview of climate. By clicking your closest metro area, you’ll find even more detailed information to help make your gardening decisions."

Gilmour, which sells household/garden supplies, emailed this helpful planting zone map. No business relationship exists between Gilmour and AGO.

*that's my bold, since I was unfamiliar with this nomenclature "warm temperate thorn steppe," which derives from the Holdridge Life Zones Data Set.

Posted in climate, science | Tagged , , , | 9 Comments

multifaceted Mirador house, Austin TX

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Heroic in scale, the agaves and Cor-Ten steel undulating walls wet with rain, topped by a grove of Yucca rostrata at the rear entrance to the property.

I was so intrigued by this garden I visited in Austin earlier this month that my meager amount of rain-splashed photos weren’t enough to sate my curiosity. I had to know more. Yet reading further about this house and garden had me wondering if I saw the same project. Depending on the source material, various discrete design elements were emphasized, many that I didn’t recognize at all since I only saw a small part of the whole. (My introduction to the landscape design was through Pam Penick’s blog Digging. Pam is one of the co-founders of the Garden Bloggers Fling. Be sure to check out her excellent post for a much more comprehensive, sunnier/drier tour of the entire property and a look at the native grasses in bloom in fall.)

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To say this house and garden have a lot of angles is an understatement on so many levels besides just the literal. Because of that interplay of the house and landscape architecture, it’s one of those projects that makes you wish the architect and landscape architect were available in a panel discussion to talk about how they fit all these disparate puzzle pieces together to accomplish such a unified vision. I knew the fabulous landscape architecture was done by Curt Arnette but didn’t know who built the house.

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(Edited 5/22/18: Pam Penick Pam helpfully provided the architectural attribution as well as correcting other research: Jim LaRue of LaRue Architects.)

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A peek into the courtyard behind the massive Cor-Ten planters also serving as walls.

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Raining off and on, I didn’t grab many photos of the veg garden just beyond the courtyard, which along with this cool, Lone-Star emblazoned cistern had a spectacular board-formed concrete water feature. Some of the photos were too rain-blurred to be useful. Like I said, there were a lot of angles, a lot of facets to this complex property that somehow folds itself seamlessly into the oak-dotted landscape. What I’ve captured in photos is a tiny slice of the whole, including the back entrance leading to an inner pergola, terraces, patios, lawn, and pool off the back of the house.

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Photographically, balancing the interplay of all those angles is a fascinating challenge, which makes the work of the masters of architectural photography like Julius Shulman that much more impressive. I had to straighten quite a few of these photos!
We did not enter here but headed to the terraces, pool, and patios off the back of the house by heading left of that curved retaining wall.

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Leading to a fig-draped pergola and the pool area beyond.

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From the pergola, then across the lawn to the pool and terraces.

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Looking from the limestone terraces off the house in the direction of the pergola.

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Just visible beyond the lounge chairs is the deep overhang sheltering the sitting area closest to the house. Summer in Austin means days on end over 100F.

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A limestone soaking tub is a few steps away from the Cor-Ten-enclosed pool.

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The view from the terraces also encompasses the surrounding landscape. Yep, between the architect and the landscape architect, I don’t think they missed a trick.

Posted in agaves, woody lilies, artists, design, garden travel, garden visit | Tagged , , , , , , | 13 Comments

friday clippings 5/18/18

Do you ever worry that you’re getting a little jaded, just slightly inured to cool stuff because we see so much of it now via blogs, Instagram, online periodicals? I admit I worry that occasionally feeling a little inspirationally flat will stretch on into a forever of not caring ever again about interesting design, and that would be an impoverished existence indeed. And then that thing comes along that rocks my world all over again.

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Want! It feels so good to want, doesn’t it? Waaaaant! To live is to want, and I’m flooded with want for the UFO pot, which landed on my Instagram feed yesterday (izawa_seito). Deep admiration too. From Izawa Ceramics (as seen on Gardenista).

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I came upon the brilliant work of British designer Christian Marsden when I was all excited about casting industrial detritus and did a quick search to see who else was mining this urban salvage vein. My reaction was equal parts exhilaration, deflation, inspiration, admiration — possibly heaviest on deflation. It’s so good.

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I love the work and am jealous of the very clever name of it all — Stolen Form.

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Saya Designs reached out to AGO to help spread the word about their “Handcrafted hair sticks, hair slides and hair forks created from roots salvaged from old plantations. For each one purchased we will plant up to 10 endangered trees.” Fighting deforestation and keeping the hair out of my eyes? I’m in. Victoria sent some of their “hair sticks on a mission” for us to play with, results of which will be on the blog soon. (It’s estimated a quarter of carbon dioxide emissions are sucked up by trees — very effective carbon sinkholes!)

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rainy-day garden of Jenny Stocker, Austin, Texas, the Rock Rose.

Beth Chatto‘s life in the garden has come to an end, leaving so many of us grateful, inspired, in awe of her legacy. The Dry Garden is a classic I’ve treasured a long time, but it’s in her correspondence with Christopher Lloyd (Dear Friend and Gardener) where I think her complex portrait really comes into focus:

Dear Christo…I had forgotten to take bread out of the freezer last night, so I put a flat round loaf into the oven while I carted logs into the house for the wood-burning stove. Coming in from the cold air I found the smell of warm bread and wood smoke comforting. After breakfast I went out to empty the sink bucket, feed the birds and collect fresh vegetables, intending to take only a few minutes, but an hour easily slips by on such a rare morning. Near the compost heap, where I empty the waste-bucket, I spotted a fine plant of Euphorbia wulfenii seeded into a narrow crack in the concrete floor at the foot of a south-facing wall. It looks better, if anything, than many I have in cultivated borders, possibly benefitting by having its back to the warm wall. After all, it comes from the southern Mediterranean countries…I bent to look for the flower buds and found clusters or ladybirds, tucked close to the stems, protected among tight whorls of leaves, waiting, ready for their first meal of aphids when they arrive.”

(So you’re worried you don’t have a so-called “green thumb”? Cultivate instead an appetite for hard work and a keen, observant, insatiably curious mind — those make better odds for becoming a good gardener.)

At Jenny Rocker’s Austin garden, visited in the rain, the fleeting wildflowers bent earthward by the deluge, Beth Chatto’s name came up as an influence. Jenny and Beth share many of the qualities I mentioned above.

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Jenny, a British expat, takes the extremes Austin’s climate mercilessly doles out and crafts a gorgeous, unintimidated, uniquely personal horticultural response based on careful observation of the soil (or lack of it!), geology, climate. Beth would be so proud. Gardens are a dialogue with the land, the climate, and those living as well as passed on. I was reading a book on the plane to Austin by New Yorker journalist William Finnegan, a memoir of his surfing childhood “Barbarian Days,” and was struck by the similarities between surfing and making a garden, the intense observation and knowledge required of local conditions like currents, underwater reefs, wind conditions. I’ve misplaced the book, but here’s a quote from a New Yorker piece, “Playing Doc’s Games—I” for some of its flavor:

A wave comes. It swings silently through the kelp bed, a long, tapering wall, darkening upcoast. I paddle across the grain of the water streaming toward the wave across the reef, angling to meet the hollow of a small peak ghosting across the face. For a moment, in the gully just in front of the wave, my board loses forward momentum as the water rushing off the reef sucks it back up the face. Then the wave lifts me up—I’ve met the steepest part of the peak, and swerved into its shoreward track—and with two hard strokes I’m aboard. It’s a clean takeoff: a sudden sense of height fusing with a deep surge of speed. I hop to my feet and drive to the bottom, drawing out the turn and sensing, more than seeing, what the wave plans to do ahead—the low sun is blinding off the water looking south. Halfway through the first turn, I can feel the wave starting to stand up ahead. I change rails, bank off the lower part of the face, and start driving down the line. The first section flies past, and the wave—it’s slightly overhead, and changing angle as it breaks, so that it now blocks out the sun—stands revealed: a long, steep, satiny arc curving all the way to the channel. I work my board from rail to rail for speed, trimming carefully through two more short sections. Gaining confidence that I will in fact make this wave, I start turning harder, slicing higher up the face and, when a last bowl section looms beside the channel, stalling briefly before driving through in a half crouch, my face pressed close to the glassy, rumbling, pea-green wall. The silver edge of the lip’s axe flashes harmlessly past on my left. A second later, I’m coasting onto flat water, leaning into a pullout, and mindlessly shouting “My God!

Very different experiences temporally, but I’ve walked into the garden some mornings and mindlessly shouted those very same words.

The Planthunter’s Guide to Growing Native Houseplants suggests veering away from run-of-the-mill houseplants and experimenting with something like, oh, lomandra and Grevillea robusta!? Native in this case meaning hailing from Australia, but the idea is an intriguing one.

The New York Times’ somewhat snarkily condescending but nevertheless useful advice on “How To Become a Plant Parent” can be found here.

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Lastly, a local plant sale in Thousand Oaks and a garden tour in San Clemente this Saturday.

Have a great weekend!

Posted in clippings | Tagged , , , , , , | 4 Comments

Bloom Day May 2018

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The Chinese Fringe Tree, Chionanthus retusus, seemingly leafs out and blooms simultaneously. Every year before it does so and appears instead to be quite dead, I fear that this is the year it has truly died, succumbing to lack of winter chill. It’s one of the few deciduous trees, along with cotinus, that I planted when we first moved in almost 30 years ago. Since then I’ve planted mostly evergreens like acacia. But it’s a nice, mediumish-sized tree that has no aspirations to gigantism, and helpfully shades the east side of the house, giving the parakeets in the screened bathhouse off our bedroom something to chirp about, with all the squirrels and birds freely making use of its branches and canopy. (I may as well tell you that the parakeets revealed their true names to me in a dream recently. Speaking for them both, the yellow one politely informed me that she is “Bierksa,” and the noisy green parakeet is “Golder.” I believe we had named them PeeWee and Ike, respectively. I tell you, I have some wacky dreams…but whatever, we’re going with the new names.)

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Passiflora ‘Flying V’ stayed evergreen over winter and erupted in spring with loads of small, parasol-shaped flowers. I think I’ve compared the floral effect before to the annual vine Rhodochiton atrosanguineum, the Purple Bell Vine, which seems to like a cooler summer than I can offer. This passion vine completely and enthusiastically accepts my garden’s terms. I like that.

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It’s already sprinkled with tiny Gulf Fritillary caterpillars.

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Pennisetum ‘Karley Rose’ is always in a rush to bloom first among grasses. A bit messy and disorganized, and best if given strong shrubby support from neighbors.

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New to the garden this year and throwing its first bloom, Miscanthus nepalensis, the Himalayan Fairy Grass, which I’m so hoping decides to make a new home in Los Angeles — a very long way indeed from Nepal.

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I offered the Lion’s Ear, Leonotis leonurus, an inhospitable, terribly dry spot under the Purple Fernleaf Acacia because I know how thuggish and overwhelming it can be in good garden conditions.

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It apparently has no clue it was insultingly offered the worst conditions in the garden and is having a fabulous time here.

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Nicotianas in chartreuse and white continue to reseed.

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Centranthus lecoqii, a valerian I really like for the two-tone shading to the flower trusses. Reseeds robustly, like all valerian, but easily edited.

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I bought this Linaria maroccana seed from Chiltern’s, the ‘Licilia’ series, ‘Licilia Azure’

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Seedheads of purple orach, a cool-season, spinach-like green that I grow for its tall, slim silhouette and deep color. Seed came from Wild Garden Seed.

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A succulent-leaved pelargonium known as the Sorrel Geranium that I bought from the Huntington in 2017. Pelargonium acetosum ‘Peach.’ It’s really starting to grow on me. Tolerates very dry conditions.

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Phytolacca icosandra, the South American Button Pokeweed, from Annie’s Annuals, supposedly to 9 feet but probably much less in a container. I have no idea what to expect — so exciting!

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Found the tag on this flowering maple. Abutilon megapotamicum ‘Red.’ Brought home mid-winter, it was irresistible, beautifully grown — and then it immediately collapsed under my care, no longer getting that fertilizer “push” from the growers. It dropped most of those leaves, looked hideous for a while, and is now adapting to the real world aka life under my care. I can’t believe I still fall for those nursery growing tricks — I blame it on January.

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There are two clumps of paws in the garden this summer. ‘Tequila Sunrise’ is one. I hate that it continually reminds me of that song but love the color.

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It grows at the outer edge of the tetrapanax canopy, with the big leaves trimmed off when they cast too much shade.

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Taken late in the evening and not the best quality, but this shows the height of the lost-tag, yellow anigozanthos this year, despite relatively low rainfall over the winter. (Have we even reached 5 inches of rainfall this season?) It’s not ‘Yellow Gem’ because there’s no orange in the flower, just a pure chartreusy yellow. Long-lived and over 6 feet tall — it’s a keeper. And there’s that spot we missed over the kitchen window awning…

In the background is Grevillea ‘King’s Fire’ and Verbena bonariensis, Amicia zygomeris in the foreground.

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Looking away from the house at the garage/office window, orach in foreground, kangaroo paws and Grevillea ‘Moonlight’ in the background, with bog sage, Salvia uliginosa, just starting to bloom next to the paws. And flowering tobaccos have some head room for reseeding under the grevillea now that it’s large enough to be trained into a small tree.

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The silver behind Salvia fruticosa is struggling Calif. native Hazardia detonsa, the Island Bristleweed. I hate to call it quits with this one, but it’s not very happy. New basal growth seems stunted.

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The lavender is ‘Goodwin Creek Grey.’

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Gaillardia ‘Mesa Peach’ is an experiment in containers — too big and sprawly for the garden.

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Fuchsia ‘Koralle’ (or ‘Coralle’?) from Denver Botanic Garden plant sale last spring. (BTW, Denver will be the destination for next year’s Garden Bloggers Fling.)

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Erodium chrysanthum and what I think is either hybrid Aeonium ‘Berry Exciting’ or Aeonium leucoblepharum.

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Baja spurge, Euphorbia xanti. There are vast, enormous hedges of this at the Huntington adjacent to the Desert Conservatory that were in full bloom my last visit. I’ve kept mine in a container.

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A gift aloe from Dustin. Aloe camperi? The bloom timing fits, but it’s clean green leaves are very unlike a smaller Aloe camperi already planted in the garden with spotted leaves. San Marcos Growers discusses the various spotted and unspotted camperis in leaf, which may explain the mystery. My original aloe, still small and yet to bloom, may be Aloe camperi ‘Cornuta.

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The chocolate daisy, Berlandiera lyrata, is the right height, the right amount of reseeding and tolerance to dry conditions, the right sort of absorbing seedpod detail, the right sort of contrasting stamens — it’s the daisy with the right stuff for this garden, including that fantastic chocolate scent. (Thank you for everything, Mr. Wolfe!)

As always, the Bloom Day reports are collected by Carol at May Dreams Gardens.

Posted in Bloom Day | Tagged , , , , , , , , , , , , | 8 Comments