wrap-up; Garden Bloggers Fling Austin 2018

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the last night’s post-tour dinner in a field of larkspur

Austin opened its friendly arms wide, Texas-style, in a full-circle welcome to garden bloggers from all over the world. These annual soirees and orgies of garden touring and plant talk are known as the Garden Bloggers Fling, and it all started here in Austin ten years ago. (Way back in the Dark Ages Before Paypal, as Diana Kirby wryly observed, one of the original co-founders along with Pam Penick, who were joined this year by Laura Wills.) The Fling is simply one of garden blogging’s great rewards. The incredibly generous sponsors are listed here.

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The afterparty was held on the fabulous grounds of Articulture Designs. Paul Glasse and his trio played some great Django Reinhardt-inflected Texas swing, and the inspired cocktails all began with tequila, from recipes out of Lucinda Hutson’s ¡Viva Tequila! Texas BBQ just had to be on the menu, I prayed, and it was — the brisket was divine.

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Thundery skies threatened at the Lady Bird Johnson Wildflower Center, the first stop on the tour…and it was no idle threat. What ensued was an epic soaking rain that had us scattering through the wildflower fields for cover, triggering local flash flood warnings and vestigial memories in me of similar childhood rains in my now drought-prone home. My shoes and socks were soaked the rest of the day, but it was an indelible, emotion-charged Here Comes The Rain Again moment that vividly conveyed the source of all the green lushness of Austin in late spring. (When not experiencing drought, average rainfall in Austin ranges 32-36 inches, and the heaviest rainfall occurs in May and September.)

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For me the iconic plants on the tour were the oaks, the yuccas and dasylirions, the hesperaloes everywhere in bloom, and the majestic whale’s tongue agaves, which are one of the handful of agaves hardy enough to overwinter outdoors in Austin. Casually chatting about the merits of the various hesperaloe varieties on the market with the creator of many of them, David Salman of High Country Gardens, is a one-of-a-kind experience typical of the Fling.

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The First Lady’s legacy at the Wildflower Center is not a demure homage to pretty wildflowers, but a kick-ass, cutting edge, contemporary setting for Texas’ incredible range of native plants.

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And then there was that stonework. The pale, luminous limestone, kurst, marl — whatever you call it, that is the geologic evidence of Austin’s ancient shallow seas, is everywhere, as cladding for houses and garden structures, edging plantings, laid down in paths, stepping stones. It bestows on Austin’s houses and gardens an unmistakably strong regional style. Along with the stock tanks and giant gleaming cisterns, the limestone is part of a vernacular design vocabulary that, as far as I know, is uniquely Austin’s own.

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I’ll be unpacking more impressions from the trip to Austin in the coming weeks. Warmest thanks to the planners and sponsors who helped make this visit to Austin possible — and to all the old and new friends I met on the tour.

Posted in agaves, woody lilies, design, garden travel, garden visit, pots and containers | Tagged , , , , , | 11 Comments

wednesday vignettes 5/2/18

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More Palm Springs-style landscape architecture from the recent Pasadena Garden Conservancy Open Days, in this case overlooking a deep arroyo, with some of the foothills’ iconic bridges in the distance. The landscape design zealously protects views and is as much out of a MCM 1960s time capsule as the house. Depth and soulfulness courtesy of some spectacular oaks.

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In 1963, Smith & Williams designed this single-story mid-century home on the banks of the Arroyo River. Sited to best take advantage of the views, the post-and-beam residence provides walls of glass and a seamless transition to the outdoors and vistas beyond. During the renovation of all the outdoor spaces, the current owners wanted to maximize the outdoor entertaining space, as well as create a more natural connection, utilizing Southern California indigenous plants. Nord Ericksson designed a landscape vocabulary that both leveraged the architectural lines of the home and maximized visual attention to the existing palm, oak, and olive trees on the property. As for plants, the focus was to utilize drought-tolerant specimens and citrus as much as possible…The infinity pool is anchored by a band of grass above and seating area below.”

Posted in agaves, woody lilies, climate, design, garden visit, succulents | Tagged , , , | 3 Comments

Eric Trine’s Column Pedestal Planter Holder

A bit of a switch-up from my rusty flea market finds, but here’s proof that elevation is also on the minds of commercial designers and artists, albeit in much sleeker, powder-coated forms, suitable for indoors or outdoors.

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Photo courtesy of West Elm

In my inbox this morning from Dwell: “LA-based designer Eric Trine designs by making, rather than drawing. Made of powder-coated steel, these column-inspired plant holders’ airy design elevates planters off the ground, yet still keeps your space light and open. Flip them upside down for double duty as a side table.”

(I would just like to drill down geographically and flaunt some shameless hometown pride — to be precise, Eric Trine is a Long Beach-based object designer and commercial artist.)

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monday clippings 4/30/18

Have you checked on your dudleyas lately? (“Stolen succulents: California hipster plants at center of smuggling crisis; Demand in China and Korea has led to thousands of dudleya being stolen from California as officials lament ‘plant poaching.”)

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Lots of pruning and shaping going on here. It’s like editing a novel, one written by a verbose writer like Thomas Wolfe, but then the garden miraculously finds its stern editor Maxwell Perkins. (Sometimes the editor is asleep on the job for years.) The garden definitely develops a story I wasn’t aware I was writing, like how I’ve started to plant in bays of shrubs infilled with lower-lying plants. Carefully pruning a leucadendron throws into relief the shapes of Beschorneria albiflora and Yucca ‘Blue Boy.’ The yucca snakes a few feet on the ground before turning upright to 3 feet. New growth eventually turns that plummy shade. I like this phase of editing almost as much as planting, this building around what’s flourished, which takes the sting out of remembering what hasn’t.

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I’m actually being accused of having gone too far, because there’s (gasp!) ground showing. And I decided to gravel mulch the portion of the back garden filled with succulents rather than using plants as a living mulch, which requires more irrigation and can cause air flow problems for some of the aloes. The annual poppies have been pulled, the Centranthus lecoqii thinned out (a lilac-pink type), and I’m vowing that Yucca ‘Bright Star’ will not be engulfed and buried in summer growth.

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Pruning discipline allows light to reach everybody — look, a happy verbascum!

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In a Vase on Monday: Because I hate the fact that vases of flowers are such an emphatic microcosm of death in the garden (another weird trait of mine), I rarely keep them around the house. But here’s an indestructible combination I hit on at the popup, a Frankensteinian hybrid, part floristry, part assemblage, that’s strictly for outdoors because it’s so dang heavy. A large branch of a tree-like Euphorbia tirucalli sheared off in some high winds earlier in spring, so I saved it with no real purpose in mind. Wanting something with a little height for the popup, I ended up sticking it in this pipe supported in a square container of gravel. Surprisingly, it drew a lot of comments, and even some offers of purchase. Hating to take it all apart, I potted up the euphorbia with enough soil to keep it alive, shoved it back in the pipe, and planted up the base of the pipe with Echeveria agavoides. Yesss! Industrial-strength floristry.

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More such mad botanical scientist experiments ensue. A big patch of Agave parryi was thinned, and who could throw away such perfect rosettes? This one has been out of the ground for a couple months. Just in case anyone doubted whether I have very weird taste…

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Finding ways to bring height into the mix is a recurring theme. I found this plant stand in a dumpster yesterday. In my defense I was still all keyed up after visiting the flea market, still in that swivel-head search mode. The plant stand legs were sticking up out of the dumpster as we drove by enroute to fish tacos, and though it seemed full of interesting, garden-type detritus, we grabbed just this and ran, like true dumpster desperados. The nondescript shrub in the yellow pot is Acacia craspedocarpa, the leather-leaf acacia. It’s not a terribly exciting shrub, but it is as tough as old leather boots, a fact reinforced last Friday when I saw it flourishing in the Huntington’s desert garden.

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And by the way, it’s a great time to visit the desert garden, with the palo verdes and puyas in bloom.

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From the flea market yesterday, more of my weird taste. I love putting plants on a pedestal.

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And if it’s a see-through, wiry, architectural pedestal, so much the better. (Former trash can.) This will be loads of fun to play with.

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Adenanthos sericeus, the Coast Woolybush from Australia, has shot up this spring after languishing in the winter shade band. I think it’s tall enough now to remain in light most of the year.

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Peter and Kris are to blame for this new acquisition, Senecio candicans ‘Angel Wings’ that I mail-ordered from Annie’s Annuals.

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Another silver new to the garden this year, Centaurea ragusina, seems to be thriving. A couple of early losses are two California native annuals, which succumbed to this amended-for-30-years-but-still-clayey soil. That’s my guess. (Thistle Sage, Salvia carduacea, and White Pincushion, Chaenactis artemisifolia)

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The ‘Single Black’ carnations are exploding in bloom.

Some upcoming events you should check out while I’m in Austin attending the Garden Bloggers Fling:

May 5-6, Mary Lou Heard Memorial garden tour

May 5-6, San Francisco Botanical Garden 50th annual spring plant sale

May 6, Los Angeles, Garden Conservancy Open Days

Posted in agaves, woody lilies, clippings, cut flowers, design, pots and containers | Tagged , , , , | 4 Comments

Garden Conservancy Open Days season (Pasadena)

The Garden Conservancy Open Days season is upon us, and I want to go to every single open garden, from here to Maine. Be sure to check the schedule for when gardens reasonably close to you will be included on the tour. Pasadena gardens already had their star turn this past weekend. I was determined to be a good blogger and document the garden visits, despite it being mid 80’s at high noon. I did try, truly, though very few photos were usable. So often when events occur mid-day, I leave the camera at home and don’t even make an effort to document the sun-bleached scenes. The results are always a poor substitution for “magic hour.” But look at it this way: pretend I was shooting with a Lomo (though I assure you I am not a member of The Lomographic Society International).

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I found lots to like at the private home of landscape architect Nord Eriksson, the first garden I visited on the tour and where I expended most of my documentary energy before getting beat down by the sun. Very crisp transitions accomplished with a variety of media, including concrete pavers, gravel and lawn, with the garden divided into generous upper and lower levels separated by a low retaining wall and short flight of stairs. Privacy handled on all sides.

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The upper gravel terrace overlooks a sunken lawn used for family sports and the lap pool. The change in levels was accomplished by using fill from the pool project.

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A deep overhang shades the back of the house, and an umbrella provides shade for dining outdoors near the built-in cooking station.

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The foreground orbs are what happens when you faithfully pinch ‘Little Ollies’ from a small size — dense perfection. My ‘Little Ollies’ were left unfettered and are an 8-foot privacy hedge now. Very versatile dwarf olive that obviously handles the blast furnace heat of the foothills with aplomb. In the distance a cork oak towers next to what I’m guessing is the former garage.

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It’s a long, searing summer in Pasadena, sometimes as much as 10 degrees hotter than my home in maritime-influenced Long Beach about 30 miles south. The heat comes early in spring and stays late into fall/winter. Planting here is comprised of a no-nonsense contingent of dry garden trees and shrubs laid out in mediterranean-influenced, broadly drawn strokes, with an emphasis on evergreens and privacy. Potted cacti and succulents add architectural flourishes. I love how the big Lavatera maritima is given full, blowsy expression at the end of the retaining wall on the left, where the pavers descend in stairs to meet the lower level.

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Here’s a bleached-out view on the other side of the retaining wall which is ringed in box on the lower level.

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Crisp geometry of the transition areas.

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Almost too deep in shadow to see in this photo, these are Fermob loungers overlooking the lap pool that Nord found at Flora Grubbs in San Francisco then ordered locally through Potted.

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I never could get the shaded loungers in focus, but the photo gives a sense of how the house opens onto the upper terrace.

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Looking across the lawn from the pool.

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Beyond the row of agaves is another graveled seating area which appears to me to be the former driveway. I was told the young trees here are London Planetrees.

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Looking out past the agaves to the lawn and pool.

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The trunk in deep shade at the end of the agaves belongs to the cork oak.

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The side path for access to the back garden, leading to the graveled seating area with the blue molded plastic chairs.

Some notes from the Open Days Program: “Part laboratory, part sanctuary, the gardens surrounding landscape architect Nord Eriksson’s Pasadena home bring together a lifetime of influences. The 1949 ranch-style home won over Nord, Cynthia, and their two sons six years ago, offering the chance to develop artful garden rooms on the 18,000-square-foot lot. Largely a blank slate, the grounds beckoned for something new. Six years later, hints of Nord’s appreciation of Scandinavian, Japanese, and Mediterranean design can be found in the remade gardens. The gently sloping land, anchored by a magnificent native Engelmann oak, was terraced to create interest, retain rainwater, and create a variety of spaces for family life and entertaining. A tapestry of textural paving weaves throughout; concrete, brick, slate, gravel, and pebble are crafted into a soulful mix. Walls of arroyo cobble and concrete block trace lines in the garden, originally laid out by pioneering landscape architect Edward Huntsman-Trout. A sojourn to Spain and Mallorca allowed Nord to study resilient landscapes and influenced his design of the lap pool and plantings of the rear gardens…Today, the garden grows, teaches lessons, and brings deep satisfaction. It’s a joy to come home to…and a gift to share.”

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Posted in agaves, woody lilies, artists, climate, design, garden travel, garden visit, pots and containers | Tagged , , , | 7 Comments

rainy thursday 4/19/18

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Would you look at that — wet pavement! The corrugated roof on the pergola starting lightly pinging about 7 a.m., and I froze stock still and listened. Could it be? The clouds seemed indecisive for a few minutes, like they’d lost the hang of letting water loose on Los Angeles, then finally relented and rained for almost an hour. I climbed up into the roofed lookout with a soggy cat and a cup of coffee for the duration. Glorious. Just a few days ago a 3X3 ‘Blue Flame’ agave bulging out of the garden took up half of this path, its trunk originating from just about the spot where the Aloe marlothii x peglerae was recently planted. I removed the agave while Marty slept in last Sunday morning, knowing how happy it would make him.

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I’d been the agave’s staunchest defender, but it became increasingly pushy, slouching more and more on the path, until it owned nearly the whole damn thing. I admit that’s a nice clean line now. I get clean lines, I really do…

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Predictably, Marty was thrilled when he woke up post-demolition, then immediately sensed a weakening on my part and further opportunity to define and reclaim the walkways. What about the huge clump of purple awn grass brushing up against the walkway and sticking its awns into our pj’s and the forest of Agave lophantha ‘Quadricolor’ aiming for our ankles? (Dry pavement photos taken earlier in the week.)

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All right, just the one rosette stays and dozens of offsets get tossed — gardens are for people, as Thomas Church famously wrote.

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But the Verbena bonariensis crowding another section of the path I insisted had to stay — gardens are for bees, hummers & butterflies too, Mr. Church.

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Before clambering up the ladder to the lookout for prime rain viewing, I grabbed the tractor funnel of pitcher plants from under the pergola and moved them into the rain. This is as far as I’ve ever gone with pitcher plants, almost a year, on a religious diet of distilled water and occasional rain water. (Very occasional, as in less than 5 inches this year.) No flowers yet but strong, new growth.

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While not a big fan of macrame hangers — I lived through the first wave of infatuation in high school, thank you very much — they do solve the problem of hanging irregular pot shapes, like this diamond pot. I had some leftover macrame hangers from the popup so have been playing around with them.

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Simple waxed string works too.

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More rain porn. Rain on plectranthus.

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Had enough yet? Not me. Rain on a trio of aeoniums.

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Rain on potted plants, but pavement already drying and sun gaining the upper hand.

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I nearly lost this thistle sage yesterday, finding it in a near-dead wilt late afternoon. I’ve been possibly a little overworried about rot so have been stingy with water. It’s an annual California native, Salvia carduacea, that I’m hoping will reseed. A quick drink yesterday and then rain today has brought it back to health. From the Theodore Payne Foundation nursery.

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Rain-spangled purple orach.

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Poppies dripping with rain.

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After just one year in the garden, I’m so impressed by this spring performance of the flannelbush, Fremontodendron ‘Ken Taylor. The new growth is a nice change from the dark, sooty appearance the leaves have had since last fall’s wildfires.

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I’ve been busy the past couple days potting up and squaring away the leftover popup plants and just got a lot of the cacti under the eaves yesterday where it’s snug and dry. No unnecessary moisture for these guys.

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Damp path!

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I missed this month’s Bloom Day deadline on the 15th, which is just as well. My flower floozie days have long since receded into a dim, gouache-washed past. My garden is much too small to plant for predominantly flowers, a fact I ignored in the early years, before I figured out that fall/winter/spring are the best months here in the garden. Now when flowers do grace the garden, they arrive sporadically year-round, on magnificent shrubs like grevilleas, on handsome succulents like aloes, and smaller things I like to try out, like this single carnation. There’s still plenty to keep me and the pollinators spellbound. The only rule I follow now is that when it’s done flowering, it’s not offensively shabby out of bloom.

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Love the tall, strong stems on this one and the fabulous scent. Dianthus caryophyllus ‘Single Black’ (from Annie’s)

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Some of what’s been in bloom this April. I’ve got the tag of this abutilon around here somewhere.

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Grevillea ‘King’s Rainbow’

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As compared to ‘King’s Fire’

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As compared to ‘Moonlight’

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Phlomis lanata

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The only blooms here are from a chocolate daisy, Berlandiera lyrata, leaning into Phlomis ‘Sunningdale Gold’ starting to form buds. Leucadendron ‘Ebony’ is looking really happy here, knock wood. Mostly full sun, lots of air circulation.

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Phlomis lanata and ‘King’s Rainbow’ (and cat)

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The orlaya is just about finished.

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Baja spurge has exploded into bloom again.

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Salvia fruticosa and orach.

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A stray bloom on Salvia chiapensis framed by tetrapanax.

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The ‘Ghost’ aloe, a hybrid striata, much later in bloom than the coral aloe.

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And now the sun is out, the pavement is dry, the show is over. The ghostly shape in the background is the Agave ‘Blue Flame,’ probably its last photo, and most of these poppies have been pulled too. Onward with Thursday.

Posted in agaves, woody lilies, climate, clippings, journal, Occasional Daily Weather Report, pots and containers, succulents | Tagged , , , , , | 5 Comments

scenes from the popup (big thank you!)


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photos by MB Maher

Here’s a look at the tables as they were first set up, before the sale. Dustin Gimbel’s footed “log” pots were a big hit and sold out. (Luckily, you can find the “Gimbel Marbelized Trunk Planter” at Potted.) All the ceramic pottery is Dustin’s. The black jack on the right represents my first semi-success making a silicone mold. It’s cast in concrete, painted black (because we had to glue one of the points back on after it broke coming out of the mold, hence semi-success. Might have to try resin next.) Not for sale, just for staging because, boy, was I proud. The cloth pots I had sewn up by my favorite local seamstress Nina. The backdrop is a French movie poster from the Italian film “La Grande Bellezza” (The Great Beauty), which succinctly sums up not only life in the Eternal City but a plant-obsessed life as well. Eric Trine graciously loaned some of his powder-coated metal work for height. Urban Americana generously allowed use of a couple of their industrial-size work tables, so we didn’t have to mess around with a bunch of small tables. (Big thank you!)

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With a handful of exceptions, there weren’t many hard-core plant collectors in attendance, so it was so interesting to see which plants made pure, nonobsessed hearts beat faster. Some small cacti of course. I found a wonderful selection in 4-inch pots at Grigsby’s in Vista. But hands down, Dustin’s South African bulb, Albuca spiralis, was the plant star of the show. It has it all — chartreuse, fritillary-like flowers, gorgeous scent, and intricate, scrollworked leaves. An entire flat quickly sold out. Everyone was drawn to the crazy spirals. So it was amazingly fortuitous that the species name plainly referred to those spirals, because it reassuringly made botanical latin seem so sensible and easy to remember (ha!). The concept of summer dry/dormant, however, was met mostly with shocked disbelief.

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The wooden staging was made by Marty, inspired by some old vanda boxes I found for sale at Quail Botanical Garden, seen above holding some of Grigsby’s cacti. He riffed on the boxes and came up with triangles, then isosceles triangles, and as is his fashion, meticulously overbuilt every one of them — a small elephant could balance on them on one foot. (Big thank you! xoxoxo)

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Kelly Hazel King (hazeljewelryinfo@gmail.com) and her jewelry fit right in — charming, affable, didn’t blink at the set-up madness, was helpful and in unfailing good humor all day.

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I had to laugh when she unexpectedly staged hand-out literature for her favorite nonprofits, just as I had info for the Surfrider Foundation, River LA, Heal the Bay, and the Theodore Payne Foundation. And she bought plants and pottery! A real peach. (A warm, big thank you!)

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I’m so glad Mitch grabbed a photo of Amy Bouck, blogger at The Lower Left Corner, seen here chatting with Dustin. She and her husband traveled up from San Diego for the sale (another big thank you!) It was such a treat to meet them both. Nicest people ever. Amy fell for the albuca, the fiery red rhipsalis hanging low just behind her, possibly R. crispata from the recent SoCal Hort sale at the Baker home in Tarzana, and some pottery I think. (Quick on her feet too — I just discovered this morning she’s already got some photos up on her April Bloom Day post!)

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This footed ridge pot was one of Jeremy’s selections (bixbybotanicals). He visited with his entire family — his wife, who I hadn’t yet met, and those charming kids. I’m always impressed by the quiet, thoughtful absorption in their surroundings these two kids possess — must be all the visits to museums and botanical gardens! Congratulations on their third child on her way this June.

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Mitch, as usual, did yeoman’s work with the staging and photography. There aren’t thanks big enough for everything he does.

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Long beach designer Kevin Sheby, who works mainly in canvas and leather, jumped in last minute to add some beautifully appropriate, nature-inspired work to the popup, and Jane’s desert photo work (Wilder California) was a lovely addition as well (endless big thank you’s!)

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The ridge pots had a lot of fans. Even my mom bought one!

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A very nice couple from, I think, Minnesota flew home with ceramics, and were this close to taking a chance on getting the albuca through airport security.

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Another bit of staging that attracted attention was the concrete vase on the left. When I trimmed back the Featherhead Bush, Phylica pubescens, I couldn’t bear to just toss out the feathery clippings so threw them into a box in the garage. Unsurprisingly, they dry amazingly well. All that was needed was a bit of dried agave bloom stalk for height, a glue gun, and some moss to fill in at the base.

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And here’s that same dried agave bloom spike used again, on the left, disappearing out of frame, which also caused some buzz (“What is that?“) It’s at least a year old now and finally stopped dropping seeds everywhere. Moral: never throw any dried botanical relics away.

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Big thanks to Gail and Kris for graciously donating cuttings, and to Loree for getting the word out on her blog.

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Whenever the crowds momentarily thinned we took full advantage of small breaks on the nearby couches. The roll-top doors at this end of the building near the loading dock are kept fully open during business hours, and the space even on a warm day stays cool, bright, and airy. Enormous thanks to Urban Americana for letting us unleash our popup at their stunning showroom.

Posted in agaves, woody lilies, artists, commerce, design, garden ornament, MB Maher, photography, plant nurseries, plant sales, pop-up, pots and containers, shop talk, succulents | Tagged , , , , , , , , , , , , , , , | 7 Comments

Cross-Pollination popup April 14

It’s finally here, and I’m so hoping to see you there:

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Weather has been hot and sultry, jump-starting a celebratory mood for this weekend with so much to see and do. The glorious moment that is mid-April only comes around so many times, so don’t even think about saying no to it.

Have a great weekend.

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Wilder California at the popup April 14

We are thrilled to have prints from Wilder California at the popup this Saturday, included the new dreamy series of work on Joshua Tree. For the upcoming popup, I spent quite a bit of time looking for botanical prints I’d want on my own walls, and could find none more attuned to the structure and essence of desert plants than Wilder California.

(I still like opuntias best in photos — come have a browse at the popup and convince me otherwise. Maybe you know a surefire method for removing their prickly glochids.)

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Posted in artists, photography, pop-up, succulents | Tagged , | 4 Comments

stagecraft

When a friend of Mitch’s moved into new digs last week, he thought he’d warm up the empty place for her first night there (completely unbeknownst to her). So he grabbed anything to hand, which happened to be some of the stuff destined for the popup this Saturday, along with a jolt of color from a vintage Hermes scarf, hand-painted fabric from an old Hollywood theater, twinkle lights — you get the idea. It reminded me of the scene in Frances Hodgson Burnett’s A Little Princess, (Alfonso Cuarón’s is the best screen version), when a sympathetic friend climbed into her cold attic garret while she slept and laid the bare table with food, lit a fire, brought in some soft blankets, and transformed the godforsaken garret into a scene out of 1001 Nights. That’s what friends are for.

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And since it was all going to be dismantled in a day, he grabbed some photos to remember by. File under the art of friendship.

Posted in cut flowers, MB Maher, photography, pop-up, pots and containers, succulents | Tagged , | 7 Comments