Hawaii on my mind

Because my oldest brother on the Big Island, near Hilo, has been waffling over staying, going, staying, going — what to do with the dogs? — for most of May, that’s why Hawaii is on my mind these days. I just heard from him this morning with some scary news (“The lava took out the cell tower so I don’t have phone reception so tell mom that I can’t phone her. Hope you are okay.”) But then the news via email improved somewhat after some incisive questions on my part:

Me: “What the heck is happening with that lava flow? How are those noxious gases?”
Brother: “The gases were very bad in the beginning. Right now the winds are blowing strong so the air quality is good this morning. The lava has gone into the ocean about three miles from here.”

So we’re all going to take a deep breath and hope the strong winds continue. Even though more fissures of lava have erupted from the Kilauea volcano since yesterday, mandatory evacuation is still not in place for my brother. I’m trying my hardest to imagine Hilo and Pahoa covered not in lava, but bromeliads. (I’ve yet to visit our 50th state, so I’m reposting scenes from a 2015 visit to Lotusland.)

Have a great weekend.

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Posted in journal | Tagged , | 6 Comments

Dustin Gimbel’s garden in May

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I’ve talked about Dustin’s ceramics a lot lately, but how’s his garden growing this very grey-skied May? Last week Shirley Watts was in town for talks on the next installment of Natural Discourse’s installation at the LA Arboretum in spring 2019 — flush with the exciting news of having received an NEA grant this time around! — and she wanted to fit in some ceramic shopping at Dustin’s home/workshop/garden. Shirley brought with her another avid ceramics fan, Dr. Marie Csete (who I first met when she gave an intriguing lecture entitled “Structure and Function in Stem Cell Biology” at the first Natural Discourse way back in 2013.)

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With the two of them absorbed in Dustin’s ceramics, I had a good, long look at his garden, without Dustin chattering away and distracting me as he always does (kidding! That’s just me projecting…) — the three clipped box balls that punctuate the front planting have really grown in thick and lush, as have the essential privacy hedges growing along the front sidewalk, now thoroughly sheltering the front garden from the busy street. (And we’re talking 24/7 Long Beach busy.) It is a world apart here in Dustin’s garden on the other side of those hedges, the atmosphere thick with plant lust and design schemes to show the many botanical wonders off to best advantage. Outside the hedges, the world may as well be in black and white. Like all stunning gardens, it’s all about that fierce concentration of intention, staking a claim on the sheer gorgeousness of the natural world like your life depends on it (and in my case, it pretty much does), curated through a unique, sensorily restless sensibility.

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High noon but overcast, I did my best with the camera. At the foot of the boundary hedge seen in the first photo runs a lush planting of Bilbergia ‘Hallelujah’ alongside a small footpath, looking in the direction of the driveway past a lemon tree and a large water tank feature with bobbing glass fishing floats. The complex, multi-layered front garden planting has many such footpaths and footholds to tend to the plants. Strategic changes in elevations were sculpted into place when ground was first broken on the front garden, with broken concrete used for retaining walls where needed. For example, the leucospermum is planted on a well-draining berm, although the low urbanite walls are barely visible now.

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Looking from the boundary hedge back at the house, infamous concretion totems on the right. Tree in the distance is Acacia podalyrifolia (which I believe is from seed of mine). Orlaya grandiflora, the Minoan Lace, is in bloom — both Shirley and Marie went home with seed of this annual — and the golden-flowered leucospermum on the left is just about finished bloom. Spires of hesperaloe in the mid distance.

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Dustin carrying just one of the many boxes of his ceramics to Shirley’s rental car, boxes also bulging with plants and cuttings. This is the transverse path running the length of his front garden, starting at the driveway. If I remember correctly, the wood was salvaged from work on a local pier.

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There’s my car on the driveway just seen through the curtain of weeping Acacia pendula trained on a large rebar arbor. Dustin thinks this aloe is A. camperi, and it’s a personal favorite of his, bridging the bloom period in spring between winter and summer-flowering aloes. The tips of pale Agave mitis var. albidior in a small meadow of sesleria are just visible beyond the aloes.

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View from the driveway of Acacia pendula, box, verbascum species, orlaya, with the delicate and lovely but seldom-seen Anthericum saundersiae ‘Variegata’ in the foreground. A peachy Russelia equisetiformis adds to the wash of soft orange provided by the pincushion shrub and aloes in bloom.

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The transverse path deposits you at an intersectional walkway that leads to the front porch or, further on, to the back garden, or a side path back out to the sidewalk and street.

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An outsized collection of potted succulents and shrubs flanks the porch.

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Through the side gate into the back garden/workshop area (potted farfugium, blooming honeysuckle on fence, newly planted Salvia ‘Wendy’s Wish just visible in left foreground), leaving the serene front garden and entering what I consider the engine room that keeps Dustin’s ship afloat, including outdoor dining area, ceramics studio, propagation areas, and garden design workshop. It is a mesmerizing place full of experiments, ideas unfolding in leaf and clay, all packed in among the nursery stock he grows for clients’ gardens.

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Along the path to the back garden/ceramics studio, papaya at the end of the frame next to the variegated Italian Buckthorn Rhamnus alaternus (or possibly Pittosporum crassifolium). This side fence is made of water-proof HardieBacker cement board, painted pale mauve-grey.

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That heavily curled Kalanchoe beharensis is some dwarf/compact variant that is intensely sculptural. I covet it. A table with a smoker (?) has been placed smack dab over a big clump of Melianthus ‘Purple Haze.’

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Turning the corner of the screen surrounding the outdoor dining area, which I neglected to photograph. I’m assuming that’s an orchid cactus/epiphyllum clambering up the screen, but with Dustin it’s probably best not to assume. The table was stacked with ceramics and some killer species of stapelia in bloom. The multi-variegated Japanese Star Jasmine, Trachelospermum asiaticum ‘Ogon Nishiki,’ is used as a ground cover along the base of the screen.

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On the garden side of the screen, the concrete-formed trough/water garden pierces through, making it a clever feature of the dining area as well as the garden outside the screen. Hesperaloe ‘Pink Parade’ throwing its first bloom, and apparently having been very slow to do so.

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More flow is created by the viewing “windows” cut into the screen enclosure, literally framing views, as seen in this photo Mitch took last year. I wish I could keep Mitch in my back pocket for all impromptu photo duties.

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Euphorbia cotinifolia is cut back hard to keep it small, multi-trunked and dense with those luscious dark leaves.

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I didn’t get a photo this visit of the fence he built to screen the propagation area so am including one from a visit in December ’16, a much better day for photos than this gloomy day in May. The Eucalyptus ‘Moon Lagoon’ on the far left is maybe 5 feet tall now.

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Looking back from the blue-washed fence with geometric frames at the HardieBacker board fence. The workshop/studio is out of frame to the right.

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That’s the wall of the workshop/studio, festooned with swags of Aristolochia gigantea now coming into bloom. When the garden was photographed last year for Sunset magazine, it was immaculately styled, not a plastic nursery pot in sight, tables carefully vignetted, Fermob furniture brought in. It looked fantastic, but I think I’ll always prefer this, which is how a busy designer’s garden looks on a day-to-day basis as he workshops ideas for designs and uses every available inch for ceramics and to propagate more plants.

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Here’s a photo Mitch took of the garden styled for the Sunset photo shoot last year, same space as the previous photo.

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A small portion of the nursery stock he grows for clients — nice Aloe marlothii!

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And when he’s not designing gardens or throwing clay, he’s painting. I mean…c’mon!

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I think this is the painting that Dustin said he completed just the day before, when he took a “mental health day” off from work.

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I bet I’ll hear from Dustin after sharing this photo! But it gives a sense of how much fun a space this is to explore. The view is toward the end of the property, workshop and ceramic studio on the left, looking over nursery stock, various projects, and a few raised beds for vegetables and flowers, like the apricot-colored helichrysum/strawflowers coming along nicely for summer. The corrugated fencing separates bee hives from the main space, though the hives are not currently active.

If some gardens can be said to soothe like a pleasant cup of herbal tea, Dustin’s is a triple espresso. I always leave feeling fully caffeinated. If I had to sum it all up in one word, it would be fecund.

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You can set up an appointment to shop Dustin’s ceramics by contacting him via his website here. (And of course check out his garden while you do!)

Posted in agaves, woody lilies, artists, design, garden visit, MB Maher, pots and containers | Tagged , , , , , , , , | 9 Comments

the Nino garden gnome

You either embrace kitsch or you don’t (i.e. run away screaming). Or, in the case of Rome-based Plato Designs, you turn kitsch on its red-hooded head and recast it in cubist contours.

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Garden gnomes: love them or hate them, there is no middle ground. And Plato Design just loves garden gnomes. The union of designer Pellegrino Cucciniello’s low-poly imagery and Italian hand-worked monochromatic cement was the key to restoring dignity to the garden gnome. The gnome can finally come inside and make its way to the lounge, the living room, the drawing room. Nino, thanks to his refined materials and detail, earns his rightful place with dignity, next to the great classics: picture frames and ornaments perched on bookcases. His calibrated geometric abstraction and imperceptible optical corrections make each Nino unique and highly desirable. Wishing to own a garden gnome is no longer a taboo.”

Maybe Nino will star in a traveling gnomic caper of his own — possibly crashing a future RHS Chelsea Flower Show, now that their garden gnome ban has been lifted?

(For indoors and outdoors.)

Posted in design, garden ornament | Tagged , , | 2 Comments

Gilmour’s Interactive U.S. Planting Zone Map for 2018

Planting zones are broken down into thirteen areas, also known as USDA zones, which cover the entire United States, including Hawaii, Alaska and Puerto Rico. Each agricultural zone covers a 10-degree range. Zone 1 is the coldest, with an average minimum winter temperature of -60 to -50 degrees F, while the minimum winter average temperature in Zone 13 is 60 to 70 degrees F.” (link here)

I’m a 10b — no, not shoe size! That’s the planting zone for Los Angeles:

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Los Angeles County garden of garden designer and ceramicist Dustin Gimbel growing leucospermum, magnolia, acacia, gerbera, citrus

Los Angeles
Planting Zone: 10b

With an average yearly temperature of 63.68°(F), Los Angeles has a Frost free growing season and is located in a warm temperate thorn steppe.* Common grasses include bermuda grass, buffalo grass, St. Augustine grass and zoysia grass.

Averages
Low Temp: 35 to 40°(F)
Rainfall: 18.67”
Sunny Days: 284
Altitude: 292′

The coast of California usually has dry, warm to hot summers, with rainy winters in the north and mild winters in the south. The high elevations of the Sierra Nevadas, Cascades and Klamath mountains have mild to moderate summer and snowy winters. The low elevation eastern deserts in Southern California see minimal frost in the winter and have hot summers, while higher elevation eastern deserts in the central part of the state are prone to thunderstorms from July through early September.”

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Boyce Thompson Arboretum, Arizona

It’s a fun game. What’s the zone for Phoenix, you ask? Click on the state, and major cities will be highlighted. Phoenix is 9b. (“With an average yearly temperature of 75.05°(F), Phoenix has a February 26-November 20 growing season and is located in a subtropical desert scrub. Common grasses include bermuda grass and St. Augustine grass. Averages; Low Temp: 25 to 30°(F), Rainfall: 8.04” Sunny Days: 299, Altitude: 1093‘)

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Tanglewild Gardens, Austin TX

Okay, I was just in Austin. Let’ check the deets on it: 8b ( “With an average yearly temperature of 69.4°(F), Austin has a February 17-December 6 growing season and is located in a subtropical dry forest. Common grasses include bermuda grass, buffalo grass, rye grass, St. Augustine grass and zoysia grass. Averages; Low Temp: 15 to 20°(F), Rainfall: 34.25” Sunny Days: 228, Altitude: 489′)



Go ahead, give it a try. Honolulu is 12a, Miami 11a...

"Instead of simply assuming you are in a certain zone and thinking you already know what grows best, click on the major metros near you to see detailed information specific to your exact area. Individual zones are no longer simply just bands that go across the country. Detailed sections are now based on multiple factors.

Click on your state to reveal a basic overview, including the state flower, a list of major metro areas, gardening zones and an overview of climate. By clicking your closest metro area, you’ll find even more detailed information to help make your gardening decisions."

Gilmour, which sells household/garden supplies, emailed this helpful planting zone map. No business relationship exists between Gilmour and AGO.

*that's my bold, since I was unfamiliar with this nomenclature "warm temperate thorn steppe," which derives from the Holdridge Life Zones Data Set.

Posted in climate, science | Tagged , , , | 9 Comments

multifaceted Mirador house, Austin TX

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Heroic in scale, the agaves and Cor-Ten steel undulating walls wet with rain, topped by a grove of Yucca rostrata at the rear entrance to the property.

I was so intrigued by this garden I visited in Austin earlier this month that my meager amount of rain-splashed photos weren’t enough to sate my curiosity. I had to know more. Yet reading further about this house and garden had me wondering if I saw the same project. Depending on the source material, various discrete design elements were emphasized, many that I didn’t recognize at all since I only saw a small part of the whole. (My introduction to the landscape design was through Pam Penick’s blog Digging. Pam is one of the co-founders of the Garden Bloggers Fling. Be sure to check out her excellent post for a much more comprehensive, sunnier/drier tour of the entire property and a look at the native grasses in bloom in fall.)

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To say this house and garden have a lot of angles is an understatement on so many levels besides just the literal. Because of that interplay of the house and landscape architecture, it’s one of those projects that makes you wish the architect and landscape architect were available in a panel discussion to talk about how they fit all these disparate puzzle pieces together to accomplish such a unified vision. I knew the fabulous landscape architecture was done by Curt Arnette but didn’t know who built the house.

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(Edited 5/22/18: Pam Penick Pam helpfully provided the architectural attribution as well as correcting other research: Jim LaRue of LaRue Architects.)

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A peek into the courtyard behind the massive Cor-Ten planters also serving as walls.

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Raining off and on, I didn’t grab many photos of the veg garden just beyond the courtyard, which along with this cool, Lone-Star emblazoned cistern had a spectacular board-formed concrete water feature. Some of the photos were too rain-blurred to be useful. Like I said, there were a lot of angles, a lot of facets to this complex property that somehow folds itself seamlessly into the oak-dotted landscape. What I’ve captured in photos is a tiny slice of the whole, including the back entrance leading to an inner pergola, terraces, patios, lawn, and pool off the back of the house.

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Photographically, balancing the interplay of all those angles is a fascinating challenge, which makes the work of the masters of architectural photography like Julius Shulman that much more impressive. I had to straighten quite a few of these photos!
We did not enter here but headed to the terraces, pool, and patios off the back of the house by heading left of that curved retaining wall.

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Leading to a fig-draped pergola and the pool area beyond.

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From the pergola, then across the lawn to the pool and terraces.

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Looking from the limestone terraces off the house in the direction of the pergola.

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Just visible beyond the lounge chairs is the deep overhang sheltering the sitting area closest to the house. Summer in Austin means days on end over 100F.

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A limestone soaking tub is a few steps away from the Cor-Ten-enclosed pool.

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The view from the terraces also encompasses the surrounding landscape. Yep, between the architect and the landscape architect, I don’t think they missed a trick.

Posted in agaves, woody lilies, artists, design, garden travel, garden visit | Tagged , , , , , , | 13 Comments

friday clippings 5/18/18

Do you ever worry that you’re getting a little jaded, just slightly inured to cool stuff because we see so much of it now via blogs, Instagram, online periodicals? I admit I worry that occasionally feeling a little inspirationally flat will stretch on into a forever of not caring ever again about interesting design, and that would be an impoverished existence indeed. And then that thing comes along that rocks my world all over again.

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Want! It feels so good to want, doesn’t it? Waaaaant! To live is to want, and I’m flooded with want for the UFO pot, which landed on my Instagram feed yesterday (izawa_seito). Deep admiration too. From Izawa Ceramics (as seen on Gardenista).

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I came upon the brilliant work of British designer Christian Marsden when I was all excited about casting industrial detritus and did a quick search to see who else was mining this urban salvage vein. My reaction was equal parts exhilaration, deflation, inspiration, admiration — possibly heaviest on deflation. It’s so good.

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I love the work and am jealous of the very clever name of it all — Stolen Form.

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Saya Designs reached out to AGO to help spread the word about their “Handcrafted hair sticks, hair slides and hair forks created from roots salvaged from old plantations. For each one purchased we will plant up to 10 endangered trees.” Fighting deforestation and keeping the hair out of my eyes? I’m in. Victoria sent some of their “hair sticks on a mission” for us to play with, results of which will be on the blog soon. (It’s estimated a quarter of carbon dioxide emissions are sucked up by trees — very effective carbon sinkholes!)

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rainy-day garden of Jenny Stocker, Austin, Texas, the Rock Rose.

Beth Chatto‘s life in the garden has come to an end, leaving so many of us grateful, inspired, in awe of her legacy. The Dry Garden is a classic I’ve treasured a long time, but it’s in her correspondence with Christopher Lloyd (Dear Friend and Gardener) where I think her complex portrait really comes into focus:

Dear Christo…I had forgotten to take bread out of the freezer last night, so I put a flat round loaf into the oven while I carted logs into the house for the wood-burning stove. Coming in from the cold air I found the smell of warm bread and wood smoke comforting. After breakfast I went out to empty the sink bucket, feed the birds and collect fresh vegetables, intending to take only a few minutes, but an hour easily slips by on such a rare morning. Near the compost heap, where I empty the waste-bucket, I spotted a fine plant of Euphorbia wulfenii seeded into a narrow crack in the concrete floor at the foot of a south-facing wall. It looks better, if anything, than many I have in cultivated borders, possibly benefitting by having its back to the warm wall. After all, it comes from the southern Mediterranean countries…I bent to look for the flower buds and found clusters or ladybirds, tucked close to the stems, protected among tight whorls of leaves, waiting, ready for their first meal of aphids when they arrive.”

(So you’re worried you don’t have a so-called “green thumb”? Cultivate instead an appetite for hard work and a keen, observant, insatiably curious mind — those make better odds for becoming a good gardener.)

At Jenny Rocker’s Austin garden, visited in the rain, the fleeting wildflowers bent earthward by the deluge, Beth Chatto’s name came up as an influence. Jenny and Beth share many of the qualities I mentioned above.

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Jenny, a British expat, takes the extremes Austin’s climate mercilessly doles out and crafts a gorgeous, unintimidated, uniquely personal horticultural response based on careful observation of the soil (or lack of it!), geology, climate. Beth would be so proud. Gardens are a dialogue with the land, the climate, and those living as well as passed on. I was reading a book on the plane to Austin by New Yorker journalist William Finnegan, a memoir of his surfing childhood “Barbarian Days,” and was struck by the similarities between surfing and making a garden, the intense observation and knowledge required of local conditions like currents, underwater reefs, wind conditions. I’ve misplaced the book, but here’s a quote from a New Yorker piece, “Playing Doc’s Games—I” for some of its flavor:

A wave comes. It swings silently through the kelp bed, a long, tapering wall, darkening upcoast. I paddle across the grain of the water streaming toward the wave across the reef, angling to meet the hollow of a small peak ghosting across the face. For a moment, in the gully just in front of the wave, my board loses forward momentum as the water rushing off the reef sucks it back up the face. Then the wave lifts me up—I’ve met the steepest part of the peak, and swerved into its shoreward track—and with two hard strokes I’m aboard. It’s a clean takeoff: a sudden sense of height fusing with a deep surge of speed. I hop to my feet and drive to the bottom, drawing out the turn and sensing, more than seeing, what the wave plans to do ahead—the low sun is blinding off the water looking south. Halfway through the first turn, I can feel the wave starting to stand up ahead. I change rails, bank off the lower part of the face, and start driving down the line. The first section flies past, and the wave—it’s slightly overhead, and changing angle as it breaks, so that it now blocks out the sun—stands revealed: a long, steep, satiny arc curving all the way to the channel. I work my board from rail to rail for speed, trimming carefully through two more short sections. Gaining confidence that I will in fact make this wave, I start turning harder, slicing higher up the face and, when a last bowl section looms beside the channel, stalling briefly before driving through in a half crouch, my face pressed close to the glassy, rumbling, pea-green wall. The silver edge of the lip’s axe flashes harmlessly past on my left. A second later, I’m coasting onto flat water, leaning into a pullout, and mindlessly shouting “My God!

Very different experiences temporally, but I’ve walked into the garden some mornings and mindlessly shouted those very same words.

The Planthunter’s Guide to Growing Native Houseplants suggests veering away from run-of-the-mill houseplants and experimenting with something like, oh, lomandra and Grevillea robusta!? Native in this case meaning hailing from Australia, but the idea is an intriguing one.

The New York Times’ somewhat snarkily condescending but nevertheless useful advice on “How To Become a Plant Parent” can be found here.

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Lastly, a local plant sale in Thousand Oaks and a garden tour in San Clemente this Saturday.

Have a great weekend!

Posted in clippings | Tagged , , , , , , | 4 Comments

Bloom Day May 2018

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The Chinese Fringe Tree, Chionanthus retusus, seemingly leafs out and blooms simultaneously. Every year before it does so and appears instead to be quite dead, I fear that this is the year it has truly died, succumbing to lack of winter chill. It’s one of the few deciduous trees, along with cotinus, that I planted when we first moved in almost 30 years ago. Since then I’ve planted mostly evergreens like acacia. But it’s a nice, mediumish-sized tree that has no aspirations to gigantism, and helpfully shades the east side of the house, giving the parakeets in the screened bathhouse off our bedroom something to chirp about, with all the squirrels and birds freely making use of its branches and canopy. (I may as well tell you that the parakeets revealed their true names to me in a dream recently. Speaking for them both, the yellow one politely informed me that she is “Bierksa,” and the noisy green parakeet is “Golder.” I believe we had named them PeeWee and Ike, respectively. I tell you, I have some wacky dreams…but whatever, we’re going with the new names.)

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Passiflora ‘Flying V’ stayed evergreen over winter and erupted in spring with loads of small, parasol-shaped flowers. I think I’ve compared the floral effect before to the annual vine Rhodochiton atrosanguineum, the Purple Bell Vine, which seems to like a cooler summer than I can offer. This passion vine completely and enthusiastically accepts my garden’s terms. I like that.

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It’s already sprinkled with tiny Gulf Fritillary caterpillars.

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Pennisetum ‘Karley Rose’ is always in a rush to bloom first among grasses. A bit messy and disorganized, and best if given strong shrubby support from neighbors.

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New to the garden this year and throwing its first bloom, Miscanthus nepalensis, the Himalayan Fairy Grass, which I’m so hoping decides to make a new home in Los Angeles — a very long way indeed from Nepal.

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I offered the Lion’s Ear, Leonotis leonurus, an inhospitable, terribly dry spot under the Purple Fernleaf Acacia because I know how thuggish and overwhelming it can be in good garden conditions.

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It apparently has no clue it was insultingly offered the worst conditions in the garden and is having a fabulous time here.

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Nicotianas in chartreuse and white continue to reseed.

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Centranthus lecoqii, a valerian I really like for the two-tone shading to the flower trusses. Reseeds robustly, like all valerian, but easily edited.

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I bought this Linaria maroccana seed from Chiltern’s, the ‘Licilia’ series, ‘Licilia Azure’

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Seedheads of purple orach, a cool-season, spinach-like green that I grow for its tall, slim silhouette and deep color. Seed came from Wild Garden Seed.

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A succulent-leaved pelargonium known as the Sorrel Geranium that I bought from the Huntington in 2017. Pelargonium acetosum ‘Peach.’ It’s really starting to grow on me. Tolerates very dry conditions.

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Phytolacca icosandra, the South American Button Pokeweed, from Annie’s Annuals, supposedly to 9 feet but probably much less in a container. I have no idea what to expect — so exciting!

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Found the tag on this flowering maple. Abutilon megapotamicum ‘Red.’ Brought home mid-winter, it was irresistible, beautifully grown — and then it immediately collapsed under my care, no longer getting that fertilizer “push” from the growers. It dropped most of those leaves, looked hideous for a while, and is now adapting to the real world aka life under my care. I can’t believe I still fall for those nursery growing tricks — I blame it on January.

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There are two clumps of paws in the garden this summer. ‘Tequila Sunrise’ is one. I hate that it continually reminds me of that song but love the color.

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It grows at the outer edge of the tetrapanax canopy, with the big leaves trimmed off when they cast too much shade.

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Taken late in the evening and not the best quality, but this shows the height of the lost-tag, yellow anigozanthos this year, despite relatively low rainfall over the winter. (Have we even reached 5 inches of rainfall this season?) It’s not ‘Yellow Gem’ because there’s no orange in the flower, just a pure chartreusy yellow. Long-lived and over 6 feet tall — it’s a keeper. And there’s that spot we missed over the kitchen window awning…

In the background is Grevillea ‘King’s Fire’ and Verbena bonariensis, Amicia zygomeris in the foreground.

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Looking away from the house at the garage/office window, orach in foreground, kangaroo paws and Grevillea ‘Moonlight’ in the background, with bog sage, Salvia uliginosa, just starting to bloom next to the paws. And flowering tobaccos have some head room for reseeding under the grevillea now that it’s large enough to be trained into a small tree.

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The silver behind Salvia fruticosa is struggling Calif. native Hazardia detonsa, the Island Bristleweed. I hate to call it quits with this one, but it’s not very happy. New basal growth seems stunted.

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The lavender is ‘Goodwin Creek Grey.’

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Gaillardia ‘Mesa Peach’ is an experiment in containers — too big and sprawly for the garden.

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Fuchsia ‘Koralle’ (or ‘Coralle’?) from Denver Botanic Garden plant sale last spring. (BTW, Denver will be the destination for next year’s Garden Bloggers Fling.)

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Erodium chrysanthum and what I think is either hybrid Aeonium ‘Berry Exciting’ or Aeonium leucoblepharum.

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Baja spurge, Euphorbia xanti. There are vast, enormous hedges of this at the Huntington adjacent to the Desert Conservatory that were in full bloom my last visit. I’ve kept mine in a container.

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A gift aloe from Dustin. Aloe camperi? The bloom timing fits, but it’s clean green leaves are very unlike a smaller Aloe camperi already planted in the garden with spotted leaves. San Marcos Growers discusses the various spotted and unspotted camperis in leaf, which may explain the mystery. My original aloe, still small and yet to bloom, may be Aloe camperi ‘Cornuta.

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The chocolate daisy, Berlandiera lyrata, is the right height, the right amount of reseeding and tolerance to dry conditions, the right sort of absorbing seedpod detail, the right sort of contrasting stamens — it’s the daisy with the right stuff for this garden, including that fantastic chocolate scent. (Thank you for everything, Mr. Wolfe!)

As always, the Bloom Day reports are collected by Carol at May Dreams Gardens.

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wrap-up; Garden Bloggers Fling Austin 2018

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the last night’s post-tour dinner in a field of larkspur

Austin opened its friendly arms wide, Texas-style, in a full-circle welcome to garden bloggers from all over the world. These annual soirees and orgies of garden touring and plant talk are known as the Garden Bloggers Fling, and it all started here in Austin ten years ago. (Way back in the Dark Ages Before Paypal, as Diana Kirby wryly observed, one of the original co-founders along with Pam Penick, who were joined this year by Laura Wills.) The Fling is simply one of garden blogging’s great rewards. The incredibly generous sponsors are listed here.

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The afterparty was held on the fabulous grounds of Articulture Designs. Paul Glasse and his trio played some great Django Reinhardt-inflected Texas swing, and the inspired cocktails all began with tequila, from recipes out of Lucinda Hutson’s ¡Viva Tequila! Texas BBQ just had to be on the menu, I prayed, and it was — the brisket was divine.

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Thundery skies threatened at the Lady Bird Johnson Wildflower Center, the first stop on the tour…and it was no idle threat. What ensued was an epic soaking rain that had us scattering through the wildflower fields for cover, triggering local flash flood warnings and vestigial memories in me of similar childhood rains in my now drought-prone home. My shoes and socks were soaked the rest of the day, but it was an indelible, emotion-charged Here Comes The Rain Again moment that vividly conveyed the source of all the green lushness of Austin in late spring. (When not experiencing drought, average rainfall in Austin ranges 32-36 inches, and the heaviest rainfall occurs in May and September.)

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For me the iconic plants on the tour were the oaks, the yuccas and dasylirions, the hesperaloes everywhere in bloom, and the majestic whale’s tongue agaves, which are one of the handful of agaves hardy enough to overwinter outdoors in Austin. Casually chatting about the merits of the various hesperaloe varieties on the market with the creator of many of them, David Salman of High Country Gardens, is a one-of-a-kind experience typical of the Fling.

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The First Lady’s legacy at the Wildflower Center is not a demure homage to pretty wildflowers, but a kick-ass, cutting edge, contemporary setting for Texas’ incredible range of native plants.

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And then there was that stonework. The pale, luminous limestone, kurst, marl — whatever you call it, that is the geologic evidence of Austin’s ancient shallow seas, is everywhere, as cladding for houses and garden structures, edging plantings, laid down in paths, stepping stones. It bestows on Austin’s houses and gardens an unmistakably strong regional style. Along with the stock tanks and giant gleaming cisterns, the limestone is part of a vernacular design vocabulary that, as far as I know, is uniquely Austin’s own.

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I’ll be unpacking more impressions from the trip to Austin in the coming weeks. Warmest thanks to the planners and sponsors who helped make this visit to Austin possible — and to all the old and new friends I met on the tour.

Posted in agaves, woody lilies, design, garden travel, garden visit, pots and containers | Tagged , , , , , | 11 Comments

wednesday vignettes 5/2/18

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More Palm Springs-style landscape architecture from the recent Pasadena Garden Conservancy Open Days, in this case overlooking a deep arroyo, with some of the foothills’ iconic bridges in the distance. The landscape design zealously protects views and is as much out of a MCM 1960s time capsule as the house. Depth and soulfulness courtesy of some spectacular oaks.

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In 1963, Smith & Williams designed this single-story mid-century home on the banks of the Arroyo River. Sited to best take advantage of the views, the post-and-beam residence provides walls of glass and a seamless transition to the outdoors and vistas beyond. During the renovation of all the outdoor spaces, the current owners wanted to maximize the outdoor entertaining space, as well as create a more natural connection, utilizing Southern California indigenous plants. Nord Ericksson designed a landscape vocabulary that both leveraged the architectural lines of the home and maximized visual attention to the existing palm, oak, and olive trees on the property. As for plants, the focus was to utilize drought-tolerant specimens and citrus as much as possible…The infinity pool is anchored by a band of grass above and seating area below.”

Posted in agaves, woody lilies, climate, design, garden visit, succulents | Tagged , , , | 3 Comments

Eric Trine’s Column Pedestal Planter Holder

A bit of a switch-up from my rusty flea market finds, but here’s proof that elevation is also on the minds of commercial designers and artists, albeit in much sleeker, powder-coated forms, suitable for indoors or outdoors.

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Photo courtesy of West Elm

In my inbox this morning from Dwell: “LA-based designer Eric Trine designs by making, rather than drawing. Made of powder-coated steel, these column-inspired plant holders’ airy design elevates planters off the ground, yet still keeps your space light and open. Flip them upside down for double duty as a side table.”

(I would just like to drill down geographically and flaunt some shameless hometown pride — to be precise, Eric Trine is a Long Beach-based object designer and commercial artist.)

Posted in artists, design, pots and containers | Tagged , , , | 1 Comment